The aesthetics and short prose of D. H. Lawrence
Název práce v češtině: | Estetika v krátké próze D. H. Lawrence |
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Název v anglickém jazyce: | The aesthetics and short prose of D. H. Lawrence |
Klíčová slova: | D. H. Lawrence, povídky, modernismus, jazyk, epistemologie, psychologie, prostor. |
Klíčová slova anglicky: | D. H. Lawrence, short stories, Modernism, language, epistemology, psychology, place. |
Akademický rok vypsání: | 2008/2009 |
Typ práce: | diplomová práce |
Jazyk práce: | angličtina |
Ústav: | Ústav anglofonních literatur a kultur (21-UALK) |
Vedoucí / školitel: | prof. PhDr. Martin Hilský, CSc. |
Řešitel: | skrytý - zadáno a potvrzeno stud. odd. |
Datum přihlášení: | 11.11.2010 |
Datum zadání: | 11.11.2010 |
Schválení administrátorem: | zatím neschvalováno |
Datum a čas obhajoby: | 30.05.2011 00:00 |
Datum odevzdání elektronické podoby: | 05.05.2011 |
Datum proběhlé obhajoby: | 30.05.2011 |
Odevzdaná/finalizovaná: | odevzdaná studentem a finalizovaná |
Oponenti: | PhDr. Zdeněk Beran, Ph.D. |
Zásady pro vypracování |
The Aesthetics and Short Prose of D. H. Lawrence: Language, Knowledge and The Self
Language: expressing the inexpressible, pre-social/pre-language way of communication, instinctive forms of knowing without telling Wittgenstein’s web (struggling to stretch Wittgenstein’s web – Grmelová) speech functioning/gaining meaning in relation to a future revelatory moment (Heidegger) – death (collier stories) revisiting of an emotionally imbued place (Rose Garden, Shades of Spring) viz. 3 Knowledge: quest for personal truth (Grmelová) destruction/construction of mental constructs unconscious knowledge, instinct, “primitive” (in opposition to modern/technical) as a redemptive – self stabilizing force (Lawrence X Freud X Jung) knowledge of the self, constitution of the self via language, unconscious is structured as language (Lacan) epiphany, a revelation of new or forgotten meaning and new and/or until now hidden forms of knowledge viz. 1 The Self: “Not the work I shall produce but the real me I shall achieve” . knowledge/act of revealing knowledge as a factor of completion of the self, even at the cost of death…(foolish mortality) knowledge in absence - need for heterotopias, heterochronias (Foucault) unstable self – destruction of the concept of the stable and rational self, focus on personal, individual – favoured to general, ideal, personal language loss of the self, organicism – self merging into the universe, merging into other character/ spellbound self (White stocking dance scene) the main dynamism of the stories is constituted by exactly these motives: conflicts on the level of language, knowledge and struggles for the preservation of the authentic self. |
Seznam odborné literatury |
BIBLIOGRAPHY
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