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Last update: PhDr. Eva Bendová, Ph.D. (26.10.2023)
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Last update: PhDr. Eva Bendová, Ph.D. (26.10.2023)
The aim of the course is to familiarize the students with key phenomena and works of European and Czech modern visual culture (1750-2000) |
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Last update: PhDr. Eva Bendová, Ph.D. (17.08.2022)
Povinná: Nicholas Mirzoeff, Úvod do vizuální kultury, Praha: Academia 2012 Lisa Cartwright - Marita Sturken, Studia vizuální kultury, Praha: Portál 2010 Robert S. Nelson - Richard Shiff, Kritické pojmy dejín uměnia, Slovart 2004 kap.Spciálne dejiny umenia, Vizuálna kultúra Barry Bergdoll, European Architecture 1750-1890, MIT Press 2000 Yve-Alain Bois - Benjamin Buchloh - Hal Foster - Rosalind Krauss, Umění po roce 1900: Modernismus, antimodernismus, postmodernismus, Slovart 2015 Taťána Petrasová - Rostislav Švácha (edd.), Dějiny umění v českých zemích 800 - 2000, Praha: Arbor vitae 2017 Doporučená: W. J. T. Mitchel, Teorie obrazu: Eseje o verbální a vizuální reprezentaci, Praha: Karolinum 2017 Nelson Goodman, Jazyky umění. Nástin teorie symbolů, Praha 2007 Ladislav Kesner, Vizuální teorie. Současné anglo-americké myšlení o výtvarných dílech, Brno: H&H 2005. Blau E. - Platzer M. (eds.), Shaping the Great City. Modern Architecture in Central Europe 1890-1937. Munich.London - New York 1999 Eisenman S. F. et al., Nineteenth Century Art - A Critical History, London 1994 Jonathan Crary, Techniques of the observer: on vision and modernity in the nineteenth century, Cambridge, Mass.: MIT Press 1990 Benevolo L., Geschichte der Architektur des 19. und 20. Jahrhunderts, I-II. München 1964 Pierre Francastel, Malířství a společnost. Výtvarný prostor od renesance ke kubismu, Brno : Barrister & Principal 2003. Jean Starobinski, Symboly rozumu. Proměny umění a revoluce, Brno : Barrister & Principal, 2003. Zygmunt Bauman, Tekutá modernita, Praha: Mladá fronta 2002 Michael Fried, Absorption and Theatricality: Painting and Beholder in the Age of Diderot, University of California Press 1980 Werner, Hoffmann, Von der Nachahmung zur Wirklichkeit: Die schöpferische Befreiung der Kunst 1890-1917, Cologne 1974, anglicky: Turning Points in 20th Century Art, London 1969. Jacques Aumont, Obraz, Praha: Akademie múzických umění v Praze 2005 |
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Last update: PhDr. Eva Bendová, Ph.D. (26.10.2023)
lecture with visual presentation, discussion at the end |
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Last update: PhDr. Eva Bendová, Ph.D. (26.10.2023)
active participation, enrollment in the subject, others as agreed The winter semester will end with credit in the form of a picture recognition test, the summer semester will end with an oral exam, which will include the analysis of five pictures.
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Last update: PhDr. Eva Bendová, Ph.D. (26.10.2023)
The first semester will be devoted to visual culture 1750–1900, the second to the 20th and 21st centuries. The lectures will always be designed with an emphasis on key phenomena or a specific author as an example of the phenomenon of modern visuality. 1) The pictures of William Hogarth 2) The prints of Goya 3) Graphics and printing of the first half of the 19th century 4) Reportage drawing, newspaper picture, illustration and caricature - H. Daumiér 5) The modern city and the viewer. A flaneur, a scattered look 6) Landscapes from a bird's eye view. Changing view modes and displaying space 7) The world of reproduction - popular images in public space and media around 1900 8) Self-representation, self-stylization of the artist - diaries, sketches, staring 9) Houses of art and artistic operation - exhibitions 10) Communication spaces – cafes, salons |
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Last update: PhDr. Eva Bendová, Ph.D. (26.10.2023)
active participation, enrollment in the subject, otherwise as agreed |
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Last update: PhDr. Eva Bendová, Ph.D. (26.10.2023)
active participation, participation in lectures, knowledge of the material discussed The winter semester will end with credit in the form of a picture recognition test, the summer semester will end with an oral exam, which will include the analysis of five pictures.
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