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Předmět, akademický rok 2022/2023
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Ireland on Film: Identity and Representation - AAALC004A
Anglický název: Ireland on Film: Identity and Representation
Zajišťuje: Ústav anglofonních literatur a kultur (21-UALK)
Fakulta: Filozofická fakulta
Platnost: od 2022 do 2022
Semestr: letní
Body: 2
E-Kredity: 5
Způsob provedení zkoušky: letní s.:
Rozsah, examinace: letní s.:0/2, Z [HT]
Počet míst: neurčen / 15 (neurčen)
Minimální obsazenost: neomezen
Virtuální mobilita / počet míst pro virtuální mobilitu: ne
Stav předmětu: vyučován
Jazyk výuky: angličtina
Způsob výuky: prezenční
Způsob výuky: prezenční
Poznámka: předmět je možno zapsat mimo plán
povolen pro zápis po webu
Garant: doc. Clare Wallace, M.A., Ph.D.
Vyučující: doc. Clare Wallace, M.A., Ph.D.
Je korekvizitou pro: AAALC004B
Je záměnnost pro: AAA500722
Anotace - angličtina
Poslední úprava: doc. Clare Wallace, M.A., Ph.D. (04.02.2023)
4.2.2023: Please note -- this seminar is now full, no new enrolments are possible.

Course Description:
The course will explore representations of Ireland and the Irish through film. One of the central aims will be to analyse the ways in which Ireland has been portrayed by filmmakers – as quaint and pastoral or conversely as a nation plagued by seemingly senseless violence – and to explore how more recently these trajectories are becoming more complicated. In particular, we will focus upon questions of authenticity and imagination, the texts and contexts of the films, while taking into account the background of current debates in Irish cultural and literary studies involving post-colonialism and post-modernism. <br>
Students are expected to watch the assigned films in advance of the class. <br>
Schedule: <br>
Week 1 (14 Feb.) Introduction<br>
Week 2 (21 Feb.) Ethnicity, Authenticity and Documentary: Man of Aran (Robert Flaherty, 1934)<br>
Week 3 (28 Feb.) Ireland and the American Imagination: The Quiet Man (John Ford, 1952)<br>
Week 4 (7 Mar.) America and the Irish Imagination: Brooklyn (John Crowley, 2015)<br>
Week 5 (14 Mar.) Catholic Ireland’s Hidden Pasts: The Magdalene Sisters (Peter Mullan, 2002)<br>
Week 6 (21 Mar.) The Troubles on Film: The Crying Game (Neil Jordan, 1992) <br>
Week 7 (28 Mar.) The Troubles on Film: Bloody Sunday (Paul Greengrass, 2002) <br>
Week 8 (4 Apr.) Dublin ‘Musicals’: The Commitments (Alan Parker, 1990), Once (John Carney, 2007)<br>
Week 9 (11 Apr.) Celtic Tiger Ireland: Intermission (John Crowley, 2003)<br>
Week 10 (18 Apr.) Celtic Tiger Ireland: Adam and Paul (Lenny Abrahamson, 2004)<br>
Week 11 (25 Apr.) Ireland and Europe: In Bruges (Martin McDonagh, 2008)<br>
ESSAY PROPOSALS DUE by 28 April at 18.00<br>
Week 12 (2 May) Topic to be finalised<br>
Week 13 (9 May) Conclusion<br>
Grading Scheme <br>
Attendance and Participation 20%<br>
Presentation/Short response paper 20%<br>
Proposal (10) + Final Essay (50) 60%<br>
Poslední úprava: doc. Clare Wallace, M.A., Ph.D. (17.03.2015)

Barton, Ruth. Jim Sheridan: Framing the Nation. Dublin: Liffey Press, 2002.
Bőss, Michael and Eamon Maher eds. Engaging Modernity: Readings of Irish Politics, Culture and Literature at the Turn of the Century. Dublin: Veritas, 2003.
Brown, Terence. Ireland: A Social and Cultural History 1922-1985. London: Fontana, 1985.
Cleary, Joe and Claire Connolly eds. The Cambridge Companion to Modern Irish Culture. Cambridge: Cambridge University Press, 2005.
Cullingford, Elizabeth Butler. Ireland's Others: Ethnicity and Gender in Irish Literature and Popular Culture. Cork: Cork University Press, 2001.
Film West Ireland?s Film Quarterly http://www.iol.ie/~galfilm/filmwest/currentissue.htm
Gibbons, Luke. Ireland into Film Series: The Quiet Man. Cork Cork University Press, 2002.
Gibbons, Luke. Transformations in Irish Culture. Cork: Cork University Press, 1996.
Kearney, Richard ed. Across the Fontiers: Ireland in the 1990s, Cultural - Political - Economic. Dublin: Wolfhound Press, 1988.
Kee, Robert. Ireland A History. London: Abacus, 1995.
Kiberd, Declan. Inventing Ireland: The Literature of the Modern Nation. London: Vintage, 1995.
McCormack, W. J. ed. The Blackwell Companion to Modern Irish Culture. Oxford: Malden (Mass.) : Blackwell, 1999.
McKillop, James. Contemporary Irish Cinema: From The Quiet Man to Dancing at Lughnasa. Syracuse: Syracuse University Press, 1999.
McLoone. Martin. Irish Film: The Emergence of a Contemporary Cinema. London: British Film Institute, 2000.
Pettitt, Lance. Screening Ireland: Film and Television Representation. Manchester : Manchester University Press, 2000.
Pilný, Ondřej and Clare Wallace eds. Global Ireland. Prague: Litteraria Pragensia, 2005.
Rockett, Emer and Kevin Rockett. Neil Jordan: Exploring Boundaries. Dublin: Liffey Press, 2003.
Rockett, Kevin, Luke Gibbons and John Hill. Cinema and Ireland. London: Routledge, 1988.
The British Film Institute http://www.bfi.org.uk/
The Irish Film Board http://www.filmboard.ie/index600_800.php

You may also search the Irish Studies collection in our library through http://uaa.ff.cuni.cz/irbook/html/

Metody výuky
Poslední úprava: doc. Clare Wallace, M.A., Ph.D. (31.01.2023)


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