Contemporary American Romancers: Pynchon, Robbins, DeLillo, Auster - AAA133012

• Anglický název: Contemporary American Romancers: Pynchon, Robbins, DeLillo, Auster
• Zajišťuje: Ústav anglofonních literatur a kultur (21-UALK)
• Fakulta: Filozofická fakulta
• Platnost: od 2020
• Semestr: letní
• Body: 0
• E-Kredity: 3
• Způsob provedení zkoušky: letní s.:
• Rozsah, examinace: letní s.:0/2, Z [HT]
• Počet míst: neurčen / neurčen (1)
• Minimální obsazenost: neomezen
• 4EU+: ne
• Virtuální mobilita / počet míst pro virtuální mobilitu: ne
• Stav předmětu: nevyučován
• Jazyk výuky: angličtina
• Způsob výuky: prezenční
• Způsob výuky: prezenční
• Poznámka: předmět je možno zapsat mimo plán; povolen pro zápis po webu
• Garant: David Lee Robbins, Ph.D.
• Třída: Exchange - 09.2 General and Comparative Literature

Anotace

Poslední úprava: Mgr. Helena Znojemská, Ph.D. (30.06.2014)

An examination of the practitioners of the American romance tradition who built upon the distinction, made by
Emerson (and repeated by Nathaniel Hawthorne), between "romances" and "fictions" (novels). Examined will be
Henry James's The Europeans, Mark Twain's Huckleberry Finn, Kate Chopin's The Awakening, Scott Fitzgerald's
The Great Gatsby, Ralph Ellison's Invisible Man, Thomas Pynchon's The Crying of Lot 49, and Tom Robbins's
Even Cowgirls Get the Blues.
1) Emerson on romance as a genre in "Europe and European Books" (Dial, Volume iii [1842]); and Hawthorne,
Prefaces from The Scarlet Letter (1850), The House of the Seven Gables (1851), and The Blithedale Romance
(1852)
2) Emerson, excerpts from "Self-Reliance" (1841)" and "Circles" (1841)
3) Emerson, excerpts from "Experience" (1844), "Fate" (1860), and "Illusions" (1860)
4) Henry James, excerpts from The Europeans (1878)
5) Mark Twain, excerpts from Huckleberry Finn (1885)
6) Kate Chopin, excerpts from The Awakening (1899), and Willa Cather, excerpts from My Antonia (1918)
7) Robert Frost, "Mending Wall" (1914) and "The Road Not Taken" (1916); and Wallace Stevens, "A High-Toned
Old Christian Woman" (1923), "The Man Whose Pharynx Was Bad" (1931), "The Creations of Sound" (1947) and
excerpts from "Notes toward a Supreme Fiction" (1947)
8) Sinclair Lewis, excerpts from Babbitt (1922), and F. Scott Fitzgerald, excerpts from The Great Gatsby (1925)
9) Sherwood Anderson, excerpts from Winesburg, Ohio (1919), and John Steinbeck, excerpts from The Grapes of
Wrath (1939)
10) William Faulkner, excerpts from The Sound and the Fury (1929) and from Light in August (1932)
11) Ralph Ellison, excerpts from Invisible Man (1952); and James Baldwin, excerpts from "Faulkner and
Desegregation" (1956), "The Discovery of What It Means to Be an American" (1959) "In Search of a Majority"
(1960) "Notes for a Hypothetical Novel" (1960), and "The Black Boy Looks at the White Boy" (1961) in Nobody
Knows My Name: More Notes of a Native Son (1964)
12) Thomas Pynchon, excerpts from The Crying of Lot 49 (1966) and from Mason & Dixon (1997); and Tom
Robbins, excerpts from Even Cowgirls Get the Blues (1976) and from Jitterbug Perfume (1984)