A Variety of Perspectives: The Role of the Narrator in Selected British Dystopian Novels
Název práce v češtině: | Rozmanitost hledisek: role vypravěče ve vybraných britských dystopiích |
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Název v anglickém jazyce: | A Variety of Perspectives: The Role of the Narrator in Selected British Dystopian Novels |
Klíčová slova: | Dystopie|narativní situace|fokalizace|Aldous Huxley|George Orwell|Kazuo Ishiguro|vypravěč. |
Klíčová slova anglicky: | Dystopia|narrative situation|focalization|Aldous Huxley|George Orwell|Kazuo Ishiguro|narrator. |
Akademický rok vypsání: | 2020/2021 |
Typ práce: | bakalářská práce |
Jazyk práce: | angličtina |
Ústav: | Ústav anglofonních literatur a kultur (21-UALK) |
Vedoucí / školitel: | Mgr. Petra Johana Poncarová, Ph.D. |
Řešitel: | skrytý - zadáno a potvrzeno stud. odd. |
Datum přihlášení: | 09.12.2020 |
Datum zadání: | 09.12.2020 |
Schválení administrátorem: | zatím neschvalováno |
Datum potvrzení stud. oddělením: | 15.12.2020 |
Datum a čas obhajoby: | 08.09.2021 09:00 |
Datum odevzdání elektronické podoby: | 16.08.2021 |
Datum proběhlé obhajoby: | 08.09.2021 |
Odevzdaná/finalizovaná: | odevzdaná studentem a finalizovaná |
Oponenti: | Mgr. Miroslava Horová, Ph.D. |
Zásady pro vypracování |
The objective of the present study is to analyse the narrative techniques utilized in such prominent works of dystopian literature as George Orwell’s Nineteen Eighty-Four, Aldous Huxley’s Brave New World, and Kazuo Ishiguro’s Never Let Me Go. The thesis will strive to identify and interpret the role of the narrator in the forenamed novels, with a special emphasis on the point of view from which the novels are narrated and on the different voices present in them. The study will also aim to compare the narrative situation in the texts and determine how or whether it augments the depiction of the fictional worlds, thus making the novels more effective ― or otherwise. As for the choice of the primary texts, the selection is meant to allow for analysing three distinct narrative situations as each of the texts features a different narrative voice. While both Nineteen Eighty-Four and Brave New World are written in the third person, the latter presents the reader with an omniscient point of view that enables switching between several characters’ perspectives. Orwell’s novel, on the other hand, is limited solely to the protagonist’s viewpoint, establishing an entirely different narrative situation. Never Let Me Go features a first-person limited perspective where one character acts as both protagonist and narrator, potentially unreliable. The thesis, therefore, will focus on the differences in the novels’ narrative situations and determine the effects that the choice of a specific perspective produces. In terms of theoretical material, it will work with relevant texts from the field of narratology, such as the concepts and terminology established by Gérard Genette and others. |
Seznam odborné literatury |
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