PředmětyPředměty(verze: 983)
Předmět, akademický rok 2025/2026
   
Anglo-American Modernist Women Authors: písemná práce - AAALA037B
Anglický název: Anglo-American Modernist Women Authors: graded paper
Zajišťuje: Ústav anglofonních literatur a kultur (21-UALK)
Fakulta: Filozofická fakulta
Platnost: od 2024
Semestr: oba
Body: 0
E-Kredity: 3
Způsob provedení zkoušky:
Rozsah, examinace: 0/0, Zk [HT]
Počet míst: zimní:neurčen / neurčen (neurčen)
letní:neurčen / neurčen (neurčen)
Minimální obsazenost: neomezen
4EU+: ne
Virtuální mobilita / počet míst pro virtuální mobilitu: ne
Kompetence:  
Stav předmětu: nevyučován
Jazyk výuky: angličtina
Způsob výuky: prezenční
Úroveň:  
Poznámka: předmět je možno zapsat mimo plán
povolen pro zápis po webu
předmět lze zapsat v ZS i LS
Garant: Mgr. Bc. Veronika Krajíčková, Ph.D.
Třída: Exchange - 03.4 Photography, Cinematography
Exchange - 09.2 General and Comparative Literature
Korekvizity : AAALA037A
Rozvrh   Nástěnka   
Literatura

Please note: I will be absent on 19.2.2020, classes will begin on the 26.2.2020

Course Description:

This course explore the wealth of new writing that has appeared on British stages from 1995 to the present. Our point of departure will be Aleks Sierz’ book In-Yer-Face Theatre: British Drama Today (2000) and some of the writers he discusses in relation to the theatre of provocation that hit the Anglophone theatre world in the mid-1990s. At the heart of the seminar will be the question of theatre’s relationship with the political, ethics, affect and spectatorship. Our readings will combine recent theoretical works on these issues with plays and performances from the period.

The course will begin with exploring what is meant by New Writing in the contemporary British theatre context before moving on to more theoretical readings concerning performance and politics, crisis and affect. After establishing a critical vocabulary the remainder of the seminar will bring these ideas to bear on work by Sarah Kane, Mark Ravenhill, David Greig, Martin Crimp, Caryl Churchill, Tim Crouch, Andy Smith, debbie tucker green and Alice Birch.

For more information on specific readings and critical materials please visit: http://ualk.ff.cuni.cz/link-courses-ma

This course is primarily an MA course, it is offered every winter semester and is a core requirement for studies specialising in Irish Studies. If MA places are not filled, BA students in year 3 of study (as elective/optional course). Erasmus students please note that this course requires advanced fluency in English: reading and writing.

Please note: students must enroll in the course by week two of the semester. Students attempting to enroll on week 3 or later will not be accepted.

ASSESSMENT

AssignmentsStudents will be required to submit 8 short responses to homework reading. Details of these assignments are on the course site. Student responses must be uploaded to the course site in advance of our discussion of the homework reading. If students miss more than 2 responses no credit will be awarded.

ParticipationStudents are expected to attend classes. YOU ARE PERMITTED A MAXIMUM OF TWO ABSENCES. You need to read the materials assigned, come to class with your written response to the plays and to participate in discussions. 

Essays: Students will need to select a topic from the materials covered during the semester and to propose an argument-based research project on that topic. All students preparing essays should email me with a paragraph length proposal outlining their topic and thesis statement/argument. A brief list of source materials appropriately formatted should also be included.

Deadline for proposals: Proposals must be uploaded on the course site by 18.00 on 8 May 2020.

·         Final essays for Credit (Záp.) for BA students should be 2000 words.

·         Final essays for Credit (Záp.) for MA students should be 2500 words.

·         Final essays for Grade (PP/ZK) for MA students should be 4000 words. 

Deadline for essays: Essays should be uploaded on the course site by 18.00 on 12 June 2020

Final essays should combine both close analysis of selected primary texts and secondary materials. Heavy reliance on the internet should be avoided. Please pay attention to correct citation procedures. MLA format for citations and bibliographies is required (models can be found in the library, the departmental Study Guide and on the internet—See http://ualk.ff.cuni.cz/doc/essays.doc.

ESSAYS THAT HAVE NO RESEARCH BASE OR FAIL TO CITE SOURCES TRANSPARENTLY AND APPROPRIATELY WILL NOT BE GRADED.

Grading Scheme

 

Attendance and Participation

20%

Reviews/Responses (8)

50%

Final Essay (+proposal)

30%

 

Poslední úprava: Znojemská Helena, Mgr., Ph.D. (21.06.2020)
Metody výuky

seminář

Poslední úprava: Znojemská Helena, Mgr., Ph.D. (21.06.2020)
Sylabus

Basic schedule (full details are available on http://ualk.ff.cuni.cz/link-courses-ma):

 

  • Introduction: What is New Writing? Contexts for Contemporary British theatre
  • Theatre, Politics and questions of feeling: From Brecht to Rancière to Ahmed
  • Perception: Sarah Kane: Blasted (1995), Crave (1998)
  • Postmodernity: Some Explicit Polaroids (1999), Pool (No Water) (2006)
  • Ethics: David Greig: Dunsinane (2010), The Events (2013)
  • Dis-ease: Martin Crimp: Fewer Emergencies (2005), In the Republic of Happiness (2012)
  • Dis-ease: Caryl Churchill: Far Away (2000), Escaped Alone (2016)
  • Spectators: Tim Crouch The Author (2009), with Andy Smith What Happens to Hope at the End of the Evening (2013)
  • Feminist Attachments: Alice Birch: Revolt. She Said. Revolt Again. (2016), Anatomy of a Suicide (2017)
  • Precarities: debbie tucker green: generations (2005), ear for eye (2018)
  • Collectives/Crisis: Andy Smith Commonwealth (2012), Tim Crouch Total Immediate Collective Imminent Terrestrial Salvation (2019)
  • ESSAY PROPOSALS DUE by Friday 8 May at 18.00
  • Conclusion and discussion of research projects

 

 

Poslední úprava: Znojemská Helena, Mgr., Ph.D. (21.06.2020)
 
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