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The course organically combines knowledge about the development of music in historical and form contexts. It is therefore focused on the acquisition of knowledge about the development, laws and features of form construction, about the representation of forms in specific musical works; it is also focused on the practical mastery of the basic building mechanisms of small forms in vocal and instrumental form, in the verification role of theoretical knowledge and in didactic preparation. The presentation of forms is realized in connection with the development of music in art-historical and general historical contexts. 1. Music and genres of antiquity, ancient drama, its role and its modern conception 2. The beginnings of European music, chant, monody, non-periodic formations, fundamental formations of spiritual and liturgical music. The beginnings of folk music, the oldest preserved monuments of Czech music, the form structure of contemporary and contemporary vocal formations, the basics of form construction 3. Knight music, minnesang, musical formations of the epoch, the organic period, Notre Dame, ars antiqua, ars nova. Organum, conductus, motetus, ballata, rondeaux, virelais, chasse, caccia, music of the Reformation, vocal formations of the epoch 4. Renaissance, Dutch schools, canon, madrigal, Italian renaissance, renaissance in Bohemia, literary fraternities, symbiosis of vocal and instrumental music 5. European and Czech Baroque, ricercar, fugue, prelude, toccata, cantata, oratorio, opera, concert, counterpoint variations, types of musical thinking, characters of instrumental music - motif, theme, figure, running, dance suite 6. European and Czech classicism, characters music, new homophonic forms - sonata form, sonata cycle and variants of its cast, variations, serenade, opera 7. Romanticism, national schools, projection of romantic musical thinking into form formations and expressions - absolute and program music - symphony, program symphony, symphonic poem , song forms, problems of form and genre, cycles, dances, suite, vocal formations 8. Impressionism - modal music, formations, Czech expressionism 9. Expressionism - atonal music, serials smus, 2nd Viennese school, Czech expressionism 10. Neoclassicism - extended tonality 11. Stylistic syntheses of contemporary music - tradition and innovation of expression and form 12. Popular music and so-called non-artificial music as a phenomenon of the 20th century
Poslední úprava: Esserová Kateřina, DiS. (06.05.2022)
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The aim is to acquire basic theoretical principles of music and to gain an overview of the key milestones of music-historical development. Poslední úprava: Nedělka Michal, prof. PaedDr., Dr. (29.01.2023)
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Expected preparation time for 1 hour lecture: 30 minutes Poslední úprava: Nedělka Michal, prof. PaedDr., Dr. (31.01.2023)
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Demonstration of knowledge of the development of music and methods of its research from a historical and complex analytical point of view. Continuous completion of assignments based on active participation in class with a tolerance for absence in 4 class periods. Classified credit has 3 terms. Regular and 2 remedial terms. Poslední úprava: Nedělka Michal, prof. PaedDr., Dr. (31.01.2023)
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Crocker, Richard L.: A History of Musical Style, New York1986 Dahlhaus, Carl: Nineteenth-Century Music. Berkeley, Los Angeles, London: University of California Press 1989 (překlad Musik des 19. Jahrhunderts, viz Neues Handbuch der Musikwissenschaft, Band 6) Green, Douglass. Form in Tonal Music: An Introduction to Analysis, Second Edition. Holt, Rinehart and Winston : 1979. 336 pp. ISBN-13: 978-0030202865. Poslední úprava: Esserová Kateřina, DiS. (06.05.2022)
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Complex analytical part Comprehensive analysis of selected compositions with respect to the pedagogical aspects of the analysis Music for analysis: Folk Songs (selection) Popular songs (selection) J. Ježek: David a Goliáš F. Max Kníže: Zklamaná láska Josef Říha: Missa brevis Zdeněk Pololáník: Liturgická česká mše J. S. Bach: Malá preludia a fugety (fuga c moll, fuga C dur) J. S. Bach: Temperovaný klavír (Preludium a fuga Es dur) J. S. Bach: Francouzské suity, Anglické suity, Německé suity (výběr) J. S. Bach: Passacaglia c moll J. Haydn: Symfonie S úderem kotlů M. Clementi: Sonatina č. 3 C dur W. A. Mozart: Malá noční hudba W. A. Mozart: Variace C dur L. van Beethoven: Sonáta c moll Patetická F. Schubert: Impromptu As dur J. Brahms: Variace na Haydnovo téma Vicent d´Indy: Istar L. Janáček: Po zarostlém chodníčku V. Sommer: Vokální symfonie P. Eben: Okna pro trubku a varhany V. Novák: Slovácká suita F. Chopin: Etuda (výběr) F. Chopin Preludia (výběr) J. J. Ryba: Rozmilý slavíčku Z. Fibich: Vodník A. Dvořák: Symfonie e moll A. Dvořák: Vodník B. Smetana: Vltava B. Smetana: Polka g moll (Poetické polky) F. Chopin: Valčík As dur Česká státní hymna S. Prokofjev: Pater Lorenzo (Romeo a Julie) S. Prokofjev: Gavota (Romeo a Julie) Poslední úprava: Nedělka Michal, prof. PaedDr., Dr. (29.01.2023)
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1. Ancient music and genres, drama, its role and its modern conception Poslední úprava: Nedělka Michal, prof. PaedDr., Dr. (29.01.2023)
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