Memento Amori: Transformations of the Imagery and Associations of the God Eros in English Renaissance Poetry
| Název práce v češtině: | Memento Amori: Proměny ikonografie a významových asociací postavy Eróta v anglické renesanční poezii |
|---|---|
| Název v anglickém jazyce: | Memento Amori: Transformations of the Imagery and Associations of the God Eros in English Renaissance Poetry |
| Klíčová slova: | Eros|Thanatos|Antika|Renesance|Sonet|Poezie|Láska|Smrt |
| Klíčová slova anglicky: | Eros|Thanatos|Antiquity|Renaissance|Sonnet|Poetry|Love|Death |
| Akademický rok vypsání: | 2020/2021 |
| Typ práce: | bakalářská práce |
| Jazyk práce: | angličtina |
| Ústav: | Ústav anglofonních literatur a kultur (21-UALK) |
| Vedoucí / školitel: | Mgr. Helena Znojemská, Ph.D. |
| Řešitel: | skrytý - zadáno a potvrzeno stud. odd. |
| Datum přihlášení: | 01.03.2021 |
| Datum zadání: | 01.03.2021 |
| Schválení administrátorem: | zatím neschvalováno |
| Datum potvrzení stud. oddělením: | 22.06.2021 |
| Datum a čas obhajoby: | 07.09.2021 11:00 |
| Datum odevzdání elektronické podoby: | 17.08.2021 |
| Datum proběhlé obhajoby: | 07.09.2021 |
| Odevzdaná/finalizovaná: | odevzdaná studentem a finalizovaná |
| Oponenti: | PhDr. Zdeněk Beran, Ph.D. |
| Zásady pro vypracování |
| The Renaissance period saw a revival of the Greek and Roman pagan deities while Christianity was still at large: when worship of pagan idols was strictly forbidden as worship of devils or false gods. The monography The Revival of the Olympian Gods in Renaissance Art by Freedman Luba already deals with how these deities survive in this hostile environment. Her focus, however, was primarily on the visual arts and a limited number of the Olympian gods. This paper would thus like to continue the discussion on this topic, first, by investigating the god of love Eros, whose status is not as prestigious as of the main Olympians, but whose influence over the lives of mortals has been of equal if not of greater merit; and, second, by examining Renaissance literature, though still with some reference to visual art as well: namely Renaissance poetry in England. The aim is to analyse the motif of Eros/Cupid/Amor in English poetry of the time to trace the ways the imagery and conceptual associations of Eros change and transform once uprooted from their spatial and temporal environment of Greco-Roman antiquity, where he is linked to death (Thanatos) and to social chaos caused by sexual desire; and then replanted in the somewhat hostile conditions of Christian monotheism, with its rigid sexual mores and opposition to pagan conceptions of death and afterlife. The hypothesis is that for Eros to survive with all his associations in the Christian framework, the link of Eros with Thanatos is weaker and the social chaos he causes is seen in a more negative light: literal death is associated more with Time (Saturnus), while Eros retains a link only to figurative death, which, however, renders the sexual confusion he causes more ultimate/fatal. Establishing the cultural/historical context of the god in the introduction, by combining insight from the sculptures and vases from the period also with papers from the collection Erôs in Ancient Greece, we will examine, first, how was this tradition preserved for the Renaissance readers in the works of Hesiod and Ovid. Second, we will consider the template for Renaissance adoption of the god, looking particularly at the poetry of Francesco Petrarch and Guido Cavalcanti and at some Renaissance paintings, taken for example from Otto van Veen’s Amorum Emblemata. Finally, we will delve into the individual treatments and developments of the Eros motif in English poetry: examining the works of Edmund Spenser, Philip Sydney, Thomas Wyatt, Michael Drayton, Samuel Daniel, Shakespeare and Lady Mary Wroth |
| Seznam odborné literatury |
| Burrow, Colin. “Re-embodying Ovid: Renaissance afterlives”. The Cambridge Companion to
Ovid. Ed. Philip Hardie. 301-319. Cambridge: Cambridge University Press, 2002. Hilský, Martin. Shakespeare a jeviště svět. Prague: Academia, 2010. Kennedy, William J. “European Beginnings and Transmissions: Dante, Petrarch and the Sonnet Sequence.” The Cambridge Companion to the Sonnet. Ed. A. D. Cousins and Peter Howarth. 84–104. Cambridge: Cambridge University Press, 2011. Lyne, Raphael. “Ovid in English translation.” The Cambridge Companion to Ovid. Ed. Philip Hardie. 249-263. Cambridge: Cambridge University Press, 2002. Most, Glenn W. “Eros in Hesiod.” Erôs in Ancient Greece. Ed. Ed Sanders, Chiara Thumiger, Christopher Carey, Nick Lowe. 164-174. Oxford: Oxford University Press, 2013. Thumiger, Chiara. “Mad Erôs and Eroticized Madness in Tragedy.” Erôs in Ancient Greece. Ed. Ed Sanders, Chiara Thumiger, Christopher Carey, Nick Lowe. 28-40. Oxford: Oxford University Press, 2013. Turner, James Grantham. Eros Visible: Art, Sexuality and Antiquity in Renaissance Italy. New Haven: Yale University Press, 2017. |