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OBJECTIVES
The course is designed as a wide exploration of stage and radio plays written by Beckett from the 1950s to the late 1970s. A central objective is to follow the trajectories taken by recurrent themes in these plays such as voices resounding in the head, fighting back and/or piecing together memories, or the presence of a torturing external gaze. Close attention will be paid to the way in which Beckett often stretches his medium to the utmost limit: it will become manifest how radically Beckett changed the face of modern theatre with his fundamental experiments. The course will combine textual analysis with an examination of the performative aspects of the play text and the specific forms of approaching its audience. Most items will be screened or made available in audio format. ASSESSMENT Credit requirements include active in-class participation, a 15-20 min in-class presentation, and a final essay (min. length 3 000 words). Students wishing to be awarded an exam grade in the course are required to submit, in addition to the above, a graded research paper (min. length 5 000 words). Essay topics must be consulted with the instructor in advance. The formal arrangement of essays must follow the Department guidelines (essay-guidelines.pdf (cuni.cz)). The use of AI in writing the essay is prohibited. Should any suspicion of AI use arise, the student will have to attend an in-person discussion with the course instructor before the credit is awarded. Essays are submitted by e-mail to the course instructor (as an MS Word/Open Office document). Deadline for all essays: 20 January 2027. Poslední úprava: Pilný Ondřej, prof. Mgr., Ph.D. (10.09.2026)
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BASIC BIBLIOGRAPHY Beckett, Samuel. The Complete Dramatic Works. London: Faber and Faber, 1986. “Three Dialogues by Samuel Beckett and Georges Duthuit.” In Martin Esslin, ed. Samuel Beckett. A Collection of Critical Essays. New Jersey: Prentice-Hall, 1965. 16-22. Knowlson, James. Damned to Fame. The Life of Samuel Beckett. London: Bloomsbury, 1996. Pilling, John, ed. The Cambridge Companion to Beckett. Cambridge: Cambridge University Press, 1994. van Hulle, Dirk, ed. The New Cambridge Companion to Samuel Beckett. Cambridge: Cambridge University Press, 2015. Ackerley, C.J. and S.E. Gontarski, eds. The Grove Companion to Samuel Beckett. New York: Grove Press, 2004. Uhlmann, Anthony, ed. Samuel Beckett in Context. Cambridge: Cambridge University Press, 2013. Cohn, Ruby. A Beckett Canon. Ann Arbor: University of Michigan Press, 2001. Gontarski, S.E., ed. The Edinburgh Companion to Samuel Beckett and the Arts. Edinburgh: Edinburgh University Press, 2014. Haynes, John and James Knowlson. Images of Beckett. Cambridge: Cambridge University Press, 2003. The Letters of Samuel Beckett. 4 vols. Edited by George Craig, Martha Dow Fehsenfeld, Dan Gunn and Lois More Overbeck. Cambridge: Cambridge University Press, 2009-2016. O’Brien, Eoin. The Beckett Country. Samuel Beckett’s Ireland. Dublin: The Black Cat Press/ London: Faber and Faber, 1986. Poslední úprava: Pilný Ondřej, prof. Mgr., Ph.D. (05.09.2025)
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seminář Poslední úprava: Znojemská Helena, Mgr., Ph.D. (23.06.2013)
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SCHEDULE 5 Oct Introduction 12 Oct Endgame 19 Oct Happy Days 26 Oct All That Fall 2 Nov Krapp’s Last Tape 9 Nov Words and Music 16 Nov No class (Humanities Week) 23 Nov Cascando 30 Nov Play 7 Dec Not I 14 Dec That Time 4 Jan Footfalls Poslední úprava: Pilný Ondřej, prof. Mgr., Ph.D. (10.09.2026)
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