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The Italian Renaissance and Mannerism 2 - KDKU257

Title:	Italská renesance a manýrismus 2
Guaranteed by:	Institute of Christian Art History (26-UDKU)
Faculty:	Catholic Theological Faculty
Actual:	from 2023
Semester:	summer
E-Credits:	4
Examination process:	summer s.:
Hours per week, examination:	summer s.:2/0, Ex [HT]
Capacity:	unlimited / unknown (unknown)
Min. number of students:	unlimited
4EU+:	no
Virtual mobility / capacity:	no
Key competences:
State of the course:	taught
Language:	Czech
Teaching methods:	full-time
Teaching methods:	full-time
Note:	you can enroll for the course repeatedly course can be enrolled in outside the study plan enabled for web enrollment priority enrollment if the course is part of the study plan

Guarantor:	doc. PhDr. Martin Zlatohlávek, Ph.D.
Teacher(s):	doc. PhDr. Martin Zlatohlávek, Ph.D.

Examination dates Noticeboard

Annotation -

Last update: doc. PhDr. Martin Zlatohlávek, Ph.D. (01.02.2024)

How is a painting artwork created? Lectures in the first and second semesters will focus on the circumstances of the creation of selected works of painting in Italian art centres in the 15th and 16th centuries. They will look at the commissioners and their requirements of the artist in the creation of the work, in terms of subject matter, technique and use of support. Procedures for preparing the work will be described, particularly in the form of sketches, studies and models. Part of the lecture will illuminate the painting procedures involved in the creation of the work. In this way, works by Masaccio, Filippino Lippi, Mantegna, Giovanni Bellini, Michelangelo, Raffaello, Perino del Vago, Giulio Romano, Parmigianino, Giulio Campi, Marco Pina, Giorgio Vasari, Taddeo Zuccari, Federico Zuccari, etc. will be described.

Literature -

Last update: doc. PhDr. Martin Zlatohlávek, Ph.D. (01.02.2024)

Acidini Luchinat 1998: Cristina Acidini Luchinat, Taddeo e Federico Zuccari, fratelli pittori del cinquecento, Milano, 1998.

Agosti – Thiébaut 2008: Giovanni Agosti – Dominique Thiébaut (eds.), Mantegna 1431–1506 (kat. výst.), Musée du Louvre 2008.

David Ekserdijan, Correggio, London, New Haven 1997.

Ernst H. Gombrich, Sylvia Ferino Pagden, Christoph L. Frommel, Konrad Oberhuber, Giulio Romano, Milano 1989

Laura Angelucci, Paolo Bertelli, Giulio Romano a Mantova, Mantova 2019.

Algeri 2001: Giuliana Algeri (ed.), Perino del Vaga tra Raffaello e Michelangelo, kat. výst. Galleria Civica di Palazzo di Te, Mantova 2001, Milano 2001.

Bambach 2017: Carmen C. Bambach, Michelangelo. Divine draftsman and designer, kat. výst., The Metropolitan Museum of Art, New York, New Haven, London 2017.

Bambach – Goldner 1997: Carmen C. Bambach – Georg R. Goldner, The Drawings of Filippino Lippi and His Circle, kat. výst., The Metropolitan Museum of Art, New York 1997.

Bora – Zlatohlávek 1995: Giulio Bora – Martin Zlatohlávek, Kresby z Cremony 1500–1580. Umění renesance a manýrismu v lombardském městě, kat. výst., Národní galerie v Praze, Praha 1995.

Bora – Zlatohlávek 1997: Giulio Bora – Martin Zlatohlávek (eds.), I segni dell´arte. Il Cinquecento da Praga a Cremona, kat. výst., Cremona, Museo Civico „Ala Ponzone“, Roma 1997.

Syllabus -

Last update: doc. PhDr. Martin Zlatohlávek, Ph.D. (01.02.2024)

Works by Michelangelo, Raffaello, Perino del Vago, Giulio Romano, Parmigianino, Giulio Campi, Marco Pino, Giorgio Vasari, Taddeo Zuccari, Federico Zuccari, etc.

Course completion requirements -

Last update: doc. PhDr. Martin Zlatohlávek, Ph.D. (01.02.2024)

Graduation requirements:

For the final oral exam, the student will choose one art monument (painting, drawing, mural, architecture), prepare a thorough analysis of it stylistically, compare it to the works of art from which the artist drew, and analyze its subject matter. He will also discuss the costumers. He will describe the provenance of such a work. He/she will bring a list of the literature used for the examination.