Online Communication of the Hungarian National Gallery and the National Gallery Prague: The Case Study of the Two Visegrad Alliance Member Countries’ National Galleries

• Název práce v češtině: Online komunikace Maďarské národní galerie a Národní galerie v Praze: Případová studie národních galerií dvou členských zemí Visegrádské aliance
• Název v anglickém jazyce: Online Communication of the Hungarian National Gallery and the National Gallery Prague: The Case Study of the Two Visegrad Alliance Member Countries’ National Galleries
• Klíčová slova: Maďarská národní galerie|Národní galerie v Praze|Případová studie|Visegrádská aliance
• Klíčová slova anglicky: Hungarian National Gallery|National Gallery Prague|The Case Study|Visegrad Alliance
• Akademický rok vypsání: 2021/2022
• Typ práce: diplomová práce
• Jazyk práce: angličtina
• Ústav: Ústav světových dějin (21-USD)
• Vedoucí / školitel: Mgr. Jiří Janáč, Ph.D.
• Řešitel: skrytý - zadáno a potvrzeno stud. odd.
• Datum přihlášení: 16.06.2023
• Datum zadání: 16.06.2023
• Schválení administrátorem: bylo schváleno
• Datum potvrzení stud. oddělením: 16.06.2023
• Datum a čas obhajoby: 20.06.2023 00:00
• Datum odevzdání elektronické podoby: 30.05.2023
• Datum proběhlé obhajoby: 20.06.2023
• Odevzdaná/finalizovaná: odevzdaná pracovníkem v zastoupení a finalizovaná
• Oponenti: Dániel Veress

Zásady pro vypracování

The presentation of heritage is a central role of a museum. The growing complexity of media technologies made it possible for museums to display heritage through online media channels. Museum online strategy unites various actors, sources, and audiences. However, online communication poses a challenge for a museum to manage the online environment, dynamic and open, that confronts the nature of museum’s organizational structure: institutionalized, stable, and limited by its responsibilities. The focus of the research is on the online communication of the Hungarian National Gallery and the National Gallery Prague. This thesis aims to investigate the landscape of online strategy and museum-user online interaction developed by the two Central European galleries. The products of online communication, the gallery’s website, and social media constitute the data set for the thesis. The interviews with the Galleries’ online communications specialists and the international students in Hungary allow me to juxtapose the first-had designer perspective and the end side of the communication process. The methods of the textual analysis of a website content and content analysis of the website textual data bring the understanding of the narratives and themes revolving in the communication. In line with the New Museology paradigm, the thesis addresses the messages, interactivity, and engagement practices of the Galleries’ online presence and correlates them to the 2023 circumstances of the Visegrad Four Group. The framework of the Visegrad alliance provides a scale for relating the Galleries’ online narratives to the national narratives of their home countries. As a result, the thesis gains insights into online communication management and its effects in the Hungarian National Gallery and the National Gallery Prague.

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