Film and Critical Culture II - AAALE007A
Anglický název: Film and Critical Culture II
Zajišťuje: Ústav anglofonních literatur a kultur (21-UALK)
Fakulta: Filozofická fakulta
Platnost: od 2023
Semestr: letní
Body: 0
E-Kredity: 5
Způsob provedení zkoušky: letní s.:
Rozsah, examinace: letní s.:0/2, Z [HT]
Počet míst: neurčen / neomezen (neurčen)
Minimální obsazenost: neomezen
4EU+: ne
Virtuální mobilita / počet míst pro virtuální mobilitu: ne
Stav předmětu: nevyučován
Jazyk výuky: angličtina
Způsob výuky: prezenční
Způsob výuky: prezenční
Další informace:
Poznámka: předmět je možno zapsat mimo plán
povolen pro zápis po webu
Garant: Louis Armand, Ph.D.
Vyučující: Louis Armand, Ph.D.
Třída: Exchange - 03.4 Photography, Cinematography
Exchange - 09.2 General and Comparative Literature
Je korekvizitou pro: AAALE007B
Je záměnnost pro: AAA500429
Rozvrh   Nástěnka   
Anotace - angličtina
Poslední úprava: Louis Armand, Ph.D. (14.02.2022)
This seminar examines 'critical' aspects of the cinematic medium and its 'culture.'

For updates:
Poslední úprava: Louis Armand, Ph.D. (14.02.2022)

see below

Metody výuky
Poslední úprava: Mgr. Helena Znojemská, Ph.D. (05.01.2014)


Poslední úprava: Louis Armand, Ph.D. (16.02.2023)


Thursday 15:50 (room 219b* [provisionally])

*NB there will be no seminars in May

**This is a graduate seminar & is reserved for graduate students only.

This seminar examines 'critical' aspects of the cinematic medium and its 'culture.'

*For updates/miscellanea:

Mark Fisher CAPITALIST REALISM (2009) & THE WEIRD & THE EERIE (2016); Slavoj Žižek, THE PLAGUE OF FANTASIES (Verso, 2009); Viktor Shklovsky, "ART AS TECHNIQUE" (1917); Sigmund Freud, "THE UNCANNY" (1919); Bertolt Brecht, "ALIENATION EFFECTS IN CHINESE ACTING" (1936)



23.2 The Show, dir. Mitch Jenkins (2020)
  2.3 Amsterdam, dir. David O. Russell (2022)
  9.3 Triangle of Sadness, dir. Ruben Östlund (2022)
16.3 High-Rise, dir. Ben Wheatley (2010)
23.3 Crimes of the Future, dir. David Cronenberg (2022)
30.3 Atlantis, dir. Valentyn Vasyanovych (2020)
  6.4 Nothing Personal, dir. Urszula Antoniak (2009)
13.4 A Girl Walks Home Alone at Night, dir. Ana Lily Amirpour (2014)
20.4 A Field in England, dir. Ben Wheatley (2013)
27.4 Breakfast on Pluto, dir. Neil Jordan (2005)
  4.5 Donbass, dir. Sergei Loznitsa (2018)

Louis Armand, Videology I & II (Prague: Litteraria, 2015/2016).

Guy Debord, The Society of the Spectacle (1967)

Alain Badiou, Cinema (2013)

Gilles Deleuze, Cinema 1 & 2 (1983/5)
NB Students will be required to access the films independently prior to each seminar in order to engage in a group discussion.

*Assessment for single credit (Z) will be based upon (1) a 2,500 word ESSAY conforming to Department style due 8 June  (see ESSAY GUIDELINES at (due 1 June / topics must be agreed in advance & may address any aspect of the seminar material within a critical/theoretical framework); attendance (max. absences accompanied by doctor's certificate = 2; unexplained absence = FAIL); (2) active participation in weekly in-class discussion; and (3) a typed 300 word review of each of the screened titles (reference should be made to one of the critical texts in each of the reviews), to be submitted no less than 24 hrs prior to the following class). Plagiarism in any form will result in an immediate fail. NB that only MA students are entitled to apply for the additional credit (Zk) in this seminar, for which the assessment is an additional 2,500 word essay, or a single essay of 5,000 words for combined credit (due dates must be discussed).

*Students who require credits to be issued early must ensure all assessment requirements are completed a minimum of 2 weeks prior to that date, upon prior agreement with the lecturer.

COVID: please be prepared to produce a vaccination certificate in order to attend this seminar.