Poslední úprava: Mgr. Zita Skořepová, Ph.D. (24.03.2016)
1)Introduction
2)Concepts of minority in law and in social sciences/humanities. Minorities in Central Europe. (Reading: Gleason, Wirth)
3)Ethnomusicology as a "minority" discipline?
4)Key theoretical concepts of minority music research in ethnomusicology (Reading: Turino)
5)Music and migration - Sephardic and Mizrahi Jews in Israel (Reading: Shiloah)
6)Music and identity 1: ZIMU - Kabyle musician in Paris (Reading: Lundberg or Skořepová - ZIMU (in French))
7)Music and identity 2: Ziriab - Arabic music in the Czech Republic (Reading: Skořepová - Ziriab)
8)Selfpresentation strategies of immigrant communities in the Czech Republic 1 (Reading: Skořepová - Acculturation strategies...)
9)Selfpresentation strategies of immigrant communities in the Czech Republic 2
10)Myth of Romani Music in Prague (Reading: Jurková)
11)Viennese Czechs in the 21st century 1 (Reading: Reyes)
12)Viennese Czechs in the 21st century 2
13)Final discussion
Obligatory bibliography:
Reyes, A., Songs of the Caged, Songs of the Free, Philadelphia: Temple University Press, 1999.
Jurková, Z. et al., Prague Soundscapes, Praha: Karolinum, 2014.
Recommended bibliography:
Slobin, M., Subcultural Sounds. Micromusics of the West, Hanover, NH: Wesleyan University Press, 2000.
Kaufman Shelemay, K., Let Jasmine Rain Down. Songs and Remembrance among Syrian Jews, London, Chicago: The University of Chicago Press, 1998.
Butler, Kim D. 2001. "Defining Diaspora, Refining a Discourse". Diaspora 10 (2): 189-219.
Gleason, Philip. 1991. "Minorities (Almost) All: The Minority Concept in American Social Thought". American Quarterly 43 (3): 392-424.
Jurková, Z. 2009. "Myth of Romani Music in Prague". Urban People/Lidé města 11 (2): 351-377.
Lundberg, Dan. 2010. "Music as identity marker: individual vs. collective". Migracoes/Music and Migration 7: 29-43.
Martiniello, Marco, Lafleur Jean-Michel. 2008. "Ethnic Minorities’ Cultural and Artistic Practices as Forms of Political Expression: A Review of the Literature and a Theoretical Discussion on Music." Journal of Ethnic and Migration Studies 34 (8): 1191-1215.
Skořepová Honzlová, Z. 2010. "Ziriab - Arabic Music in the Czech Republic". Urban People/Lidé města 12 (2): 399-417.
Skořepová, Z. 2012. "Acculturation Strategies in Musical Self-Presentations of Immigrants in the Czech Republic". Urban People/Lidé města 14 (2): 369-384.
Skořepová, Z. 2013. "Contemporary Viennese Czechs and the marginalization of their national identity: Representational and Graduation Ball" in Jurková, Z., Stellmacher, M., Skořepová, Z., Kuhnová, K., Seidlová, V. 2013. Tóny z okrajů: Hudba a marginalita/Sounds from the Margins. Praha: Kher.
Turino, Thomas. 2008. Music as Social Life. The Politics of Participation. Chicago and London: The University of Chicago Press.
Poslední úprava: Mgr. Zita Skořepová, Ph.D. (01.03.2016)
1)Introduction
2)Concepts of minority in law and in social sciences/humanities. Minorities in Central Europe. (Reading: Gleason, Wirth)
3)Ethnomusicology as a "minority" discipline?
4)Key theoretical concepts of minority music research in ethnomusicology (Reading: Turino)
5)Music and migration - Sephardic and Mizrahi Jews in Israel (Reading: Shiloah)
6)Music and identity 1: ZIMU - Kabyle musician in Paris (Reading: Lundberg or Skořepová - ZIMU (in French))
7)Music and identity 2: Ziriab - Arabic music in the Czech Republic (Reading: Skořepová - Ziriab)
8)Selfpresentation strategies of immigrant communities in the Czech Republic 1 (Reading: Skořepová - Acculturation strategies...)
9)Selfpresentation strategies of immigrant communities in the Czech Republic 2
10)Myth of Romani Music in Prague (Reading: Jurková)
11)Viennese Czechs in the 21st century 1 (Reading: Reyes)
12)Viennese Czechs in the 21st century 2
13)Final discussion
Obligatory bibliography:
Reyes, A., Songs of the Caged, Songs of the Free, Philadelphia: Temple University Press, 1999.
Jurková, Z. et al., Prague Soundscapes, Praha: Karolinum, 2014.
Recommended bibliography:
Slobin, M., Subcultural Sounds. Micromusics of the West, Hanover, NH: Wesleyan University Press, 2000.
Kaufman Shelemay, K., Let Jasmine Rain Down. Songs and Remembrance among Syrian Jews, London, Chicago: The University of Chicago Press, 1998.
Butler, Kim D. 2001. "Defining Diaspora, Refining a Discourse". Diaspora 10 (2): 189-219.
Gleason, Philip. 1991. "Minorities (Almost) All: The Minority Concept in American Social Thought". American Quarterly 43 (3): 392-424.
Jurková, Z. 2009. "Myth of Romani Music in Prague". Urban People/Lidé města 11 (2): 351-377.
Lundberg, Dan. 2010. "Music as identity marker: individual vs. collective". Migracoes/Music and Migration 7: 29-43.
Martiniello, Marco, Lafleur Jean-Michel. 2008. "Ethnic Minorities’ Cultural and Artistic Practices as Forms of Political Expression: A Review of the Literature and a Theoretical Discussion on Music." Journal of Ethnic and Migration Studies 34 (8): 1191-1215.
Skořepová Honzlová, Z. 2010. "Ziriab - Arabic Music in the Czech Republic". Urban People/Lidé města 12 (2): 399-417.
Skořepová, Z. 2012. "Acculturation Strategies in Musical Self-Presentations of Immigrants in the Czech Republic". Urban People/Lidé města 14 (2): 369-384.
Skořepová, Z. 2013. "Contemporary Viennese Czechs and the marginalization of their national identity: Representational and Graduation Ball" in Jurková, Z., Stellmacher, M., Skořepová, Z., Kuhnová, K., Seidlová, V. 2013. Tóny z okrajů: Hudba a marginalita/Sounds from the Margins. Praha: Kher.
Turino, Thomas. 2008. Music as Social Life. The Politics of Participation. Chicago and London: The University of Chicago Press.
