hidden - assigned and confirmed by the Study Dept.
Date of registration:
30.05.2015
Date of assignment:
30.05.2015
Administrator's approval:
not processed yet
Confirmed by Study dept. on:
02.06.2015
Date and time of defence:
12.09.2016 08:30
Date of electronic submission:
24.05.2016
Date of proceeded defence:
12.09.2016
Submitted/finalized:
committed by student and finalized
Opponents:
prof. PhDr. Martin Hilský, CSc.
Guidelines
The aim of this BA Thesis is to analyse and compare Shakespeare’s prologues according to their formal features (narrative strategies, Chorus persona, distribution in the play) and their position and function in the individual plays. The introductory chapter will briefly comment on the use of the chorus in Elizabethan drama, providing the context for subsequent specific analysis of Shakespeare’s plays. The play which most extensively and consistently employs a Chorus figure, The Life of King Henry V, will provide a basis for categorising and explaining the above characteristics. The resulting “template” will then be compared with other Shakespeare’s prologues from all the genres of his plays. The other compared plays are The Life of King Henry VIII, Romeo and Juliet, Midsummer Night’s Dream, Troilus and Cressida and Pericles, Prince of Tyre.
References
Bruster, Douglas and Weimann, Robert, Prologues to Shakespeare's Theatre: Performance and Liminality in Early Modern Drama (2004) Benabu , Joel, Shakespeare and the Rhetorical Tradition: Toward Defining the Concept of an "Opening” (2012) Palmer, David John ,'we Shall Know By This Fellow'. Prologue And Chorus In Shakespeare (1982) Brennan, A. S, That Whithin Which Passes Show: The Function of the Chorus in Henry V (1979) Danson, Lawrence, Henry V: King, Chorus, and Critics, (1983) Jones, G. P., Henry V: The Chorus and the Audience (1978) Hoeniger, F. David, Gower and Shakespeare in Pericles (1982) Hillman, Richard, Shakespeare's Gower and Gower's Shakespeare: The Larger Debt of Pericles (1985)
- assigned and confirmed by the Study Dept.