"And the Land Lay Still"- Worldmaking, Topography and the Modern Scots Novel

• Název práce v češtině: "A zem byla klidná"- světotvorba a topografie v moderním skotském románu
• Název v anglickém jazyce: "And the Land Lay Still"- Worldmaking, Topography and the Modern Scots Novel
• Klíčová slova: topografie|světotvorba|identita|reteritorializace|současný skotský roman
• Klíčová slova anglicky: topography|worldmaking|contemporary Scottish novel|reterritorialization|identity
• Akademický rok vypsání: 2015/2016
• Typ práce: bakalářská práce
• Jazyk práce: angličtina
• Ústav: Ústav anglofonních literatur a kultur (21-UALK)
• Vedoucí / školitel: Colin Steele Clark, M.A.
• Řešitel: skrytý - zadáno a potvrzeno stud. odd.
• Datum přihlášení: 18.05.2016
• Datum zadání: 18.05.2016
• Schválení administrátorem: zatím neschvalováno
• Datum potvrzení stud. oddělením: 16.08.2017
• Datum a čas obhajoby: 11.09.2017 00:00
• Datum odevzdání elektronické podoby: 16.08.2017
• Datum proběhlé obhajoby: 11.09.2017
• Odevzdaná/finalizovaná: odevzdaná studentem a finalizovaná
• Oponenti: PhDr. Zdeněk Beran, Ph.D.

Zásady pro vypracování

Landscapes, urban and rural, are a commitment to the project of reterritorialization currently in progress in the modern Scots novel. Imagination and fictional rendering of the landscape is a form of speculate worldmaking and reflects, satirizes and debates the social and political dispensation of the nation. The texts under consideration here all deploy the Scottish social and topographical panorama in a unique manner, which results in the literary representation of multiple literary versions of Scotland that often coexist together. This thesis traces the development of this thematic concern in the modern Scots novel since the 1980s through the analysis of the works of three novels by key Scottish writers. The first is Alasdair Gray’s Lanark, the second Janice Galloway's The Trick is to Keep Breating, and finally Ian (M.) Banks’ The Crow Road. After the analysis of the different employment of topography in the process of worldmaking in the aforementioned novels, this thesis will explore the political and social implications of those approaches and will speculate upon the directions the modern Scots novel may be moving in as a result.

Seznam odborné literatury

Primary sources:
Banks, Iain. The Crow Road. London: Abacus, 1993.
Galloway, Janice. The Trick is to Keep Breathing. London: Polygon, 1989.
Gray, Alasdair. Lanark: A Life in Four Books. Edinburgh: Canongate Books, 1981.

Secondary sources:
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Bauman, Zygmunt. Liquid Modernity. Cambridge: Polity Press, 2000.

Bell, Eleanor. Questioning Scotland: Literature, Nationalism, Postmodernism. Basingstoke: Palgrave Macmillan, 2004.

Blaikie, Andrew. Scots Imagination and Modern Memory. ed. Andrew Blaikie, Edinburgh University Press, 2010. ProQuest Ebook Centralhttps://ebookcentral.proquest.com/lib/cuni/reader.action?docID=536985 25 May 2017.

Cairns Craig, Cairns. “Scotland and the Regional Novel.” The Regional Novel in Britain and Ireland. Ed. K.D.M. Snell. Cambridge: Cambridge University Press, 1998.

Diamond-Nigh, Lynne. “Gray’s Anatomy: When Words and Images Collide.” Review of Contemporary Fiction. 1995: 178-183.


Galloway, Janice “Different Oracles: Me and Alasdair Gray.” Review of Contemporary Fiction.1995: 193-196.

Gardiner, Michael. From Trocchi to Trainspotting: Scottish Critical Theory Since 1960. Edinburgh: Edinburgh University Press, 2006. ProQuest Ebook Central https://ebookcentral.proquest.com/lib/cuni/reader.action?docID=267205 25 July 2017.

Gifford, Douglas. “Imagining Scotlands: The Return to Mythology in Modern
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Douglas Gifford, Douglas. "Scottish Fiction 1980-81: The Importance of Alasdair Gray's Lanark." Studies in Scottish Literature. 1983: 230-234. <htp://scholarcommons.sc.edu/ssl/vol18/iss1/14> 12 June 2017.

Gifford, Douglas. “Breaking Boundaries: From Modern to Contemporary in Scottish
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March, L. Christie. Rewriting Scotland. Manchester and New York: Manchester University Press, 2002.

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McCrone, David. Understanding Scotland: The Sociology of a Stateless Nation. London: Routledge, 1994.

McGlynn, Mary. "Janice Galloway's Alienated Spaces.” Scottish Studies Review 4.2 (2003):82-94. EBSCOhost <search.ebscohost.com/login.aspx?direct=true&db=a9h&AN=12083755&lang=cs&site=ehost-live> 14 August 2017.

Meinig, Donald W. The Interpretation of Ordinary Landscapes: Geographical Essays. Oxford: Oxford University Press, 1979.

Nash, Andrew. Kailyard and Scottish Literature. Editions Rodopi, 2007. ProQuest
Ebook Central <https://ebookcentral.proquest.com/lib/cuni/reader.action?docID=556615> 21 July 2017.

Parr, Adrian. ed., The Deleuze Dictionary Revised Edition. Edinburgh: Edinburgh University Press, 2010. ProQuest Ebook Centralhttps://ebookcentral.proquest.com/lib/cuni/reader.action?docID=615834 22 July 2017.

Pisarska, Katarzyna. Mediated Fictions, Volume 1: Mediating the World in the Novels of Iain Banks: The Paradigms of Fiction. Frankfurt am Main: Peter Lang AG, 2014. ProQuest ebraryhttps://ebookcentral.proquest.com/lib/cuni/reader.action?docID=1632107 20 May 2016.

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evropské a americké literature (Ústav pro českou a světovou literaturu, edice Ursus) 86.

Ricoeur, Paul. Text to Action: Essays in Hermeneutics, II. Blamey Kathleen & Thompson John B. (trans.). Evanston: Northwestern University Press, 1991.

Robertson, J. “Bridging styles: A conversation with Iain Banks.” Radical (2000)

www.phlebas.com/text/interv4.html23 July 2017.

Roebuck, Olga. “Subverting Scotland: Cultural Identities in Contemporary Scottish fiction.” Thesis supervisor: Soňa Nováková,https://is.cuni.cz/webapps/zzp/detail/109138.

Sartre, Jean Paul. Ronald Aronson and Adrian van den Hoven eds. We Have Only This Life to Live: The Selected Essays of Jean-Paul Sartre 1939-1975. New York: NYRB Classics, 2013.

Smith, Anthony. National Identity. London: Penguin Books, 1991.

Smith, Anthony. Chosen Peoples. Oxford: Oxford University Press, 2003.

Taylor, Charles. Sources of the Self: The Making of Modern Identity.Cambridge: Cambridge University Press, 2003.

Wallace, Gavin. and Randall Stevenson, eds. The Scottish Novel Since the Seventies:
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