SubjectsSubjects(version: 983)
Course, academic year 2025/2026
   
Reading French Science Fiction - AMKPV2005
Title: Reading French Science Fiction
Guaranteed by: Institute of Translation Studies (21-UTRL)
Faculty: Faculty of Arts
Actual: from 2025 to 2025
Semester: summer
Points: 0
E-Credits: 4
Examination process: summer s.:
Hours per week, examination: summer s.:0/2, MC [HT]
Capacity: unknown / unlimited (12)
Min. number of students: unlimited
4EU+: no
Virtual mobility / capacity: no
Key competences:  
State of the course: taught
Language: English
Teaching methods: full-time
Level:  
Note: course can be enrolled in outside the study plan
enabled for web enrollment
Guarantor: PhDr. Jovanka Šotolová, Ph.D.
Teacher(s): PhDr. Jovanka Šotolová, Ph.D.
Mgr. Eva Žambůrková
Annotation - Czech
This seminar explores the richness of French science fiction, from its pioneering works to its later developments. Through close reading of selected literary excerpts and key theoretical texts, discussions will connect historical, philosophical, and cultural contexts to the narratives.

The focus will be on:
• examining how science fiction is defined and debated;
• tracing its origins in France and considering the social, scientific, and imaginative impulses that shaped its earliest forms;
• identifying themes introduced by French authors, including technology, utopia and dystopia, space exploration, and humanity’s encounter with the unknown.

1. Defining Science Fiction – key perspectives (Hugo Gernsback, Robert A. Heinlein, John W. Campbell, Judith Merrill, Darko Suvin, and others)
2. French Enlightenment Origins I – early visions of science fiction: Cyrano de Bergerac
3. French Enlightenment Origins II – philosophical and speculative texts: Fontenelle, Voltaire
4. Emerging Themes in French Science Fiction I – from Cyrano (flight to the Moon) to Louis-Sébastien Mercier (life in the future)
5. Emerging Themes in French Science Fiction II – Flammarion (life on other planets, faster-than-light travel), Eyraud (space flight)
6. First Required Reading – group discussion.
7. Jules Verne – his influence on cultural imagination and the editorial shaping of science fiction
8. Modern and Contemporary Science Fiction – Boulle, Barjavel, and selected 21st-century works
9. At the Borders of the Genre – Boris Vian and Michel Houellebecq; exploring if and how their works align with science fiction
10. Science Fiction and Fantasy – distinctions, overlaps, and the structural forms of science fiction
11. Second Required Reading – group discussion.
12. Conclusion – final discussions and summary
Last update: Žambůrková Eva, Mgr. (02.12.2025)
Aim of the course - Czech

By the end of the seminar, the group will have developed a shared understanding of French science fiction both as a literary genre and as a way of raising broader cultural questions. 

Last update: Žambůrková Eva, Mgr. (01.12.2025)
Course completion requirements - Czech

The seminar relies on active participation: engaging with the readings in advance, contributing to discussions, and reflecting critically on the texts. All participants will read two assigned novels, the first to be debated at mid-semester and the second at the end of the semester. Each participant will also present one work of French science fiction (chosen independently or from a curated list), using it as a springboard for class discussion that connects it to broader course themes.  

Attendance of at least 75% of the lectures.

Two required readings and one presentation on a book of choice

·      First required reading and discussion: 30 % (each participant will prepare answers in advance to a set of curated questions)

·      Second required reading and discussion: 30 % (each participant will prepare answers in advance to a set of curated questions)

·      Student presentation and leading discussion: 40 %

Knowledge of French is not required for this seminar.  

Last update: Žambůrková Eva, Mgr. (02.12.2025)
Literature - Czech

Bréan, Simon. Science fiction en France. Sorbonne Université Presses, 2012. ISBN 978-2-84050-851-9.

Clute, John a Nicholls, Peter. (1995) The Encyclopedia of Science Fiction. 2. St. Martin's Press. Online at https://sf-encyclopedia.com/

Commère, Zoé (2023). “Jules Verne, un auteur scolaire ?” Spirale - Revue de recherches en éducation 72/2, 47–57. Online at https://doi.org/10.3917/spir.072.0047.
Evans, Arthur B. a Miller, Ron (1997). “Jules Verne, Misunderstood Visionary”. Scientific American. 276/4, 92-97. Online at https://www.jstor.org/stable/24993708 (accessed 16 June 2024) 
Evans, Arthur B. (2000). “Jules Verne and the French Literary Canon”. In Edmund Smyth (ed.), Jules Verne: Narratives of Modernity, Liverpool: Liverpool University Press, 11–39. Online at https://scholarship.depauw.edu/cgi/viewcontent.cgi?article=1060&context=mlang_facpubs.
Latham, Rob (ed.). (2017). Science fiction criticism: an anthology of essential writings. London: Bloomsbury Academic, an imprint of Bloomsbury Publishing.
Res Futurae. Online. Dostupné z: https://journals.openedition.org/resf/. [cit. 2025-10-03].
Suvin, Darko a Canavan, Thomas. (2016). Metamorphoses of science fiction: on the poetics and history of a literary genre. Oxford: Peter Lang.
Westfahl, Gary. “The Popular Tradition of Science Fiction Criticism”, 1926-1980. (1999) Science Fiction Studies. 26/2, 187–212. Online at: https://www.jstor.org/stable/4240783.
Wolfe, Gary K. (1986). Critical terms for science fiction and fantasy: a glossary and guide to scholarship. New York: Greenwood.

Last update: Žambůrková Eva, Mgr. (26.01.2026)
 
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