Composition and Analysis II - OEBHH1710Y

• Title: Composition and Analysis II
• Guaranteed by: Katedra hudební výchovy (41-KHV)
• Faculty: Faculty of Education
• Actual: from 2020
• Semester: summer
• E-Credits: 6
• Examination process: summer s.:
• Hours per week, examination: summer s.:0/1, Ex [HT]
• Capacity: unknown / unknown (unknown)
• Min. number of students: unlimited
• 4EU+: no
• Virtual mobility / capacity: no
• State of the course: not taught
• Language: Czech
• Teaching methods: full-time
• Teaching methods: full-time
• Note: enabled for web enrollment
• Guarantor: Mgr. Vartan Agopian, Ph.D.

Annotation

Last update: Mgr. Vartan Agopian, Ph.D. (20.05.2019)

Comprehensive analysis and analytical interpretation of compositions with accenting the analysis of means for understanding of content as a basic prerequisite of pedagogical work. The analysis is based on the harmonic, form and semantic analysis, the result is comprehensive contemporary analysis of music work.

Literature

Last update: Mgr. Vartan Agopian, Ph.D. (20.05.2019)

Nicholas Cook: A guide to musical analysis. Oxford University Press, 1994. 376 pp. ISBN 0198165080, 9780198165088.
Jan LaRue: Guidelines for style analysis. Harmonie Park Press, 1992. 286 pp. ISBN 0899900623, 9780899900629.
Nicholas Cook: Music: a very short introduction. Oxford University Press, 2000. 152 pp. ISBN 0192853821, 9780192853820.
Allen Forte, Steven E. Gilbert: Introduction to Schenkerian analysis. Norton, 1982. 397 pp. ISBN 0393951928, 9780393951929.
Rudolph Reti: The thematic process in music. Faber & Faber, 1961. 362 pp.
Wallace Berry: Structural functions in music. Courier Dover Publications, 1987. 447 pp. ISBN 0486253848, 9780486253848.

Requirements to the exam

Last update: Mgr. Vartan Agopian, Ph.D. (20.05.2019)

Comprehensive analysis of selected works in the form of lectures with activation of the audience.

Syllabus

Last update: Mgr. Vartan Agopian, Ph.D. (20.05.2019)

1. The perception of the artwork and the original description: analytical perception without intention, aesthetic, narrative description
2. Preparation of analysis: general historiographical and sociological training
3. Preparation of analysis: art-historical training
4. Preparation of analysis: semiotic preparation
5. Preparation of the analysis: preparation Archetypová
6. Partial analysis: parametric and tectonic
7. Partial analysis: semantic, content, shape, stylistic
8. Partial analysis: genealogical, genologická, socio-pragmatic
9. Comprehensive description of the work of the creator - an artifact - the recipient
10. A comprehensive interpretation of the work
11. Comparison
12. Critical evaluation
13.Options analysis tracks due to the availability of sources and literature