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What is the relation between cinema and time? How has the philosophical concept of time changed since the appearance of cinema? The course will follow some of the late 20th century's thinkers in its search to understand how we experience time in the time of cinema. The basis of our questioning will be Gilles Deleuze´s two-volume work on Cinema and Mary-Ann Doane´s analysis on the concept of time in cinema. The courses will be accompanied by short projections. Poslední úprava: Kettner Marek, Mgr., Ph.D. (02.02.2022)
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Gilles Deleuze, Cinema 1: The Movement Image, (London & New York: The Athlone Press 2002). Gilles Deleuze, Cinema 2: The Time Image, (London & New York: The Athlone Press 2005). Mary Ann Doane, The Emergence of Cinematic Time: Modernity, Contingency, the Archive, (Harvard University Press 2002).
Siegfried Kracauer, The Mass Ornament: Weimar Essays, (Harvard University Press 2005).
Slavoj Žižek, The Art of the Ridiculous Sublime: On David Lynch's Lost Highway, (University of Washington Press 2000).
Miroslav Petříček, Myšlení obrazem, (Praha: Hermann & synové 2009).
Karel Thein, Rychlost a slzy: Filmové eseje, (Praha: Prostor 2002).
Poslední úprava: Kettner Marek, Mgr., Ph.D. (02.02.2022)
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The evaluation will be given based upon two criteria:
1) Active participation in the seminar
2) Final oral exam or written essay, concentrating on chosen topics discussed in advance with the teacher Poslední úprava: Kettner Marek, Mgr., Ph.D. (02.02.2022)
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