Moderní americké drama: od O'Neilla po Albeeho: písemná práce - AAALB009B

• Anglický název: Modern American Drama: O'Neill to Albee: graded paper
• Zajišťuje: Ústav anglofonních literatur a kultur (21-UALK)
• Fakulta: Filozofická fakulta
• Platnost: od 2023
• Semestr: zimní
• Body: 0
• E-Kredity: 3
• Způsob provedení zkoušky: zimní s.:písemná
• Rozsah, examinace: zimní s.:0/0, Zk [HT]
• Počet míst: neurčen / neurčen (neurčen)
• Minimální obsazenost: neomezen
• 4EU+: ne
• Virtuální mobilita / počet míst pro virtuální mobilitu: ne
• Stav předmětu: nevyučován
• Jazyk výuky: angličtina
• Způsob výuky: prezenční
• Způsob výuky: prezenční
• Poznámka: předmět je možno zapsat mimo plán; povolen pro zápis po webu
• Garant: doc. Clare Wallace, M.A., Ph.D.
• Korekvizity : AAALB009A

Anotace

Poslední úprava: doc. Clare Wallace, M.A., Ph.D. (31.01.2023)

Graded paper requirement for FF MA students only.

The course will investigate the development of modern American drama in the first half of the twentieth century. We will primarily concern ourselves with some of America's canonical playwrights and with close reading of their work. C.W.E. Bigsby observes that it is only when we reach the twentieth century that American drama begins to 'test its own boundaries and possibilities.' We will explore the ways in which its key playwrights address these boundaries and possibilities in particular through recurrent themes of social and individual alienation as well as through formal experiment. The playwrights in focus this semester will include: Eugene O'Neill, Susan Glaspell, Sophie Treadwell, Thornton Wilder, Clifford Odets, Lillian Hellman, Tennessee Williams, Arthur Miller Lorraine Hansberry, Amiri Baraka and Edward Albee.
Schedule
Week 1 (15.2) Introduction: American theatre from melodrama to modernism
Week 2 (22.2) Experiments in form – Eugene O’Neill: The Hairy Ape (1922), Strange Interlude (1928)
Week 3 (1.3) Experiments in form – Susan Glaspell: Trifles (1916), Sophie Treadwell: Machinal (1928)
Week 4 (8.3) Tragedy – Eugene O’Neill: Long Day’s Journey into Night (1941/2, pub. 1956)
Week 5 (15.3) Anti-tragedy – Thornton Wilder: Our Town (1938)
Week 6 (22.3) Harlem Renaissance session with Mgr. Ondřej Polák
Week 7 (29.3) Morality and conflict – Clifford Odets Awake and Sing (1935) Waiting for Lefty (1935), Lillian Hellman The Children’s Hour (1934)
Week 8 (5.4) Thwarted desire – Tennessee Williams The Glass Menagerie (1944) and A Streetcar Named Desire (1947)
Week 9 (12.4) Tragedy revisited – Arthur Miller All My Sons (1947), Death of a Salesman (1949)
Week 10 (19.4) Race / Politics – Lorraine Hansberry A Raisin in the Sun (1957), Amiri Baraka The Dutchman (1964)
Week 11 (26.4) Absurdism – Edward Albee The Zoo Story (1959), American Dream (1960)
ESSAY PROPOSALS DUE by 28 April at 18.00
Week 12 (3.5) Discussion of research proposals
Week 13 (10.5) Conclusion


Grading Scheme
Attendance and Participation 20%
Presentation/Short response paper 20%
Proposal (10) + Final Essay (50) 60%

Metody výuky

Poslední úprava: Mgr. Helena Znojemská, Ph.D. (23.06.2013)

seminar