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The subject presents the most frequent vocal-instrumental forms, which are key to learning music at elementary and middle school. Distinguishes between form and genre, and illuminates their intersections with the practical handling of music as a subject of listening and interpretation. The aim of the subjekt is acquisition of knowledge about the development, principles and characteristics of mold building and mold representation in specific genres of musical works, practical mastery of basic mechanisms of composition small forms of vocal and instrumental music.
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A study of the analysis of western music / vocal-instrumental forms / from its beginnings through the end of the 20th century
Emphasis will be placed on developing a thorough knowledge of vocal-instrumental literature and focus on 12 specific works.
The course will include the study of both sacred and secular music. It will place a strong emphasis on listening to and identifying various compositional styles of music. Upon successful completion of the course Vocal-Instrumental Forms, students will be expected to:
Demonstrate a basic knowledge of significant composers and works related to Western vocal-instrumental music
Apply understanding of stylistic trends through aural recognition and analysis of representative works
Identify the various genres of music and trace their development through the major historical periods
Understand and describe the development of instruments
Analyze representative works and evaluate how music was shaped (voluntarily: by broad political, cultural, and economic trends and by the values of the society that produced it)
Evaluate the impact of past musical developments on present-day musical practices in the field of vocal-instrumental forms
Last update: Valášek Marek, doc. Mgr. MgA., Ph.D. (04.01.2024)
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Upon successful completion of the course Vocal-Instrumental Forms, students will be expected to:
Last update: Valášek Marek, doc. Mgr. MgA., Ph.D. (04.01.2024)
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Last update: Valášek Marek, doc. Mgr. MgA., Ph.D. (04.01.2024)
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Učebnice dějin hudby (Michels, Smolka, Hrčková aj.) a hudebních forem (Zenkl aj.) SMOLKA, J. Česká kantáta a oratorium. Editio Supraphon : Praha – Bratislava, 1970. HERDEN, J. Úpravy lidových písní pro školní sbory. Praha PedF UK, 2006, ISBN 80-7290-271-7. MICHELS, Ulrich: Encyklopedický atlas hudby, Praha 2000. HRČKOVÁ, Naďa: Dějiny hudby I-III, V-VI, Praha 2005 nn. Zahraniční literatura: Mathes, J.: The Analysis of Musical Form, Pearson College Division, USA 2006, ISBN 0131584243, 9780131584242. Rowley, G.: The Book of Music. MacDonald Educational Ltd. And QED Ltd., 1977. Alex Ross: The Rest is Noise, Listening to the Twentieth Century, 2008. Crocker, Richard L.: A History of Musical Style, New York 1986.
Hesla ve slovnících a encyklopediích:
Die Musik in Geschichte und Gegenwart (MGG), Kassel 1949-1968, supplementa 1968ff.; nové přepracované vydání Kassel 1996ff. The New Grove. Dictionary of Music & Musicians, London1980, nové vydání 2000. Riemann Musiklexikon (12. vydání),Mainz 1959-1961, 1967, 1972-1975.
Last update: Valášek Marek, doc. Mgr. MgA., Ph.D. (04.01.2024)
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REQUIREMENTS FOR CREDIT: 1. ATTENDANCE. Regular attendance is essential and expected. Maximum of absences: 3 per a semester. Concepts are cumulative and absences will increase the difficulty of the course. Students should contact the instructor prior to any planned absence! 2. EVALUATION. Students shall be evaluated through a few Minor Exams during the semester and „ANALYSIS PAPERS“: Each student will prepare 2 short "ANALYSIS papers" (one A4 paper) with a test / game / cross-word puzzle / song etc. for other students. The „activity“ will always be related to settled work from the field of vocal-instrumental music. The paper should contain an excerpt of notation and some related pictures. Reccomended pieces: Beethoven, Ludwig van: Missa solemnis, Kristus na hoře Olivetské Brahms, Johanes: Německé requiem Britten, Benjamin: Válečné requiem Brixi, František Xaver: Missa integra d moll Bruckner, Anton: Mše č. 1 d moll Debussy, Claude: Utrpení svatého Šebestiána Eben, Petr: Pragensia, Pocta Karlu IV., Apologia Socratus, Posvátná znamení Dvořák, Antonín: Svatební košile Foerster, Josef Bohuslav: Svatý Václav Franck, César: Sedm slov Kristových na kříži Haydn, Josef: Stvoření, Roční doby Honneger, Artur: Vánoční kantáta Janáček, Leoš: Zápisník zmizelého Jenkins, Karl: The Armed Man - A Mass For Peace Kodály, Zoltán: Psalmus hungaricus, Missa brevis, Budvári Te Deum Kohoutek, Ctirad: Skalické zvony Ligeti, György: Requiem Liszt, Franz: Legenda o svaté Alžbětě, Kristus Martinů, Bohuslav: Polní mše, Hora tří světel McCartney, Paul: Liverpool Oratorio Mendelssohn, Felix : Eliáš Messiaen, Olivier: La Transfiguration de Notre Seigneur Penderecki, Krzystof: Requiem Polskie, Stabat mater, Pašije podle sv. Lukáše Pärt, Arvo: Pašije podle sv. Jana , Berlínská mše Poulenc, Francis: Gloria Prokofjev, Sergej: Alexandr Něvský Rejcha, Antonín: Te Deum Rutter, John: Requiem Schönberg, Arnold: Ten, který přežil Varšavu Weber, Andrew Lloyd: Requiem Zelenka, Jan Dismas: Missa votiva e moll, ZWV 18
Last update: Valášek Marek, doc. Mgr. MgA., Ph.D. (04.01.2024)
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A study of the analysis of chosen works of western music / vocal-instrumental forms / from its beginnings through the end of the 20th century Emphasis will be placed on developing a thorough knowledge of vocal-instrumental literature and focus on 12 specific works. The course will include the study of both sacred and secular music. It will place a strong emphasis on listening to and identifying various compositional styles of music. Last update: Valášek Marek, doc. Mgr. MgA., Ph.D. (04.01.2024)
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----- Last update: Saláková Magdalena, PhDr., Ph.D. (02.01.2024)
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The student Last update: Valášek Marek, doc. Mgr. MgA., Ph.D. (10.09.2024)
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