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Lectures will focus on the basic principles of expertise in sculpture, painting, drawing and graphics. They focus on their material and technique, evaluate their possible adjustment, teach the basics of chemical-technological and restoration research, explain the basics of cultural and historical research and supplement the procedures for stylistic analysis and determination of the function of the work of art. It will be important to have a specific expert work with selected works of art, on which the described methods will be rebuilt. The students will get acquainted with the forms of trade in works of art in the historical context, but also in the present, such as galleries, auctions, art fairs, etc.
Last update: Zlatohlávek Martin, doc. PhDr., Ph.D. (19.01.2025)
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A prerequisite for obtaining a grade at the end of the academic year is active participation in lectures, preparation of at least one work of art in the form of a presentation and passing the final exam. Last update: Zlatohlávek Martin, doc. PhDr., Ph.D. (19.01.2025)
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Odborná literatura znalectví: Bernard Berenson, Rudiments of Connoisseurship, New York 1962 S. J. Fleming, Authenticity in Art, London 1975 George Savage, Forgeries, Fakes and Reproductions, London 1976 Charles Hamilton, Great forgers and famous fakes, New York 1980 Carol Gibson-Wood, Studies in the Theory of Connoisseurship: from Vasari to Morelli, New York, London 1988 Wilhem von Bode, Mein Leben, Berlin 1997 Dorothea Peters, Fotografie als Instrument und Medium der Kunstgeschichte, Berlin 2009 Mary Acton, Learning to look at Sculpture, London 2014 Mary Acton, Learning to look at Painting, London 2014 Mary Acton, Learning to look at Modern Art, London 2014
Odborná literatura obchod s uměním: série Studies in the History of Collecting and Art Markets¨ Journal for art market studies (online) Georgina Adam, Dark side of the boom: the excesses of the art market in the twenty-first century, London 2017 Titia Hulst, A history of the western art market: a sourcebook of writings on artists, dealers and artmarkets, Oakland 2017 (online) Bénédicte Savoy, Theories of Art Market: data – value – history, Berlin 2017 (online) Bénédicte Savoy, The Pricing of Art: maker – markets – museums, Berlin 2017 (online) Last update: Zlatohlávek Martin, doc. PhDr., Ph.D. (19.01.2025)
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A prerequisite for obtaining a grade at the end of the academic year is active participation in lectures, preparation of at least one work of art in the form of a presentation and passing the final exam. Last update: Zlatohlávek Martin, doc. PhDr., Ph.D. (19.01.2025)
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The structure of the lectures: chapters from the history of connoisseurship from Renaissance until today (the role of an expert in culture history: Michelangelo, Vasari, Baldinucci, Crowe, Cavalcasele, Morelli, Berenson, Bode, Frienländer, Tietze, Kramář, Neuman, Šafařík, specific schools of connoiseurship in present days), elementary terms of connoisseurship: techinique, function, style, authorship, datation, the role of an art expert in state or private collections, the role of an art expert in the art market, issues of cultural monuments and national cultural monuments and their sale; basic procedures for determining the author of a work of art and its dating; evaluation of the results of chemical-technological and restoration research; signature issues on works of art; provenance of works of art; publishing of works of art.
Last update: Zlatohlávek Martin, doc. PhDr., Ph.D. (19.01.2025)
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