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Last update: Mgr. Daniela Kolenovská, Ph.D. (20.09.2017)
1. active participance in lectures 2. a contextual review 7/8 pages long where significant connections between the movie and historical time, political or cultural consequences will be explained; |
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Last update: Mgr. Daniela Kolenovská, Ph.D. (20.09.2017)
Birgit Beumers, Russia on Reels: The Russian Idea in Post-Soviet Cinema, I.B.Taurus, 1999. Birgit Beumers, A History of Russian Cinema, Bloomsbury, 2009. Rimgaila Salys, The Russian Cinema Reader (Volume 1 and 2), Academic Studies Press, 2013. Zorkaya Neya: Istoriya otechestvennogo kino, XX vek. Moskva, Belyi gorod, 2006. KinoKultura: www.kinokultura.com Netfilm: www.net-film.ru Kinokhronika 17 Moments in Soviet history: soviethistory.msu.edu/about/ |
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Last update: Mgr. Daniela Kolenovská, Ph.D. (20.09.2017)
Sessions will be organized around following topics (films will mainly be presented partly; in original Russian or Czech version with English subtitles):
National Heroes at the Service of Political Power Alexander Nevsky (1938) by Sergei Eisenstein Burnt by the Sun (1994) by Nikita Mikhalkov The Admiral (2008) by Alexander Kravchuk The Priest (2009) by Vladimir Khotinenko
Eltsin Era and “Chernukha”Films The Moslim (1995) by Vladimir Khotinenko Brat (1997) by Alexsei Balabanov The Thief (1997) by Pavel Chukhraj
Putin’s Russia Films The Star (2002) by Nikolai Lebedev The Island (2006) by Pavel Lungin We are from the Future 2 (2010) by Aleksandr Samokhvalov and Boris Rostov OR The Match (2012) by Andrei Maliukov
Soviet society in Document Dziga Vertov, Man with the Movie Camera, 1929. Kinokhronika 17 Moments in Soviet history (http://soviethistory.msu.edu/about/) Artur Aristakisyan, Palms, 1993. Sergey Loznica, Maidan, 2014.
Soviet Society in Soviet Cinematography Boris Barnet, Dom na Trubnoy, 1928. Vladimir Menshov, Moscow Does Not Believe in Tears, 1979. Alexej Balabanov, Brat, 1997. Pyotr Buslov, Vysockiy, sposibo chto zhivoy, 2011.
Re-shaping national history: Historical milestones in Soviet Cinematography Sergej Ejzenshtein, Battleship Potemkin, 1925. Vsevolod Pudovkin, Admiral Nakhimov, 1946. Pvel Lugin, Ivan the Terrible, 2009. SCI-FI Yakov Protazanov, Aelita, 1924 Vasily Zhuravlev, Cosmic Voyage, 1935 Andrej Tarkovski, Solaris, 1972. Richard Viktorov/Nikolai Viktorov, Per Astra ad Aspera, 1981
Non-Russians in Soviet/Russian Cinematography Alexandr Ptushko, Ilya Muromec, 1956. Andrey Tarkovski, Andrey Rublev, 1969. Nikita Michalkov, 12, 2007.
Post-Soviet Society Timur Bekmambetov, Noční hlídka, 2005. Alexandr Sokurov, Faust, 2011. Novye Russkie, 2015. Andrej Zvjagincev: Return, 2003; Leviathan, 2014. Aktan Arym Kubat, The Light Thief, 2010. Emir Baigazin, Harmony Lessons, 2013. |