Literary Doubling in Self-Conscious Fiction: Nin, H.D., Quin, Brophy and Acker".
| Název práce v češtině: | "Literární dvojakost v metafikční próze: Nin, H.D., Quin, Brophy a Acker." |
|---|---|
| Název v anglickém jazyce: | Literary Doubling in Self-Conscious Fiction: Nin, H.D., Quin, Brophy and Acker". |
| Klíčová slova: | 20th century fiction|Anais Nin|H.D.|Ann Quin|Brigid Brophy|Kathy Acker|Literární dvojakost|metafikce|feministická kritika|psychoanalýza|ženské autorky |
| Klíčová slova anglicky: | Literary doubling|Literary doubles|Meta fiction|20th century fiction|Anais Nin|H.D.|Ann Quin|Brigid Brophy|Kathy Acker|Feminist criticism|Psychoanalysis|Women's writing |
| Akademický rok vypsání: | 2015/2016 |
| Typ práce: | bakalářská práce |
| Jazyk práce: | angličtina |
| Ústav: | Ústav anglofonních literatur a kultur (21-UALK) |
| Vedoucí / školitel: | Mgr. David Vichnar, Ph.D. |
| Řešitel: | skrytý - zadáno a potvrzeno stud. odd. |
| Datum přihlášení: | 01.06.2016 |
| Datum zadání: | 01.06.2016 |
| Schválení administrátorem: | zatím neschvalováno |
| Datum potvrzení stud. oddělením: | 09.06.2016 |
| Datum a čas obhajoby: | 30.01.2018 09:00 |
| Datum odevzdání elektronické podoby: | 08.01.2018 |
| Datum proběhlé obhajoby: | 30.01.2018 |
| Odevzdaná/finalizovaná: | odevzdaná studentem a finalizovaná |
| Oponenti: | prof. PhDr. Martin Procházka, CSc. |
| Zásady pro vypracování |
| In my bachelor’s thesis I would like to focus on the following five texts: Anais Nin’s Winter of Artifice, H.D.’s Tribute to Freud, Ann Quin’s Berg, Brigid Brophy’s In Transit and Kathy Acker’s Kathy Goes to Haiti. These novels will be taken as representatives of self-conscious fiction, or metafiction, an important kind of writing characteristic of 20th-century experimental fiction. Particular stress will be on the technique of literary doubling in these novels, their conception of the relationship between reality and fiction and the degree of authenticity/artificiality in both. I will focus on the implicit doubles of real-life personages in Winter of Artifice, autobiography as a virtual doubling of real figures in written form (Tribute to Freud), the doubling of characters in Berg and In Transit and the doubling of the author in Kathy Goes to Haiti. Self-conscious fiction thus shows the fictiveness of reality. On one hand, biographies and autobiographies seem to oppose artificiality. On the other, the appearance of the author as a character in a narrative that is obviously fictitious questions the truthfulness of that narrative. This artificiality will be explored through the following theoretical contexts and thematic concerns: 1. Rhetoric – in which way the artificiality is achieved; structural and textual features of the novels. Question of language – limits of one’s language define the limits of one’s self (Waugh). 2. Feminist criticism – what does the doubling represent and how is it manifested in women’s writing specifically? Are there distinct oppositions to the predominately masculine character of the Western discourse? 3. Psychoanalysis – doubling as fiction created to affirm the self. Characters are reflections of people in the novels, just as fictions imitate reality – or is it reality that imitates fiction? Roles vs. Selves. |
| Seznam odborné literatury |
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