|
||
Last update: Mgr. Imogen Davidson White (17.01.2022)
If you are an exchange student and you need a grade for this course, you should sign up for this code. For more information about the course, click on the link next to "is provided by" above. Musicology has many points of contact with other disciplines and can benefit from a wide variety of methods to address its questions. It is a challenge for young musicologists to gain insight into other fields, but this can provide helpful impulses for their own work. In this course, therefore, students of musicology (and related fields, like theatre and films studies) are introduced to methods and current topics in other fields of the humanities that are related to musicological research. |
|
||
Last update: Mgr. Imogen Davidson White (17.01.2022)
|
|
||
Last update: Mgr. Imogen Davidson White (17.01.2022)
· Regular class attendance (maximum of three absences allowed unless excused) · Active participation in discussion of selected texts · Short presentation on a selected topic (small conference format, 10 minutes presentation + discussion); also submitting essay (maximum 1,000 words including footnotes and bibliography). |
|
||
Last update: Mgr. Imogen Davidson White (17.01.2022)
R. Bod/ J. Maat/ T. Westensteijn (eds.): The making of the humanities, vol. 3: The modern humanities. Amsterdam: Amsterdam Univ. Press 2014 J. F. Fulcher (ed.): The Oxford handbook of the new cultural history of music. Oxford [u.a.]: Oxford Univ. Press 2011 D. Greer (ed.): Musicology and sister disciplines: past, present, future
|
|
||
Last update: Mgr. Imogen Davidson White (17.01.2022)
At each class, the guest speaker will give a brief and comprehensive introduction to his/her field, with an emphasis on current issues and methodological approaches. He/she will also prepare and share a short list of current literature (mostly of the handbook type). The guest will also select a text for students to read in advance and will also lead a class discussion. The structure of the class will be as follows:
|
|
||
Last update: PhDr. Lenka Hlávková, Ph.D. (16.06.2022)
Short presentation on a selected topic (small conference format, 10 minutes presentation + discussion); also submitting essay (maximum 1,000 words including footnotes and bibliography) - deadline 17 June. |
|
||||||||||||||||||||||||||
Last update: PhDr. Lenka Hlávková, Ph.D. (14.02.2022)
The list of subjects and speakers, for texts to be discussed see the folder "Soubory"
At each class, the guest speaker will give a brief and comprehensive introduction to his/her field, with an emphasis on current issues and methodological approaches. He/she will also prepare and share a short list of current literature (mostly of the handbook type). The guest will also select a text for students to read in advance and will also lead a class discussion. The course will be taught weekly from 22 February till 17 May 2022 (February 22; March 1, 8, 15, 22, 29; April 5, 12, 19, 26; May 3, 10, 17) |
|
||
Last update: Mgr. Imogen Davidson White (17.01.2022)
The course is intended primarily for Master's (Magister) students but is also open to other interested students with fluent English. |
|
||
Last update: Mgr. Imogen Davidson White (17.01.2022)
The course is intended primarily for Master's (Magister) students or students who finished introductory courses in musicology (theatre studies, film studies etc) and are fluent in English. |