Last update: PhDr. Monika Kadrnožková, Ph.D. (27.10.2020)
Preparation and study of the repertoire with the intention of public presentation, this is the main content not only of the teacher´s work in instrumental playing, but for teacher´s work in every conceivable area. Music is a phenomenon, that arises individually in the privacy of hard training, and alongside requires public social acceptance. Student expand their repertoire background with regard to their professional pedagogical focus, and at the same time prepare the program for their future graduate performance. It is taken into consideration in formation of their individual study plans. The solution of technical and interpretive issues emphasizes the methodological approach at various levels. This course contents the study of the chamber music repertoire with the aim of a concert presentation.
The important part of this course is Interpretation Class, the artistic and didactic workshop. Students have the opportunity to present the studied work in various stages of interpretive development and verification of their abilities. They realize the studied work in front of the public, discuss with colleagues and teachers, they learn an acceptance of criticism and its processing, defense of own opinions, but also respecting different ones. They learn to motivate others. Students also bring their interesting topics. In solution of them, together with colleagues and pedagogues, they find support and inspiration for their interpretive and pedagogical work.
Last update: PhDr. Monika Kadrnožková, Ph.D. (27.10.2020)
Preparation and study of the repertoire with the intention of public presentation, this is the main content not only of the teacher´s work in instrumental playing, but for teacher´s work in every conceivable area. Music is a phenomenon, that arises individually in the privacy of hard training, and alongside requires public social acceptance. Student expand their repertoire background with regard to their professional pedagogical focus, and at the same time prepare the program for their future graduate performance. It is taken into consideration in formation of their individual study plans. The solution of technical and interpretive issues emphasizes the methodological approach at various levels. This course contents the study of the chamber music repertoire with the aim of a concert presentation.
The important part of this course is Interpretation Class, the artistic and didactic workshop. Students have the opportunity to present the studied work in various stages of interpretive development and verification of their abilities. They realize the studied work in front of the public, discuss with colleagues and teachers, they learn an acceptance of criticism and its processing, defense of own opinions, but also respecting different ones. They learn to motivate others. Students also bring their interesting topics. In solution of them, together with colleagues and pedagogues, they find support and inspiration for their interpretive and pedagogical work.
Literature -
Last update: PhDr. Monika Kadrnožková, Ph.D. (27.10.2020)
Music sheets and scores of European classical instrumental music of the 18th, 19th and 20th centuries, contemporary music. Music material. Audio recordings and videos.
SADIE, S., GROVE, G. The New Grove Dictionary of Music and Musicians. Macmillan Publishing Company Oxford 2001.
MACH, Elise: Great Contemporary Pianists Speak for Themselves. Dover Publications, Inc., New. York 1991.
ROTH, H. Violin Virtuosos from Paganini to the 21st Century. Los Angeles: California Classics Book 1997.
SCHOENBAUM, D. The Violin : A Social History of the World's Most Versatile Instrument. New York: WW Norton 2013.
EHNES, J. Homage [CD/DVD]. (James Ehnes Plays the Fulton Collection of Violins and Violas). Onyx Classics 2009.
NEUHAUS, H. The Art of Piano Playing. Kahn & Averill : London, 2016.
BRENDEL, A. Music. Sence and Nonsence – Collected Essays and Lectures. Robson Press : London 2015.
RUBINSTEIN, A. My Many Years. Annabella Whitestone : New York, 2003.
Last update: PhDr. Monika Kadrnožková, Ph.D. (27.10.2020)
Music sheets and scores of European classical instrumental music of the 18th, 19th and 20th centuries, contemporary music. Music material. Audio recordings and videos.
SADIE, S., GROVE, G. The New Grove Dictionary of Music and Musicians. Macmillan Publishing Company Oxford 2001.
MACH, Elise: Great Contemporary Pianists Speak for Themselves. Dover Publications, Inc., New. York 1991.
ROTH, H. Violin Virtuosos from Paganini to the 21st Century. Los Angeles: California Classics Book 1997.
SCHOENBAUM, D. The Violin : A Social History of the World's Most Versatile Instrument. New York: WW Norton 2013.
EHNES, J. Homage [CD/DVD]. (James Ehnes Plays the Fulton Collection of Violins and Violas). Onyx Classics 2009.
NEUHAUS, H. The Art of Piano Playing. Kahn & Averill : London, 2016.
BRENDEL, A. Music. Sence and Nonsence – Collected Essays and Lectures. Robson Press : London 2015.
RUBINSTEIN, A. My Many Years. Annabella Whitestone : New York, 2003.
