Maska v divadelných formách za rímskej republiky a cisárstva
| Thesis title in Czech: | Maska v divadelných formách za rímskej republiky a cisárstva |
|---|---|
| Thesis title in English: | Mask in theatrical forms of the Roman Republic and Empire |
| Key words: | maska|antické divadlo|staroveký Rím|mytológia|pohrebná maska|pohrebný mím|pompa circensis|etruskí tanečníci|flyacké vázy|palliata|pantomimus|imago|personati |
| English key words: | mask|antic theatre|ancient Rome|mythology|funeral mask|funeral mime|pompa circensis|Etruscan dancers|phlyax vases|palliata|pantomimus|imago|personati |
| Academic year of topic announcement: | 2019/2020 |
| Thesis type: | Bachelor's thesis |
| Thesis language: | čeština |
| Department: | Departement of Theatre Studies (21-KDV) |
| Supervisor: | Eliška Poláčková |
| Author: | hidden - assigned and confirmed by the Study Dept. |
| Date of registration: | 03.03.2020 |
| Date of assignment: | 27.03.2020 |
| Administrator's approval: | not processed yet |
| Confirmed by Study dept. on: | 19.08.2020 |
| Date and time of defence: | 21.06.2021 09:00 |
| Date of electronic submission: | 31.05.2021 |
| Date of proceeded defence: | 21.06.2021 |
| Submitted/finalized: | committed by student and finalized |
| Opponents: | Mgr. Alena Sarkissian, Ph.D. |
| Guidelines |
| Cieľom bakalárskej práce je ukázať používanie masky ako neoddeliteľného dramatického prvku v divadelných formách v období rímskej republiky a cisárstva. Zaoberá sa jej funkciami, formami, výskytom v konkrétnych žánroch a prípadnými premenami v danom časovom období. Poukazuje sa na význam masky ako jedného zo základných činiteľov pre stavbu inscenácie na antickom javisku so zreteľom na vnímanie herca. Maska sa tak stáva predmetom s presahom do dramaturgickej roviny, ako aj výraznou scénografickou zložkou.
The aim of the bachelor thesis is to show the usage of the mask as an inseparable dramatic element in theatrical forms in the period of the Roman Republic and Empire. It deals with mask´s functions, forms, occurance in particular genres and changes throughout this period. It refers to the importance of the mask as an essencial factor for building performance on ancient stage regarding the perception of the actor. The mask becomes an object exceeding to the dramaturgical level, being a distinctive element of the theatrical scenery. |
| References |
| MANUWALD, G.: Roman republican theatre. Cambridge University Press, 2011
MARSHALL, C.W.: The Stagecraft and Performance of Roman Comedy. Cambridge University Press, 2006 MCDONALD, M., WALTON, M.: Cambridge Companion to Greek and Roman Theatre. Cambridge University Press, 2007 WEBB, R.: Demons and Dancers : Performance in Late Antiquity. Harvard University Press, 2009 |