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„Neoklasicismus“ v moderní čínské poezii?

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Title:
„Neoklasicismus“ v moderní čínské poezii?
Titile (in english):
"Neoclassicism" in modern Chinese poetry?
Type:
Diploma thesis
Author:
Bc. Marína Tkáčová
Supervisor:
doc. PhDr. Olga Lomová, CSc.
Opponent:
Mgr. Dušan Andrš, Ph.D.
Thesis Id:
179539
Faculty:
Faculty of Arts (FF)
Department:
Department of Sinology (21-KSI)
Study programm:
Philology (N7310)
Study branch:
Chinese Studies (SIN)
Degree granted:
Mgr.
Defence date:
04/09/2018
Defence result:
Excellent
Language:
Czech
Keywords (in czech):
Neoklasicizmus 新古典主义|čínska poézia|vzťah k tradícii|Tretia generácia|Shi Guanghua石光华|Song Wei 宋炜|Song Qu 宋渠|Wang Jiaxin王家新|Daxian 大仙|Cheqianzi 车前子
Keywords:
Neoclassicism 新古典主义|Chinese poetry|relationship towards tradition|Third Generation|Shi Guanghua石光华|Song Wei 宋炜|Song Qu 宋渠|Wang Jiaxin王家新|Daxian 大仙|Cheqianzi 车前子
Abstract (in czech):
Cieľom tejto diplomovej práce je analýza básní piatich autorov (Shi Guanghua, bratia 90. rokoch minulého storočia, stránke bytostne modernej poézie. Na základe tejto analýzy sa pokúšame identifikovať touto tradíciou vyrovnávajú a zvážiť, v vo svojom nepublikovanom referáte rozvinula Olga Lomová. Kompilačná časť práce pozostáva zo stručného zhrnutia charakteristík tradičnej poézie v hľadiska vzťahu k kapitole a z tretej kapitoly, kde podrobnejšie predstavíme koncepciu neoklasicizmu uhá, analytická časť, ktorá obsahuje rozbor básní rámci štvrtej kapitoly, členenej na podkapitoly o pričom tá prvá je delená na päť tematických okruhov. Všetky básne sprevádzajú pracovné preklady. Záver práce zhŕňa výsledky analýzy a obsahuje úvahu o možnostiach návratu tradícii, pričom si kladieme otázku, nakoľko je vôbec možné prepojenie hodnôt tradičnej odlišných kultúrnych a
Abstract:
Thesis abstract The aim of this thesis is to provide an analysis of the poems written by Shi Guanghua, Song brothers, Da Xian, Che Qianzi a Wang Jiaxin active in 1980s and 1990s, who in various ways experiment with using elements of domestic tradition in their own poetry, which is fundamentally modern on a formal level. Based on this analysis we attempt to identify the ways in which modern poetry approaches this tradition and qualify in which sense this is to be considered a return to tradition. Our starting point, a marginal category outside the mainstream of literary criticism formulated by Chen Zhongyi and further developed by Olga Lomová in her unpublished paper, is termed neoclassicism (xingudiazhuyi). The introductory part of the thesis consists of a brief summary of characteristic traits of traditional poetry in the first chapter, an introduction to the literary historical context with respect towards tradition in the second chapter, and the third chapter, where we present the concept of neoclassicism and the individual authors in greater detail. The core of the thesis is the second, analytical part, containing the poems’ analysis in the fourth chapter, divided into sub-chapters on themes, imagery and formal features; the themes are further divided into five sub-themes. All the examples of poems presented include a translation into Slovak language. The conclusion contains a reflection on the possibilities of returning to tradition, whereby we discuss the question of the degree, to which it is even possible to connect the values of traditional poetry anchored in a different cultural and social context.
Documents
Download Document Author Type File size
Download Text of the thesis Bc. Marína Tkáčová 1.09 MB
Download Abstract in czech Bc. Marína Tkáčová 74 kB
Download Abstract in english Bc. Marína Tkáčová 60 kB
Download Supervisor's review doc. PhDr. Olga Lomová, CSc. 214 kB
Download Opponent's review Mgr. Dušan Andrš, Ph.D. 227 kB
Download Defence's report 153 kB