Contemporary Hebrew Dystopian Novel

• Název práce v češtině: Současný hebrejský dystopický román
• Název v anglickém jazyce: Contemporary Hebrew Dystopian Novel
• Klíčová slova: Dystopie|Utopie|Izraelský dystopický román|Literatura a společnost|Literatura a politika
• Klíčová slova anglicky: Dystopia|Utopia|Israeli Dystopian Novel|Literature and Society|Literature and Politics
• Akademický rok vypsání: 2018/2019
• Typ práce: diplomová práce
• Jazyk práce: angličtina
• Ústav: Katedra Blízkého východu (21-KBV)
• Vedoucí / školitel: doc. PhDr. Daniel Boušek, Ph.D.
• Řešitel: skrytý - zadáno a potvrzeno stud. odd.
• Datum přihlášení: 22.03.2019
• Datum zadání: 22.03.2019
• Schválení administrátorem: zatím neschvalováno
• Datum potvrzení stud. oddělením: 27.03.2019
• Datum a čas obhajoby: 02.09.2021 11:00
• Datum odevzdání elektronické podoby: 29.06.2021
• Datum proběhlé obhajoby: 02.09.2021
• Odevzdaná/finalizovaná: odevzdaná studentem a finalizovaná
• Oponenti: PhDr. Mgr. Jan Zouplna, Ph.D.

Zásady pro vypracování

This dissertation presents a development of Israeli science fiction prose written in Hebrew, with particular regard to dystopian and (post)apocalyptic literary works. The research also attempts to explore and examine how the various anxieties (political, social, religious, economic, technological, and environmental) circulating in Israel’s public are reflected upon in the contemporary Hebrew dystopian novels and how the Israeli reality is transformed and re-imagined, by means of author’s thought experiment, in the selected narratives. The dystopian fiction is an extremely useful tool for cultural studies inasmuch as it constitutes a direct interaction with contemporary culture in that it describes some catastrophe that befalls an entire society and much of it is then devoted to the description of the culture of that society. The Jewish state, re-established in 1948 as the State of Israel, might be the only country in the world to have been at least partially inspired by science fiction novels. The utopian visions of an independent Jewish state were presented in a number of literary works, of which the most prominent is Altneuland (1902) written by Theodor Herzl. The post-1948 local realities set the narrative on a much more darker and dramatic path and while the utopian works are still being produced, the vision of the future of the State of Israel is more often translated into a darker dystopian and (post)apocalyptic one drawing our attention to such themes as society, politics, economics, environment and religion. Structurally, the thesis is divided into two sections – the first part is centered on the theory of dystopia and development of social SF in Israel, particularly that of dystopian, utopian, and (post)apocalyptic prose. In the second part of the work, a Hebrew dystopian novel for each aforementioned thematic line is selected and critically analyzed, highlighting its connection with the contemporary Israeli culture. Additionally, the influence of the American literature and cinema on the Hebrew literary imagination is also taken into account.

Seznam odborné literatury

Primary Sources
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Baram, Nir. 2006. The Remaker of Dreams. [In Hebrew.] Jerusalem: Keter.
Ben David, Mishka. 1984. The Last Escape. [In Hebrew.] Tel-Avid: Sifriat Maariv.
Ben-Ner, Yitzhak. 1987. The Angels Are Coming. [In Hebrew.] Jerusalem: Keter.
Ben-Yosef, Zeev. 1995. Peace on Israel. [In Hebrew.] Tel-Aviv: Eshed.
Bet Levi, Roi. 2014. Imagine a Mountain. [In Hebrew.] Tel Aviv: Am Oved.
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Goldenberg, Amit. 2015. A City Forsaken. [In Hebrew.] Jerusalem: Keter.
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Herzl, Theodore. (1902) 2015. Altneuland. [In English.] Trans. David Simon Blondheim. Berlin : Hofenberg.
Kashua, Sayed. 2006. Let It Be Morning. [In English.] Trans. Miriam Shlesinger. New York: Black Cat.
Kenan, Amos. 1984. The Road to Ein Harod. [In Hebrew.] Tel Aviv: Am Oved.
Melamed, David. 1986. The Fourth Dream. [In Hebrew.] Tel Aviv: Sifriyat Ha-Poalim.
Mishmari, Avivit. 2013. The Old Man Lost his Mind. [In Hebrew.] Tel Aviv: Hargol and Modan.
Roman-Asher, Efrat. 2003. Iroshalem. [In Hebrew.] Tel Aviv: Babel.
Rubinstein, Amnon. 2007. The Sea Above Us. [In Hebrew.] Tel Aviv: Schocken.
Sarid, Yishai. 2015. The Third. [In Hebrew.] Tel Aviv: Am Oved.
Sarna, Igal. 2014. 2023. [In Hebrew.] Tel Aviv: Kipod.
Sobol, Yali. 2012. Piano Fingers. [In Hebrew.] Or Yehuda: Kinneret, Z’mora-Bitan.
Tammuz, Benjamin. 1984. Jeremiah's Inn. [In Hebrew.] Jerusalem: Keter.

Secondary Sources
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Booker, M. Keith. 1994. The Dystopian Impulse in Modern Literature: Fiction as Social Criticism. Westport, CT: Greenwood Press.
Clayes, Gregory. 2017. Dystopia: A Natural History. Oxford : Oxford University Press.
Csicsery-ronay, Istvan. 2003. “Marxist theory and science fiction.” In : James, Edward and Mendlesohn, Farah (eds.). The Cambridge Companion to Science Fiction. Cambridge : Cambridge University Press, pp. 113–124.
Csicsery-ronay, Istvan. 2008. The Seven Beauties of Science Fiction. Middleton: Wesleyan University Press.
Ferns, Chris. 1999. Dystopia: The Dream as Nightmare. In : Narrating Utopia: Ideology, Gender, Form in Utopian Literature. Liverpool University Press, pp. 105–138.
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