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A chronological survey of music in film, from silent films to the present day. The course begins with an overview of
techniques in filmmaking and film scoring, with subsequent weeks devoted to specific eras and genres: the Golden Age of Hollywood, Film Noir, musicals, popular music in film, international cinema, and others. Readings, lectures, and discussions will explore a complex network of collaborations among composers, directors, orchestrators, producers, and other film personnel. Students will have the opportunity to study a film of their choice in detail, presenting their research to the class in the form of final presentations and papers. Poslední úprava: Schneider Lenka, Mgr. (02.06.2025)
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AHV110413: Film Music Andrew Haringer, PhD Course Meetings: Wednesdays, 15.50-17.25, Institute of Musicology, Room 405 Office Hours: By appointment
Description A chronological survey of film music, from “silent” movies to the present day. We will first cover fundamental techniques of filmmaking and film scoring, while looking at highlights from the silent film era. We will next focus on Classical Hollywood cinema of the 1930s-1950s, with forays into international film. In the second half of the semester we will turn to new cinematic approaches in the 1950s-1970s, with a special interest in director/composer relationships. We will conclude our historical overview by examining more recent trends in film scoring techniques. In the last week of class, you will each present your research on a film and film score of your choice. The final exam will test both your knowledge of history and your analytical skills.
Course objectives · To develop a critical awareness of film and film scoring techniques and terminology · To discuss the form and content of significant films, analyzing key scenes · To research and present on a film of your choice · To demonstrate mastery of course content in a final exam, format TBD
Grading Film Fundamentals Analysis 20% Storyboard Assignment 20% Research Project 20% Final 40%
Film Fundamentals Analysis (due October 22) In order to demonstrate proficiency in fundamentals of film analysis, you will each analyze selected scenes from the TV series Better Call Saul. Detailed guidelines to follow.
Storyboard Assignment (due November 26) Create storyboards and analyze a scene from your movie choice for the research project (see below). Detailed guidelines to follow. Research Project (due last day of class) Students will be responsible for researching and presenting on a film and soundtrack of their choice. The best choices are historically significant films that have received special attention for their soundtracks. Detailed guidelines to follow.
Final Exam (date/format TBD) A comprehensive test of course content, both historical and analytical. Details to follow. Course Schedule All readings and assignments should be completed by the listed date.
Poslední úprava: Haringer Andrew Lawrence, Ph.D. (08.11.2025)
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