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Last update: PhDr. Milan Pech, Ph.D. (25.09.2023)
Limit of participants: max. 6 students Prerequisites for participation in the seminar: 1. active cooperation, 2. excellent orientation in the problems of 19th, 20th and 21st century art in the Czech Republic and abroad, 3. excellent knowledge of the methodology and theory of 19th and 20th century art history |
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Last update: PhDr. Milan Pech, Ph.D. (28.09.2022)
The curatorial seminar aims to organize an exhibition of students of the Academy of Fine Arts in the Jilská 14 Gallery in June 2023. |
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Last update: PhDr. Milan Pech, Ph.D. (08.12.2019)
Mandatory literature: Jitka Černá et. al., Vstup do kurátorství cestou alternativní výtvarné scény, Ústí nad Labem 2011. Jitka Černá – Lucie Vojtíšková, Výstava Velmi křehké vztahy, obraz rodiny v současném umění, Ústí nad Labem 2010. Martina Friedlová (ed.), Umění: prostor pro život a hru. Kurátor výstav, Olomouc 2008. Martina Friedlová (ed.), Umění: prostor pro život a hru. Manažer mediace umění, Olomouc 2008. David Korecký (ed.), Médium kurátor: role kurátora v současném českém umění, Praha 2009.
Recommended literature: Ivana Hedvábná, Arts management digest, Praha 2018. Adrian George, The curator’s handbook: museums, commercial galleries, independent spaces, London 2015. Derick Chong, Arts management, London 2002. Radka Johnová, Marketing umění a kulturního dědictví, Praha 2007. Ladislav Kesner, Marketing a management muzeí a památek, Praha 2005. Jessica Sjöholm Skrubbe (ed.), Curating differently: feminism, exhibition and curatorial spaces, Newcastle upon Tyne 2016. Marta Smolíková (ed.), Management, Praha 2008. Lenka Sýkorová, Nezávislé kurátorství ve volném čase: nezávislý kurátor a umělec-kurátor na české vizuální scéně 2000 – 2016, Ústí nad Labem 2016. Jessica Sjöholm Skrubbe (ed.), Curating differently: feminism, exhibition and curatorial spaces, Newcastle upon Tyne 2016. Marta Smolíková (ed.), Management, Praha 2008. Lenka Sýkorová, Nezávislé kurátorství ve volném čase: nezávislý kurátor a umělec-kurátor na české vizuální scéně 2000 – 2016, Ústí nad Labem 2016. |
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Last update: PhDr. Milan Pech, Ph.D. (28.09.2022)
OCTOBER/NOVEMBER: searching for the basic concept of the exhibition - dividing into working groups - choosing the subtitle of the exhibition - formulating a cover letter to the selected art schools - writing an open call - visiting the studios of the Dresden Academy of Fine Arts DECEMBER: communication with heads of studios and students of the selected art schools - presentation of research on individual studios and artists - pre-selection of artworks FEBRUARY/MARCH: finalization of the catalog (graphic design, texts, and images) MAY/JUNE: creation and sending of invitations - transport and installation of the exhibition - opening - distribution of the catalog - disposal of the exhibition |
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Last update: PhDr. Milan Pech, Ph.D. (25.09.2023)
Graduation requirements: 1. attendance: 90% 2. active participation in the preparation and realization of the exhibition (selection, communication with schools and artists, catalogue, texts for the exhibition,, descriptions, logistics, INSTALLATION, opening, accompanying program and de-installation/logistics). |
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Last update: PhDr. Milan Pech, Ph.D. (25.09.2023)
The prerequisite for participation in the seminar is completing the 19th and 20th Century Art Seminars 1, 2. |