Témata prací (Výběr práce)Témata prací (Výběr práce)(verze: 390)
Detail práce
   Přihlásit přes CAS
Marketing “That Girl” and the commodification of perfect womanhood on TikTok
Název práce v češtině: „That girl“ a komodifikace dokonalého ženství na TikTok
Název v anglickém jazyce: Marketing “That Girl” and the commodification of perfect womanhood on TikTok
Klíčová slova: Standardy krásy, Komodifikace, Sociální média, TikTok, Práce na těle
Klíčová slova anglicky: Beauty standards, Commodification, Social media, TikTok, Body labor
Akademický rok vypsání: 2022/2023
Typ práce: diplomová práce
Jazyk práce: angličtina
Ústav: Katedra žurnalistiky (23-KZ)
Vedoucí / školitel: Mgr. Ing. Kateřina Turková, Ph.D.
Řešitel: skrytý - zadáno a potvrzeno stud. odd.
Datum přihlášení: 15.11.2022
Datum zadání: 15.11.2022
Datum potvrzení stud. oddělením: 15.11.2022
Datum a čas obhajoby: 12.09.2023 09:00
Místo konání obhajoby: Hollar, H011, Hollar - místn. č. 011
Datum odevzdání elektronické podoby:01.08.2023
Datum proběhlé obhajoby: 12.09.2023
Oponenti: Mgr. Barbora Součková
 
 
 
Seznam odborné literatury
A Redstocking Sister. (1971). Consumerism and women. In Gornick, Vivian, and Moran, Barbara K. (Eds.), Woman in Sexist Society: Studies in Power and Powerlessness (480-484). New York: Basic Books.
Arshad, S. (2021). Here's why "that girl" videos are all over your #Foryou page. Bustle. https://www.bustle.com/life/what-does-that-girl-mean-tiktok-viral-trend
Banet-Weiser, S. (2017). ‘I’m Beautiful the Way I Am’: Empowerment, Beauty, and Aesthetic Labour. In: Elias, A., Gill, R., Scharff, C. (eds) Aesthetic Labour. Dynamics of Virtual Work. Palgrave Macmillan, London. https://doi.org/10.1057/978-1-137-47765-1_15
Beauvoir, Simone de. (2015). The Second Sex. Vintage Classics.
Biddle, S., Ribeiro, P.V., Dias, T. (2020). Invisible Censorship: TikTok Told Moderators to Suppress Posts by “Ugly” People and the Poor to Attract New Users. The Intercept.
Blau, F. D., and Kahn, L. M. (2017). The Gender Wage Gap: Extent, Trends, and Explanations. Journal of Economic Literature, 55 (3): 789-865.
Boffone, T., & Sweeney-Romero, K. M. (2022). Wellness TikTok. In Tiktok cultures in the United States. essay, Routledge, Taylor et Francis Group.
Catt, C. (2014). Trapped in the Kitchen: How Advertising Defined Women’s Roles in 1950s America. Baylor University, USA.
Craig, S. (1998). Feminism, Femininity, and the "Beauty" Dilemma: How Advertising Co-opted the Women's Movement. Southwest/Texas Popular Culture/American Culture Association conference at Lubbock, Texas.
Couture Bue, A., & Harrison, K. (2019). Empowerment Sold Separately: Two Experiments Examine the Effects of Ostensibly Empowering Beauty Advertisements on Women’s Empowerment and Self-Objectification. Sex Roles. 81. 10.1007/s11199-019-01020-4.
Curiel, C.P., Castro, J.Z. & Molpeceres, A.V. (2023). Fashion, cinema and marketing: An exploratory study of diversity and stereotyping on the red carpets in US Vogue, Journal of Global Fashion Marketing, DOI: 10.1080/20932685.2023.2200815
Dao, G. (2022). Tiktok Influencer Marketing as a Marketing Tool for Cosmetic Industry to Attract Generation Z. LAB University of Applied Sciences, Finland.
Davis, J. E. (2003). The commodification of self. The Hedgehog Review, 5(2), 41+. https://link.gale.com/apps/doc/A133101172/AONE?u=anon~54383c46&sid=googleScholar&xid=606c68de
Duffy, B. E., & Chan, N. K. (2019). “You never really know who’s looking”: Imagined surveillance across social media platforms. New Media & Society, 21(1), 119–138. https://doi.org/10.1177/1461444818791318
Eler, A. (2017). Selfie Generation: How Our Self-Images Are Changing Our Notions of Privacy, Sex, Consent, and Culture. Skyhorse Publishing.
