Poslední úprava: prof. MgA. Martin Štoll, Ph.D. (08.10.2019)
Course aimed at methods of interpretation of reality by tools of audiovisuality. 12 lectures provide theoretic approaches of (particularly) non-fiction film to relationship between "objective" reality and "author´s subjectivity". Thesis are demonstrated by excerpts of classic and contemporary documentary films. A lecturer apply also his filmmaker´s point of view at a process of creativity.
Poslední úprava: prof. MgA. Martin Štoll, Ph.D. (08.10.2019)
Course aimed at methods of interpretation of reality by tools of audiovisuality. 12 lectures provide theoretic approaches of (particularly) non-fiction film to relationship between "objective" reality and "author´s subjectivity". Thesis are demonstrated by excerpts of classic and contemporary documentary films. A lecturer apply also his filmmaker´s point of view at a process of creativity.
Literatura -
Poslední úprava: prof. MgA. Martin Štoll, Ph.D. (27.09.2018)
* References and selected bibliography:
BARNOW, Erik: Documentary. A history of the Non-fiction Film. Oxford Univesrity Press, New York, 1993.
BLANDFORD, Steve-GRANT, Barry Keith-HILLIER, Jim: The Film Studies Dictionary. Arnold, London, 2001.
CORNER, John: The art of record. A critical introduction to documentary. Manchaster University Press, Manchester 1996.
ELLIS, Jack. C.-McLANE, Betsy, A.: A New History of Documentary Film. Continuum, New York-London, 2009
McCREADIE, Marsha: Documentary Superstars. How Today´s Filmmakers Are Reinventing the Form. Allworth Press, New York, 2008.
LEACOCK, Richard: The Feeling of Being There. A Filmmaker´s Memoir. Seueion, Semeion Editions, France 2011.
WINSTON, Brian: Lies, Damn Lies and Documentaries. British Film Institute, London 2000.
+ literature in each lecture
Poslední úprava: prof. MgA. Martin Štoll, Ph.D. (27.09.2018)
* References and selected bibliography:
BARNOW, Erik: Documentary. A history of the Non-fiction Film. Oxford Univesrity Press, New York, 1993.
BLANDFORD, Steve-GRANT, Barry Keith-HILLIER, Jim: The Film Studies Dictionary. Arnold, London, 2001.
CORNER, John: The art of record. A critical introduction to documentary. Manchaster University Press, Manchester 1996.
ELLIS, Jack. C.-McLANE, Betsy, A.: A New History of Documentary Film. Continuum, New York-London, 2009
McCREADIE, Marsha: Documentary Superstars. How Today´s Filmmakers Are Reinventing the Form. Allworth Press, New York, 2008.
LEACOCK, Richard: The Feeling of Being There. A Filmmaker´s Memoir. Seueion, Semeion Editions, France 2011.
WINSTON, Brian: Lies, Damn Lies and Documentaries. British Film Institute, London 2000.
+ literature in each lecture
Sylabus -
Poslední úprava: prof. MgA. Martin Štoll, Ph.D. (08.10.2019)
Syllabus JJB148 - Fall 2019
1. Lecture - Guest from Poland (October 2nd 2019)
2. Lecture: Autenthicity - the main value (October 9st 2019)
LIT:
ROTHMAN, William: Eternal Verités. In: WARREN, Charles (eds.): Beyond Document. Essays on nonfiction Film. Wesleyan University Press, Hanover and London 1996, p. 79-99
4.Lecture: Between two Poles: Reality and Piece of Work (October 23st 2019)
LIT:
RUSHTON, Richard: The Reality of Film: Theories of Filmic Reality. Manchaster University Press, 2013.
