Ciné-tracts: Experimental Film - AAALE014AE

• Title: Ciné-tracts: Experimental Film
• Form of teaching: seminar
• Guaranteed by: Department of Anglophone Literatures and Cultures (21-UALK)
• Faculty: Faculty of Arts
• Actual: from 2021
• Duration in semesters: 1
• Semester: winter
• Points: 0
• E-Credits: 5
• Examination process: winter s.:
• Hours per week, examination: winter s.:0/2, Ex [HT]
• Capacity: unknown / unknown (unknown)
• Maximum number of enrolled students: unlimited
• Min. number of students: unlimited
• 4EU+: no
• Virtual mobility / capacity: no
• State of the course: not taught
• Language: English
• Teaching methods: full-time
• Is provided by: AAALE014A
• Repeated enrollment: 2 / 2 / 2 / 2
• Note: course can be enrolled in outside the study plan; enabled for web enrollment
• Guarantor: Louis Armand, Ph.D.
• Class: Exchange - 03.4 Photography, Cinematography; Exchange - 09.2 General and Comparative Literature

Annotation

CINÉ-TRACTS: AVANT-GARDE / UNDERGROUND / INDEPENDENT / NEW WAVE / CINEMA OF TRANSGRESSION... A critical exploration of the history of post-War experimental cinema, from Willard Maas & Stan Brakhage to Kenneth Anger, John Cassavetes, Andy Warhol, Russ Meyer, Amos Poe, Richard Kern, among others. For details visit http://ualk.ff.cuni.cz/course/cine-tracts-experimental-film.html

Last update: UAAARMAL (06.10.2019)

Literature

• Mast, Cohen and Braudy, FILM THEORY AND CRITICISM

   

• Thomas Elsaesser, Malte Hagener, FILM THEORY: AN INTRODUCTION THROUGH THE SENSES

   

  SUGGESTED READING
  Louis Armand, VIDEOLOGY (Prague: LPB, 2015)
  David Curtis, EXPERIMENTAL CINEMA: A FIFTY YEAR REVOLUTION (New York: Delta, 1971)
  Parker Tyler, UNDERGROUND FILM: A CRITICAL HISTORY (New York: Da Capo, 1995)
  Amos Vogel, FILM AS SUBVERSIVE ART (New York: DAP, 1975)
  P. Adams Sitney, VISIONARY FILM: THE AMERICAN AVANT-GARDE 1943-2000 (Oxford: OUP, 2002)

Last update: Hermanová Andrea, Mgr. (31.08.2017)

Teaching methods

seminář

Last update: Hermanová Andrea, Mgr. (31.08.2017)