Elias, A. S. & Gill, R. (2017). Beauty surveillance: the digital self-monitoring cultures of neoliberalism. European Journal of Cultural Studies, 21(1), pp. 59-77. doi: 10.1177/1367549417705604
Elias, A.S., Roberts, A., &; McCracken, A. B. V. (2018). The Global Political Economy of Beauty. In Handbook on the International Political Economy of Gender. essay, Edward Elgar Publishing.
Fadillah, Farsya & Kusumawati, Nurrani. (2021). Factors Affecting Makeup Products Online Impulsive Buying Behavior on TikTok.
Fetters, A. (2013). 'An Epidemic, Basically': A Conflicted Weight-Loss Blogger on #Thinspo. The Atlantic. https://www.theatlantic.com/sexes/archive/2013/05/an-epidemic-basically-a-conflicted-weight-loss-blogger-on-thinspo/275671/
Friedan, B. (1963). The feminine mystique. New York, Norton.
Gill, R. (2016). Post-postfeminism?: new feminist visibilities in postfeminist times. Feminist Media Studies, 16:4, 610-630, DOI: 10.1080/14680777.2016.1193293
Gill, R. (2007). Postfeminist media culture: Elements of a sensibility. European Journal of Cultural Studies, 10(2), 147–166. https://doi.org/10.1177/1367549407075898
Glossier. (2023). Futuredew. https://www.glossier.com/products/futuredew
Gudmundsen, R.N., Sejersen, S.M. (2021). Fourth-wave Feminism and How TikTok Assists in the Normalization of the Fourth-wave Feminist Notions of Empowerment, Toxic Masculinity and Female Agency Through Virality. Aalborg University, Denmark.
Hains, R.C. (2009). Power Feminism, Mediated: Girl Power and the Commercial Politics of Change. Women's Studies in Communication, 32, 113 - 89.
Kaye, S. (2014). Caffeine: What you need to know. National Drug and Alcohol Research Centre.
Kennedy, M. (2020). ‘If the rise of the TikTok dance and e-girl aesthetic has taught us anything, it’s that teenage girls rule the internet right now’: TikTok celebrity, girls and the Coronavirus crisis. European Journal of Cultural Studies, 23(6), 1069–1076. https://doi.org/10.1177/1367549420945341
Kress, G. (2010). Multimodality: A social semiotic approach to contemporary communication. Routledge.
Le Bon, G. (1977). The crowd: a study of the popular mind. Penguin Books.
Machin, David. (2016). Introduction to Multimodal Analysis. Bloomsbury.
Marx, K. (1996). Das Kapital: A critique of political economy. Eagle.
Marx, K. (1935). The poverty of philosophy. Co-operative Publishing Society of Foreign Workers in the U.S.S.R.
McCracken, A.B.V. (2014). The Beauty Trade: Youth, Gender, and Fashion Globalization. New York: Oxford University Press.
McLean, S., Jarman, H. & Rodgers, R. (2019). How do “selfies” impact adolescents' well-being and body confidence? A narrative review. Psychology Research and Behavior Management, 12:, 513-521, DOI: 10.2147/PRBM.S177834
Miles M. B., Huberman A. M., Saldanã J. (2020). Qualitative data analysis: A methods sourcebook (4th ed.) [Kindle edition]. Sage.
MilkyOnce [@Dahyuni16548505] (2021, June 27). all that the that girl trend did to me is give me an eating disorder and made me hate my life :(. Twitter.
Monarth, H. (2022). What’s the Point of a Personal Brand? Harvard Business Review, USA.
Pierce, S. (2022). Alimentary Politics and Algorithms: The Spread of Information about “Healthy” Eating and Diet on TikTok. Senior Honors Papers / Undergraduate Theses. https://openscholarship.wustl.edu/undergrad_etd/40
Rottenberg, C. (2014) The Rise of Neoliberal Feminism, Cultural Studies, 28:3, 418-437, DOI: 10.1080/09502386.2013.857361
Schellewald, A. (2021). Communicative Forms on TikTok: Perspectives From Digital Ethnography. International Journal Of Communication, 15, 21. Retrieved from https://ijoc.org/index.php/ijoc/article/view/16414
Schubert, M. M., Grant, G., Horner, K., King, N., Leveritt, M., Sabapathy, S., & Desbrow, B. (2014). Coffee for morning hunger pangs. An examination of coffee and caffeine on appetite, gastric emptying, and energy intake. Appetite, 83, 317–326. https://doi.org/10.1016/j.appet.2014.09.006
Sharma, R. (2021). Who Is ‘That Girl’ & Why Is TikTok Obsessed With Her? Refinery29. https://www.refinery29.com/en-gb/2021/07/10551994/tiktok-obsession-with-that-girl
Spickard, J. (2017). Research basics: Design to data analysis in six steps. SAGE.
