Special Instrumental Preparation III - OIBS4H032A

• Title: Special Instrumental Preparation III
• Guaranteed by: Katedra hudební výchovy (41-KHV)
• Faculty: Faculty of Education
• Actual: from 2020 to 2024
• Semester: winter
• E-Credits: 4
• Examination process: winter s.:
• Hours per week, examination: winter s.:0/2, MC [HT]
• Extent per academic year: 0 [hours]
• Capacity: unknown / unknown (unknown)
• Min. number of students: unlimited
• 4EU+: no
• Virtual mobility / capacity: no
• State of the course: not taught
• Language: English
• Teaching methods: full-time
• Teaching methods: full-time
• Guarantor: MgA. Jiřina Marešová, Ph.D.

Annotation

English

Last update: PhDr. Leona Stříteská, Ph.D. (20.12.2023)

Qualifying skill of playing generalbass in the interpretation of Baroque and Classical music and the ability to realize this specific musical notation. Basic thematic areas: Practical application of theoretical knowledge of harmony theory by direct realization of harmonic tasks on keyboard (piano, organ, harpsichord) from various harmony textbooks. Studying the style of Baroque music interpretation, play recitatives of top Italian operas by W. A. Mozart. Practicing general bass playing on compositions in those editions where it is not written. Ability to create general bass for compositions from archival materials selected for printed editions.

Literature

English

Last update: PhDr. Leona Stříteská, Ph.D. (20.12.2023)

Brinson, Barbara & Demorest, Steven: Choral Music Methods and Materials. Cengage, ISBN: 1133599664, 2014.

Homer, Ulrich: A Survey of Choral Music. ISBN-13: 978-0155848634.

Charlton, Alan: How To Read Music. Flame Tree Publishing, ISBN: 9781847863058, 2008.

Riemann, H.: Anleitung zum Generalbass-Spielen. Berlin : MHV IX.

Mattheson, J.: Grosse Generalbass Schule, Hamburk 1731.

Heinichen, J. D.: Der Generalbass in der Composition, Dresden 1728.