Realism and "Reality" in Film and Media. Museum Tusculanum Press, University of Copenhagen. 2002
5. Lecture: Between Two Poles: Objectivity and Author´s Subject (October 30 2019)
LIT:
FELDMAN, Seth: Peace between Man and Machine. In: GRANT, Barry Keith-SLONIOWSKI, Jeannette: Documenting the Documentary. Close Readings of Documentary Film and Video. Wayne State University Press, Detroit 1998, p. 40-54
RUBY, Jay: The Image Mirrored: Reflexivity and the Documentary Film. In: ROSENTAHL, Alan: New Challenges for Documentary. University of California Press, Berkeley. 1988, p. 64-75
BRUZZI, Stella: The legacy of direct cinema. In: New Documentary: A critical Introduction. Routledge, London 2000, p. 67-74
BENSON W. Tomas-ANDERSON, Carolyn: The Politics of the Double Bind. High school. In: Reality Fictions. The Film of Frederic Wiseman. Southern Illinois University Press, Carbondale and Edwardsville, 2002 p. 197-146
BENSON W. Tomas-ANDERSON, Carolyn: Reality Fictions and the Rhetoric of Documentary. In: Reality Fictions. The Film of Frederic Wiseman. Southern Illinois University Press, Carbondale and Edwardsville, 2002, p. 197-146
7. Lecture: Forms of Representation and Birth of Stereotype (November 13th 2019)
LIT:
BARSAM, Richard: Nanook of the North, In: BARSAM, R.: The vision of Robert Flaherty. The Artist as Myth and Filmmaker. Indiana University Press, Bloomington and Indianapolis, 1988, p. 12-27
BEATTIE, Keith: Believe Me, I´am of the World: Documentary Representation. In: BEATTIE, KEITH: Documentary Screens. Nonfiction Film and Television. Palgrave MacMillan, New York, 2004, p. 10-26
Representation. In: BLANDFORD, Steve-GRANT, Barry Keith-HILLIER, Jim: The Film Studies Dictionary. Arnold, London, 2001.
8. Lecture: Role of Stylization (November 20st 2019)
LIT:
LIPKIN, Steve: Defining Docudrama: In the name of the Father, Schindler´s List, and JFK. In: ROSENTAHL, Alan (eds.): Why Docudrama? Fact-Fiction on Film and TV. Southern Illinois University Press. 1999,
10. Lecture: Creative Treatment of Actuality (December 4th 2019)
LIT:
GRIERSON, John: First Principles of Documentary (1934). In: BARSAM, Richard Meran: Nonfiction Film. Theory and Criticism. A Dutton Paperback. New York, 1976.
LOVEL, Alan-HILLIER, Jim: The Documentary Film Movement: John Grierson. In: Studies in Documnetary. The Viking Press, New York, 1972, p. 9-35
BERNSTEIN, Matthew: Documentaphobia and Mixes Modes. In: GRANT, Barry Keith-SLONIOWSKI, Jeannette: Documenting the Documentary. Close Readings of Documentary Film and Video. Wayne State University Press, Detroit 1998, p. 397-415
11. Lecture: Imaging of a Man/Human (December 11st 2019)
LIT:
KUEHL, Jerry: Lies about Real People. In: ROSENTAHL, Alan (eds.): Why Docudrama? Fact-Fiction on Film and TV. Southern Illinois University Press. 1999, p. 119-124
BRUZZI, Stella: The president and the image: Kennedy, Nixon, Clinton. In: New Documentary: A critical Introduction. Routledge, London 2000, p. 127-152
12. Lecture: Test
Alternatives:
Lecture: Imaging of a Place/Genius Loci
LIT:
GALT, Rosalind: Pretty: Film and the Decorative Image. Columbia University Press, New York, 2011
HALLAM, Julia: Mapping the "City" Film 1930-1980. In: HALLAM, Julia-ROBERTS, Les: Locating the Moving Image. New Approaches to Film and Place. Indiana University Press. Bloomington-Indianapolis, 2014
Lecture:Imaging of a Time/Epoch
LIT:
HALL, Jeannie: Don´t You Ever Just Watch? In: GRANT, Barry Keith-SLONIOWSKI, Jeannette: Documenting the Documentary. Close Readings of Documentary Film and Video. Wayne State University Press, Detroit 1998, p. 40-54
HAGITH, Toby-NEWMAN, Joann: The Holocaust and the Moving Image - Representations in Film and Television Since 1933. Wallflower Press, 2005.
Poslední úprava: prof. MgA. Martin Štoll, Ph.D. (27.09.2018)
Syllabus JJB148 - Fall 2018
1. Lecture: Autenthicity - the main value (October 16th 2018)
LIT:
ROTHMAN, William: Eternal Verités. In: WARREN, Charles (eds.): Beyond Document. Essays on nonfiction Film. Wesleyan University Press, Hanover and London 1996, p. 79-99
3.Lecture: Between two Poles: Reality and Piece of Work (October 30st 2018)
LIT:
RUSHTON, Richard: The Reality of Film: Theories of Filmic Reality. Manchaster University Press, 2013.
