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Last update: PhDr. Jana Jansová, Ph.D. (21.09.2021)
shaped in new forms of methods and research approaches. The traditional (mostly humanistic) character of the discipline has been often challanged esp. in terms of (post)-structuralist and postmodern approaches (feminism, post-colonialism, semiology), and esp. recently, since 1990s within the project of the new art history. The aim of the course is to map and present the main of these various methodological impulses that radically transformed the discipline of art history. |
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Last update: PhDr. Jana Jansová, Ph.D. (21.09.2021)
The aim of the course is to map and present the main of these various methodological impulses that radically transformed the discipline of art history. |
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Last update: PhDr. Jana Jansová, Ph.D. (21.09.2021)
Literature: Laurie Schneider Adams, The Methodologies of Art, Boulder 1996 Michael Baxandall, Inteligence obrazu a jazyk dějin umění. Výbor z textů, Praha 2019 Hans Belting, Konec dějin umění, Praha 2000. Georg Iggers, Dějepisectví ve 20. století. Od vědecké objektivity k postmoderní výzvě, Praha 2002. Ladislav Kesner (ed.), Vizuální teorie. Současné anglo-americké myšlení o výtvarných dílech, Jinočany 1997. Jiří Kroupa, Metody dějin umění. Metodologie dějin umění 2, Brno 2010. Donald Preziosi (ed.). The Art of Art History: A Critical Anthology, Oxford 1998. |
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Last update: PhDr. Jana Jansová, Ph.D. (21.09.2021)
Form of examination: oral (discussion on essay) |