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Předmět, akademický rok 2023/2024
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History of Music III - OEBHH1760Z
Anglický název: History of Music III
Zajišťuje: Katedra hudební výchovy (41-KHV)
Fakulta: Pedagogická fakulta
Platnost: od 2021
Semestr: zimní
E-Kredity: 6
Způsob provedení zkoušky: zimní s.:
Rozsah, examinace: zimní s.:1/1, Zk [HT]
Počet míst: 1 / 1 (neurčen)
Minimální obsazenost: neomezen
4EU+: ne
Virtuální mobilita / počet míst pro virtuální mobilitu: ne
Stav předmětu: vyučován
Jazyk výuky: angličtina
Způsob výuky: prezenční
Způsob výuky: prezenční
Poznámka: předmět je možno zapsat mimo plán
povolen pro zápis po webu
při zápisu přednost, je-li ve stud. plánu
Garant: PhDr. Magdalena Saláková, Ph.D.
Vyučující: MgA. Jiřina Marešová, Ph.D.
Třída: Předměty v angličtině - bc.
Neslučitelnost : OB2308165
Anotace - angličtina
Poslední úprava: Kateřina Esserová, DiS. (31.05.2021)
History of Music III (the third part of the lecture cycle History of Music I-IV): A study of the development of western music from cca 1800 - 1900. Emphasis will be placed on developing a thorough knowledge of music literature. The objective of History of Music I-IV is for the student to gain an understanding of the development of western music from the earliest known sources until the present day. The course will include the study of both sacred and secular music in all genres. It will place a strong emphasis on listening to and identifying various styles of music. Upon successful completion of the course History of Music III, students will be expected to: • Demonstrate a basic knowledge of significant composers and works related to Western music from 1800 to 1900 • Apply understanding of stylistic trends through aural recognition and analysis of representative works • Identify the various genres of music and trace their development through the major historical periods • Understand and describe the development of instruments throughout music history • Analyze music composed in different time periods and assess stylistic features that are characteristic of each period • Analyze representative works and evaluate how music was shaped by broad political, cultural, and economic trends and by the values of the society that produced it • Evaluate the impact of past musical developments on present-day musical practices
Literatura - angličtina
Poslední úprava: Kateřina Esserová, DiS. (31.05.2021)

Burkholder, J. Peter, Donald Jay Grout and Claude V. Palisca. A History of Western Music (8th ed.).New York: W. W. Norton & Co., 2010

Burkholder, J. Peter, and Claude V. Palisca, eds. Norton Anthology of Western Music (6th ed.): Volume I: Ancient to Baroque.New York: W. W. Norton & Co., 2010.

The New Grove Dictionary of Music and Musicians, ed. E. Sadie, NY /London

Požadavky ke zkoušce - angličtina
Poslední úprava: Kateřina Esserová, DiS. (31.05.2021)

1.ATTENDANCE. Regular attendance is essential and expected. Maximum of absences: 3 per a semester. Concepts are cumulative and absences will increase the difficulty of the course. Students should contact the instructor prior to any planned absence.

2.EVALUATION. Students will be evaluated through a few Minor Exams during the semester and a Final Exam (successful completion: 60%).

3.WRITING. Student will write a Term Paper (2 pages) which will be handed in by the last class meeting before the Christmas time. Topics will be discussed at the first class meeting.

Sylabus - angličtina
Poslední úprava: Kateřina Esserová, DiS. (31.05.2021)

1) Revolution, War and Music, 1789-1815, Ludwig van Beethoven

2) The Romantic Generation: Song and Piano Music, The Concept of Romanticism, Improvements in Musical Instruments

3) Music for Piano, The Lied

4) Romanticism in Classic Forms: Orchestral, Chamber, and Choral Music

5) Romantic Opera and Musical Theater to Midcentury (Italian Opera, French Opera, German Opera)

6) Opera and Musical Theater in the Later Nineteenth Century (Richard Wagner, Giuseppe Verdi, Later Italian Composers, Opera in Other Countries)

7) late Romanticism in Germany and Austria, Competing Philosophies, Johannes Brahms, The Influence of Wagnerian Ideas

8) Diverging Traditions in the Later Nineteenth Century (France, Eastern and Northern Europe)

 
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