Realism and "Reality" in Film and Media. Museum Tusculanum Press, University of Copenhagen. 2002
4. Lecture: Between Two Poles: Objectivity and Author´s Subject (November 6st 2018)
LIT:
FELDMAN, Seth: Peace between Man and Machine. In: GRANT, Barry Keith-SLONIOWSKI, Jeannette: Documenting the Documentary. Close Readings of Documentary Film and Video. Wayne State University Press, Detroit 1998, p. 40-54
RUBY, Jay: The Image Mirrored: Reflexivity and the Documentary Film. In: ROSENTAHL, Alan: New Challenges for Documentary. University of California Press, Berkeley. 1988, p. 64-75
BRUZZI, Stella: The legacy of direct cinema. In: New Documentary: A critical Introduction. Routledge, London 2000, p. 67-74
BENSON W. Tomas-ANDERSON, Carolyn: The Politics of the Double Bind. High school. In: Reality Fictions. The Film of Frederic Wiseman. Southern Illinois University Press, Carbondale and Edwardsville, 2002 p. 197-146
BENSON W. Tomas-ANDERSON, Carolyn: Reality Fictions and the Rhetoric of Documentary. In: Reality Fictions. The Film of Frederic Wiseman. Southern Illinois University Press, Carbondale and Edwardsville, 2002, p. 197-146
6. Lecture: Forms of Representation and Birth of Stereotype (November 20th 2018)
LIT:
BARSAM, Richard: Nanook of the North, In: BARSAM, R.: The vision of Robert Flaherty. The Artist as Myth and Filmmaker. Indiana University Press, Bloomington and Indianapolis, 1988, p. 12-27
BEATTIE, Keith: Believe Me, I´am of the World: Documentary Representation. In: BEATTIE, KEITH: Documentary Screens. Nonfiction Film and Television. Palgrave MacMillan, New York, 2004, p. 10-26
Representation. In: BLANDFORD, Steve-GRANT, Barry Keith-HILLIER, Jim: The Film Studies Dictionary. Arnold, London, 2001.
7. Lecture: Role of Stylization (November 27st 2018)
LIT:
LIPKIN, Steve: Defining Docudrama: In the name of the Father, Schindler´s List, and JFK. In: ROSENTAHL, Alan (eds.): Why Docudrama? Fact-Fiction on Film and TV. Southern Illinois University Press. 1999,
9. Lecture: Creative Treatment of Actuality (December 11th 2018)
LIT:
GRIERSON, John: First Principles of Documentary (1934). In: BARSAM, Richard Meran: Nonfiction Film. Theory and Criticism. A Dutton Paperback. New York, 1976.
LOVEL, Alan-HILLIER, Jim: The Documentary Film Movement: John Grierson. In: Studies in Documnetary. The Viking Press, New York, 1972, p. 9-35
BERNSTEIN, Matthew: Documentaphobia and Mixes Modes. In: GRANT, Barry Keith-SLONIOWSKI, Jeannette: Documenting the Documentary. Close Readings of Documentary Film and Video. Wayne State University Press, Detroit 1998, p. 397-415
10. Lecture: Imaging of a Man/Human (December 18st 2018)
LIT:
KUEHL, Jerry: Lies about Real People. In: ROSENTAHL, Alan (eds.): Why Docudrama? Fact-Fiction on Film and TV. Southern Illinois University Press. 1999, p. 119-124
BRUZZI, Stella: The president and the image: Kennedy, Nixon, Clinton. In: New Documentary: A critical Introduction. Routledge, London 2000, p. 127-152
Alternatives:
11. Lecture: Imaging of a Place/Genius Loci
LIT:
GALT, Rosalind: Pretty: Film and the Decorative Image. Columbia University Press, New York, 2011
HALLAM, Julia: Mapping the "City" Film 1930-1980. In: HALLAM, Julia-ROBERTS, Les: Locating the Moving Image. New Approaches to Film and Place. Indiana University Press. Bloomington-Indianapolis, 2014
12. Lecture:Imaging of a Time/Epoch
LIT:
HALL, Jeannie: Don´t You Ever Just Watch? In: GRANT, Barry Keith-SLONIOWSKI, Jeannette: Documenting the Documentary. Close Readings of Documentary Film and Video. Wayne State University Press, Detroit 1998, p. 40-54
HAGITH, Toby-NEWMAN, Joann: The Holocaust and the Moving Image - Representations in Film and Television Since 1933. Wallflower Press, 2005.
Vstupní požadavky -
Poslední úprava: prof. MgA. Martin Štoll, Ph.D. (27.09.2018)
Tent kurz je vypsán VÝHRADNĚ pro zahraniční studenty.
Poslední úprava: prof. MgA. Martin Štoll, Ph.D. (27.09.2018)
The course is available for the foreign students only.