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Course, academic year 2024/2025
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The Cultural History of Rock and Popular Music - YBAJ072
Title: The Cultural History of Rock and Popular Music
Guaranteed by: Programme Liberal Arts and Humanities (24-SHVAJ)
Faculty: Faculty of Humanities
Actual: from 2022
Semester: summer
E-Credits: 3
Examination process: summer s.:
Hours per week, examination: summer s.:0/2, MC [HT]
Capacity: unknown / unknown (80)
Min. number of students: unlimited
4EU+: no
Virtual mobility / capacity: no
Key competences:  
State of the course: not taught
Language: English
Teaching methods: full-time
Level:  
Note: you can enroll for the course repeatedly
course can be enrolled in outside the study plan
enabled for web enrollment
Guarantor: David Verbuč, M.A., Ph.D.
Incompatibility : YBA166
Examination dates   Schedule   Noticeboard   
Annotation - Czech
Cultural History of Rock and Popular Music class offers students an opportunity to learn how rock and popular music developed and changed in the 20th and 21st century, and at the same time, to understand rock and popular music in relation to their social and historical contexts. In the class, we look into the origins of rock and popular music, their different styles and substyles, and related music cultures. We briefly examine early 20th century popular music styles that influenced the emergence of rock (from early gospel, blues, and rhythm and blues, to country music), and proceed with the emergence of rock’n’roll in the 1950s, and with 1960s rock music and related styles, including folk, folk-rock, garage rock, psychedelic rock, jazz-rock, soul, and funk. Furthermore, we follow the development of later rock styles such as heavy metal, punk, new wave, industrial, grunge, indie rock, and post-rock, and trace rock’s connections to pop, disco, hip-hop, electronic dance music, and Latin American, Jamaican, African, Asian, and European musics. At the same time, we also study rock and popular music as manifested outside of Anglo-American geographic areas, especially in Latin America, Jamaica, Eastern and Central Europe (before 1989), Germany, and Scandinavia. In our class discussions, we analyze music styles, songs and videos, and interrogate their relatedness to issues of race, class, gender, sexuality, ethnicity, and nationality, and see how media, technology, identity, and politics shape rock and popular music and culture. No preliminary requirements.
Last update: Verbuč David, M.A., Ph.D. (01.02.2022)
 
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