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Space and its connection to characters in Thomas Hardy’s novels
Název práce v češtině: Prostor a jeho provázání s postavami v románech Thomase Hardyho
Název v anglickém jazyce: Space and its connection to characters in Thomas Hardy’s novels
Klíčová slova: Thomas Hardy|space|literature|The Return of the Native|Tess of the d'Urbervilles|characters|environment|postavy|prostor
Klíčová slova anglicky: Thomas Hardy|space|literature|characters|environment
Akademický rok vypsání: 2017/2018
Typ práce: bakalářská práce
Jazyk práce: angličtina
Ústav: Ústav anglofonních literatur a kultur (21-UALK)
Vedoucí / školitel: PhDr. Zdeněk Beran, Ph.D.
Řešitel: skrytý - zadáno a potvrzeno stud. odd.
Datum přihlášení: 19.02.2018
Datum zadání: 19.02.2018
Schválení administrátorem: zatím neschvalováno
Datum potvrzení stud. oddělením: 21.02.2018
Datum a čas obhajoby: 08.02.2022 00:00
Datum odevzdání elektronické podoby:17.01.2022
Datum proběhlé obhajoby: 08.02.2022
Odevzdaná/finalizovaná: odevzdaná studentem a finalizovaná
Oponenti: Mgr. Miroslava Horová, Ph.D.
 
 
 
Zásady pro vypracování
When preparing the first edition of his collected works, Thomas Hardy included his major novels in a group called “Novels of Character and Environment”, which clearly indicates that he saw a fundamental link between people and the place they occupy. The Hardyesque “environment” can also be understood in terms of what French critics such as M. Blanchot or G. Bachellard call “literary space”. In my thesis I would like to explore connection between space, in this broader sense, and characters, and why the setting is of great importance to the story itself. For this purpose, I have chosen three novels by Thomas Hardy: Far from the Madding Crowd, The Return of the Native and Tess of the d’Urbervilles.
Firstly, I would like to define literary space as a term, what role it plays in the process of reading, and how Hardy exploits its features in modelling his own specific space, the fictional Wessex. Further, I would like to examine Hardy’s concept of determinism and the role it plays in his novels, i.e. the form of social determinism that seems to lock characters in their fates, making it impossible for them to escape their social classes, the prejudices they stick to and the setting they are born (or borne) into, and how due to this concept of determinism some characters are destined to fail from the very beginning.
Seznam odborné literatury
Primary sources:

Hardy, Thomas. Tess of the d’Urbervilles. London: Penguin Books Ltd, 2012
Hardy, Thomas. Far from the Madding Crowd. London: Penguin Books Ltd, 2012
Hardy, Thomas. The Return of the Native. London: Penguin Books Ltd, 2012

Secondary sources:

Andersen, Carol Reed. “Time, Space, and Perspective in Thomas Hardy.” Nineteenth-Century Fiction, vol. 9, no. 3, 1954, pp. 192–208. JSTOR,www.jstor.org/stable/3044307.

Bachelard, Gaston. The poetics of space, Boston: Beacon Press, 1994

Blanchot, Maurice. The space of literature, Lincoln: University of Nebraska Press, 1989

Hodrová, Daniela. Poetika míst: Kapitoly z literární tematologie, Praha: H&H, 1997
Chattopadhyay, Amrita “Women in Victorian Society as Depicted in Thomas Hardy’s Novels.”International Journal of Educational Planning & Administration1, no. 1 (2011): 24, http://www.ripublication.com/ijepa/ijepav1n1_4.pdf
Drabble, Margaret. The genius of Thomas Hardy. London: Wiedenfeld and Nicolson, 1976.

Gregor, Ian. The great web: the form of Hardy's Major fiction. 1. Publ. London: Faber and Faber, 1974.

Williams, Harold. “The Wessex Novels of Thomas Hardy.” The North American Review, vol. 199, no. 698, 1914, pp. 120–134. JSTOR,www.jstor.org/stable/25120154.
 
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