Současné britské drama: 1980-2020 - AAALA033A

• Anglický název: Contemporary British Drama: 1980-2020
• Zajišťuje: Ústav anglofonních literatur a kultur (21-UALK)
• Fakulta: Filozofická fakulta
• Platnost: od 2021
• Semestr: letní
• Body: 0
• E-Kredity: 5
• Způsob provedení zkoušky: letní s.:
• Rozsah, examinace: letní s.:0/2, Z [HT]
• Počet míst: neurčen / neurčen (neurčen)
• Minimální obsazenost: neomezen
• 4EU+: ne
• Virtuální mobilita / počet míst pro virtuální mobilitu: ne
• Stav předmětu: nevyučován
• Jazyk výuky: angličtina
• Způsob výuky: prezenční
• Poznámka: předmět je možno zapsat mimo plán; povolen pro zápis po webu
• Garant: doc. Clare Wallace, M.A., Ph.D.
• Je záměnnost pro: AAALA002A

Anotace

OBJECTIVES<br>
British drama since 1980 has been the subject of extensive and varied critical attention. The core purpose of this <br>
course would be to provide students with a coherent guide to the changing territory of contemporary British theatre <br>
and drama from 1980 to the present. At the hub of debate are the contours of Britishness, and how the United <br>
Kingdom has become an increasingly unstable locus for multiple identities which have themselves radically<br>
changed over the period. The course will be organised around the following topics: Thatcherism: Theatre of the <br>
Watershed Era; Gender: Feminism, Masculinity and Queerness on Stage; Race, Multiculturalism, Hybridity: Presenting the New Britain; Postcolonialism and devolution: Redefining the United Kingdom; Cool Britannia: A debatable ‘Golden Age’; and Truth and Terror: Responding to Crises Post-9/11.<br>
<br>
The full syllabus and assessment criteria will be shared on Moodle.<br>
<br>

3.3.2021 PLEASE NOTE: This class is full. No extra enrollments are possible.

Poslední úprava: Wallace Clare, doc., M.A., Ph.D. (03.03.2021)

Literatura

MATERIALS

Selected plays by the following:

Howard Barker, Gurpreet Kaur Bhatti, Alice Birch, Howard Brenton, Caryl Churchill, Martin Crimp, Tim Crouch, Sarah Daniels, debbie tucker green, David Greig, Tanika Gupta, David Hare, Lucy Kirkwood, Patrick Marber, Mark Ravenhill, Andy Smith

Billingham, Peter. At the Sharp End: Uncovering the Work of Five Leading Dramatists.London:Methuen, 2007.

Buse, Peter. Drama + Theory: Critical Approaches to Modern British Drama.Manchester:ManchesterUniversity Press, 2001.

De Vos, Laurens and Graham Saunders eds. Kane in Context.Manchester:Manchester UP, 2010.

Gottlieb, Vera and Colin Chambers, eds. Theatre in a Cool Climate.Oxford:Amber Lane, 1999.

Innes, Christopher. Modern British Drama 1890-1990. Cambridge:CambridgeUniversity Press, 1992.

Innes, Christopher. Modern British Drama: The Twentieth Century.Cambridge:CambridgeUniversity Press, 2002.

Müller, Anja and Clare Wallace eds. Cosmotopia: Transnational Identities in David Greig’s Theatre.Prague: Litteraria Pragensia, 2011.

Saunders, Graham. “Love Me or Kill Me”: Sarah Kane and the Theatre of Extremes.Manchester:Manchester UP, 2002.

Shepherd, Simon and Peter Womack. English drama: a cultural history.Oxford;Cambridge: Blackwell, 1996.

Sierz, Aleks. In-yer-face theatre: British drama today.London: Faber and Faber, 2001.

Wallace, Clare. Suspect Cultures: Narrative, Identity and Citation in 1990s New Drama.Prague: Litteraria, 2006.

Poslední úprava: Wallace Clare, doc., M.A., Ph.D. (03.02.2021)

Metody výuky

seminář

Poslední úprava: Znojemská Helena, Mgr., Ph.D. (12.03.2017)