Spisovatelka Wang Anyi a její román Jinxiugu zhi lian

• Thesis title in Czech: Spisovatelka Wang Anyi a její román Jinxiugu zhi lian
• Thesis title in English: Female writer Wang Anyi and her novel Jinxiugu zhi lian
• Key words: Wang Anyi|Jinxiugu zhi lian|moderní čínská literatura|moderní čínská novela|čínské spisovatelky
• English key words: Wang Anyi|Jinxiugu zhi lian|Brocade Valley|modern Chinese literature|modern Chinese novella|Chinese women writers
• Academic year of topic announcement: 2016/2017
• Thesis type: Bachelor's thesis
• Thesis language: čeština
• Department: Department of Sinology (21-KSI)
• Supervisor: Mgr. Dušan Andrš, Ph.D.
• Author: hidden - assigned and confirmed by the Study Dept.
• Date of registration: 21.02.2017
• Date of assignment: 21.02.2017
• Administrator's approval: not processed yet
• Confirmed by Study dept. on: 24.02.2017
• Date and time of defence: 28.01.2019 09:00
• Date of electronic submission: 28.12.2018
• Date of proceeded defence: 28.01.2019
• Submitted/finalized: committed by student and finalized
• Opponents: prof. PhDr. Olga Lomová, CSc.

Guidelines

Cílem práce je podat analýzu významové výstavby románu Jinxiugu zhi lian (1987) současné čínské autorky Wang Anyi (1954). Uvedený román bude představen v kontextu vývoje čínské beletrie 80. let 20. století a spisovatelčiny tvorby (mj. jako součást volného cyklu, který vytváří s romány Huangshan zhi lian, 1986, a Xiaocheng zhi lian, 1986). Práce představí Wang Anyi jako autorku, pro kterou je charakteristické výrazně ženské vidění světa a která propojuje ženskou problematiku s vývojem a proměnami dobové čínské společnosti.

References

FEUERWERKER, Yi-tsi Mei. "The Post-Modern 'Search for Roots' in Han Shaogong, Mo Yan, and Wang Anyi." In Feuerwerker, Ideology, Power, Text: Self-Representation and the Peasant "Other" in Modern Chinese Literature. Stanford: SUP, 1998: 188-238.
CHEN, Helen H. "Gender, Subjectivity, Sexuality: Defining a Subversive Discourse in Wang Anyi's Four Tales of Sexual Transgression." In Yingjin Zhang, ed. China in a Polycentric World: Essays in Chinese Comparative Literature. Stanford: Stanford UP, 1999: 90-109.
KAM, Louie. “Love Stories: The Meaning of Love and Marriage in China” In Kinkley, Jeffrey C. (ed). After Mao:Chinese Literature and Society 1978-1981. Cambridge: Harvard UP, 1990: 63-87.
McDOUGALL, Bonnie. "Self-Narrative as Group Discourse: Female Subjectivity in Wang Anyi's Fiction." in McDougall, Fictional Authors, Imaginary Audiences: Modern Chinese Literature in the Twentieth Century. HK: Chinese University Press, 2003: 95-114.
SOLMECKE, Ulrike. Zwischen äuserer und innerer Welt: Erzählprosa der chinesichen Autorin Wang Anyi von 1980 – 1990. Dortmund: Projekt Verlag, 1995.
TANG, Xiaobin. "Melancholy against the Grain: Approaching Postmodernity in Wang Anyi's Tales of Sorrow." Boundary 2 24, 3 (1997). Rpt. in Xudong Zhang and Arif Dirlik, eds., Postmodernism and China. Durham: Duke UP, 2000, 358-78.
WANG, Ban. "Love at Last Sight: Nostalgia, Commodity, and Temporailty in Wang Anyi's Song of Unending Sorrow." Positions: East Asia Cultures Critiques 10: 3 (Winter 2002): 669-94.
YUE, Gang. "Embodied Spaces of Home: Xiao Hong, Wang Anyi, and Li Ang." In The Mouth that Begs: Hunger, Cannibalism, and the Politics of Eating in Modern China. Durham: Duke University Press, 1999: 293-330.
ZHONG, Xueping. "Sisterhood? Representations of Women's Relationships in Two Contemporary Chinese Texts." In Tonglin Lu, ed., Gender and Sexuality in Twentieth Century Chinese Literature and Society. Albany: SUNY Press, 1993: 157-173.