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Předmět, akademický rok 2023/2024
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The Myth of The Frontier - AAA133018E
Anglický název: The Myth of The Frontier
Zajišťuje: Ústav anglofonních literatur a kultur (21-UALK)
Fakulta: Filozofická fakulta
Platnost: od 2023
Semestr: zimní
Body: 0
E-Kredity: 3
Způsob provedení zkoušky: zimní s.:
Rozsah, examinace: zimní s.:0/2, Zk [HT]
Počet míst: neurčen / neurčen (5)
Minimální obsazenost: neomezen
4EU+: ne
Virtuální mobilita / počet míst pro virtuální mobilitu: ne
Kompetence:  
Stav předmětu: vyučován
Jazyk výuky: angličtina
Způsob výuky: prezenční
Způsob výuky: prezenční
Úroveň:  
Je zajišťováno předmětem: AAA133018
Poznámka: předmět je možno zapsat mimo plán
povolen pro zápis po webu
Garant: doc. PhDr. Mariana Machová, Ph.D.
Třída: Exchange - 09.2 General and Comparative Literature
Anotace - angličtina
Poslední úprava: doc. PhDr. Mariana Machová, Ph.D. (18.09.2022)
N.B.:
THIS CODE WAS CREATED SPECIFICALLY FOR ERASMUS STUDENTS who need a grade for this course.
Please note that to enroll in this course you should have a level of C1 in English.
The course will introduce the students to the essential American cultural myth: the myth of the American frontier, or the Wild West. We will examine the historical and cultural sources of the myth and follow the creation of the major stereotypes, examining not only the role it has played in American culture, but also its reflection in other cultures and subcultures.
The material for the course will be chosen from across various art forms: we will read some of the basic works of the earlier frontier literature (captivity narratives, Cooper’s novels or Bret Harte’s stories), and also more modern reflections and rewritings of the myth in the U.S. and elsewhere (Cormac McCarthy, James Welch, M. Ondaatje, J. L. Borges); we will discuss visual representations of the myth (paintings, posters, photographs, Native “ledger art”) and, occasionally, songs and ballads ; we will examine selected seminal western films (Stagecoach, The Searchers), some revisionist westerns (Pat Garrett and Billy the Kid, Dances with Wolves), and look into transnational takes at the western genre (Limonádový Joe – a Czech musical parody, Winnetou – an “Ostern”, Once Upon a Time in the West – a Spaghetti western). Part of the course is a guest lecture by the eminent Czech novelist Jáchym Topol, the author of Trnová dívka (Thorn Girl), a book of Native American folk tales (the lecture will be in Czech).
The course is taught in English (with the exception of the guest lecture) / Předmět je vyučován v anglickém jazyce (s výjimkou přednášky J. Topola).
Podmínky zakončení předmětu - angličtina
Poslední úprava: doc. PhDr. Mariana Machová, Ph.D. (18.09.2022)

Assessment

The main credit requirements are:

1.     Active in-class participation – maximum of three absences.

2.     Readings (or viewings) of the materials assigned for each class.

3.     Final essay of 2000 words (detailed requirements for the essay will be specified in the course of the semester).

Literatura - angličtina
Poslední úprava: doc. PhDr. Mariana Machová, Ph.D. (18.09.2022)

Bibliography of Selected Secondary Sources

Brown, Dee. Bury My Hear at Wounded Knee. An Indian History of the American West. New York: Holt, Rinehart & Winston, 1970.

Campbell, Neil. The Rhizomatic West: Representing the American West in a Transnational Global, Media Age. Lincoln, NE: Nebraska University Press, 2011.

Curtis, Edward Sheriff. The North American Indian. 1907–1930. Available at http://curtis.library.northwestern.edu/index.html

Frye, Steven. The Cambridge Companion to the Literature of the American West. Cambridge: Cambridge University Press, 2016. (The Cambridge Companion also features a rich list of relevant secondary material.)

Fussell, Edwin. Frontier. American Literature and the American West. Princeton: Princeton University Press, 1965.

Lawrence, David Herbert. Studies in Classic American Literature.

Slotkin, Richard. Gunfighter Nation. The Myth of the Frontier in Twentieth-Century America. Norman: Unversity of Oklahoma Press, 1998.

Slotkin, Richard. Regeneration Through Violence. The Mythology of the American Frontier 1600–1860. Norman: Unversity of Oklahoma Press, 2000.

Slotkin, Richard. The Fatal Environment. The Myth of the Frontier in the Age of Industrialization, 1800–1890. Norman: Unversity of Oklahoma Press, 1998.

Turner, Frederick Jackson. The Significance of the Frontier in American History (1893). Available at: https://www.gutenberg.org/ebooks/229

Sylabus - angličtina
Poslední úprava: doc. PhDr. Mariana Machová, Ph.D. (18.09.2022)

Tentative Class Plan

 

Week 1 (October 4) 

Introduction: The Myth of the Frontier

 

Week 2 (October 11) 

Reading: Frederick Jackson Turner: “The Significance of the Frontier in American History” (1893) 

Walter Prescott Webb: The Great Plains (1931) - extracts

 

Week 3 (October 18)  

Pioneers and Trailblazers 

Reading: J. Hector St. John de Crèvecoeur, Daniel Boone narrative (John Filson), J. F. Cooper (ch. 3) 

 

Week 4 (October 25) 

Native Americans as Noble Savages

Reading: selections of Romantic texts on Native Americans 

Photographs: Edward Curtis 

 

Week 5 (November 1) 

Guest Talk by the Czech novelist Jáchym Topol (date subject to change)

 

Week 6 (November 8) 

Native Americans as Demons: Captivity Narratives 

Reading: selections from captivity narratives

Film: The Searchers (1956)

 

Week 7 (November 15) 

Native Americans Re-Imagined

Reading: James Welch: Fools Crow (selections)

Film: Dances With Wolves (1993, Kevin Costner)
 

Week 8 (November 22) 

Soldiers 

Reading: selections from George Armstrong Custer: My Life on the Plains, Elizabeth Custer: Boots and Saddles, newspaper articles on the Battle of Little Big Horn 

Film: Custer’s Last Fight (a 1912 black-and-white silent film)

 

Week 9 (November 29) 

Golddiggers, Gamblers and Whores with the Heart of Gold 

Reading: Bret Harte (selected stories), Mark Twain (selections from Roughing It)

Film: Stagecoach (1936, John Ford)

 

Week 10 (December 6) 

Outlaws

Reading: selections from Hough, Pat Garrett, Burns, Borges, Ondaatje 

Film: Pat Garrett and Billy the Kid (1973, Sam Peckinpah)

 

Week 11 (December 13) 

The Wild West Revised 

Reading: Cormac McCarthy: Blood Meridian (selections)

 

Week 12 (December 20) 

Essay topics presentation and discussion 

 

Week 13 (January 3) 

Transnational West 

Films: Limonádový Joe, Winnetou (Apache Gold), Once Upon a Time in the West

 

 
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