Tiidenberg, K., & Gómez Cruz, E. (2015). Selfies, Image and the Re-making of the Body. Body & Society, 21(4), 77–102. https://doi.org/10.1177/1357034X15592465
Treviños-Rodríguez, D. & Díaz-Soloaga, P. (2022). Ideal feminine beauty according to Korean cosmetic brand’s Instagram profiles. Media Asia, DOI: 10.1080/01296612.2022.2159154
Vandenbosch, L., & Eggermont, S. (2016). The Interrelated Roles of Mass Media and Social Media in Adolescents’ Development of an Objectified Self-Concept: A Longitudinal Study. Communication Research, 43(8), 1116–1140. https://doi.org/10.1177/0093650215600488
Wang, Y., Feng, D. (2022). Identity performance and self-branding in social commerce: A multimodal content analysis of Chinese wanghong women’s video-sharing practice on TikTok. Discourse, Context & Media, 50(100652), ISSN 2211-6958, https://doi.org/10.1016j.dcm.2022.100652.
Waring, M. (1989). If Women Counted: A New Feminist Economics. Macmillan.
Windels, K., Champlin, S., Shelton, S., Sterbenk, &., & Poteet, M. (2020). Selling Feminism: How Female Empowerment Campaigns Employ Postfeminist Discourses. Journal of Advertising, 49:1, 18-33, DOI: 10.1080/00913367.2019.1681035
Wolf, N. (2015). The Beauty Myth. Vintage Classics.
Yan, Y. & Bissell, K. (2014). The Globalization of Beauty: How is Ideal Beauty Influenced by Globally Published Fashion and Beauty Magazines? Journal of Intercultural Communication Research, 43:3, 194-214, DOI: 10.1080/17475759.2014.917432
Předběžná náplň práce
Trend "that girl" se na TikToku objevil jako přesvědčivé zobrazení ideální ženy, která ztělesňuje sebezdokonalování, wellness a dokonalost. Pod povrchem tohoto zobrazení se však skrývá temná realita, protože mladé ženy zmiňovaly jeho škodlivý dopad na jejich duševní zdraví a sebevědomí. Tento výzkum zkoumá komodifikaci "that girl" jako ideální ženy na TikToku, zkoumá její dodržování nebo vzdorování mainstreamovým standardům krásy a to, jak jsou wellness, kosmetické, módní a dietní produkty prezentovány jako nástroje k dosažení tohoto obrazu. Analýza dat smíšenými metodami, která využívá přístup případové studie, zkoumá veřejně dostupná videa na TikToku označená #thatgirl v období od března do srpna 2021. S využitím multimodální obsahové analýzy a sociální sémiotiky byly vytvořeny tematické kategorie, které umožňují pochopit vzorce zobrazování ženství. Zjištění ukazují, že trend "that girl" podporuje konzumerismus tím, že propaguje produkty a volby životního stylu jako cesty k dosažení ideální ženskosti zobrazované na TikToku. Tato studie poukazuje na složitou souhru mezi sociálními médii, spotřební kulturou a genderovými normami a nabízí cenné poznatky o důsledcích standardů krásy v digitálním prostoru.
Předběžná náplň práce v anglickém jazyce
The 'that girl' trend on TikTok has emerged as a compelling representation of an idealized woman, embodying self-improvement, wellness, and perfection. However, beneath the surface of this aspirational portrayal lies a darker reality, as young women reported its detrimental impact on mental health and self-esteem. This research investigates the commodification of 'that girl' as an ideal woman on TikTok, exploring her adherence to or defiance of mainstream beauty standards and how wellness, beauty, fashion, and diet products are presented as tools for achieving this image. Adopting a case study approach, mixed methods data analysis examines publicly available TikTok videos tagged with #thatgirl between March and August 2021. Utilizing a multimodal content analysis informed by social semiotics, thematic categories were developed to understand patterns in the portrayal of womanhood. The findings reveal that the 'that girl' trend encourages consumerism by promoting products and lifestyle choices as pathways to attain the ideal womanhood depicted on TikTok. This study highlights the complex interplay between social media, consumer culture, and gender norms, offering valuable insights into the implications of beauty standards veiled as empowerment and wellness in digital spaces.
 
Univerzita Karlova | Informační systém UK