Thesis (Selection of subject)Thesis (Selection of subject)(version: 368)
Thesis details
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Laberinto
Thesis title in Czech: Laberinto
Thesis title in English: Laberinto
Key words: Laberinto, labyrint, Ramon Llull, Andrea Ghisi, karetní hra, emblémy, formule patosu, tarotové karty, řečené Mantegnovy, ikonografie, rytiny, obraznost 17. století, Matematika, Industria, Quatro Orbi, Chiromantia, Felicita
English key words: Laberinto, labyrinth, Ramon Llull, Andrea Ghisi, card game, emblems, pathos formula, the so-called Tarocchi of Mantegna, iconography, engravings, 17th century imagery, Mathematic, Industria, Quatro Orbi, Chiromantia, Felicita
Academic year of topic announcement: 2014/2015
Thesis type: diploma thesis
Thesis language: angličtina
Department: Institute of Art History (21-UDU)
Supervisor: prof. PhDr. Lubomír Konečný
Author: hidden - assigned and confirmed by the Study Dept.
Date of registration: 27.11.2014
Date of assignment: 27.11.2014
Administrator's approval: not processed yet
Confirmed by Study dept. on: 22.03.2016
Date and time of defence: 14.09.2016 09:00
Date of electronic submission:17.08.2016
Date of proceeded defence: 14.09.2016
Submitted/finalized: committed by student and finalized
Opponents: Mgr. Ivo Purš, Ph.D.
 
 
 
Guidelines
Laberinto, a game created by Antonio Ghisi for Venetian doge at the beginning of 17th century. The thesis focuses on position and destination of the game in socio-cultural context. Laberinto had incorporated all characters of the So-Called Tarocchi of Mantegna also with dimension of thoughts of Raymond Lulle. The thesis is approaching the differences of these systems and defining reasons of change. In the center of interest is a change of iconography of several cards as symptoms of the epoch.
References
Mariano Tomatis Antoniono: The Map of Andrea Ghisi’s Laberinto. Turin, 2011.
Jan BiaŁostocki: Iconography. In: Philip P. Weiner (ed.): Dictionary of the History of Ideas. New York 2, 1974, 524-542.
Georges Didi-Huberman: Atlas ou le gai savoir inquiet. Paris, 2011.
Umberto Eco: Od stromu k labyrintu. Praha, 2012.
Eugen Fink: Hra jako symbol světa. Praha, 1990.
Michel Foucault: Les mots et les choses. Paris, 2012.
Romain Merlin: Origine des cartes à jouer. Paris, 1869.
Nadya Chisty-Mujahid: Some Theories Concerning Ghisi’s Laberinto. In: Fourhares.com: tarot studies archive, http://newsletter.tarotstudies.org/2011/05/concerning-ghisi%E2%80%99s-laberinto/, vyhledáno 31/7/2014.
Erwin Panofsky: Idea. Paris, 2011.
Mario Praz: Studies in Seventeenth-Century Imagery. Roma, 1964.
Mario Praz: Mnémosyné. The Parallel between Literature and Visual Arts. London, 1975.
Cesare Ripa: Iconologie ou explication nouvelle de plusieurs images. Paris, 1636.
Ami Ronnberg (ed.): The Book of Symbols. Reflecting the Archetypal Images. Kőln, 2010.
Jean Seznec: La Survivance des dieux antiques. Essai sur le rôle de la tradition mythologique dans l’humanisme et dans l’art de la renaissance. London, 1940.
Frances A. Yates: Raymond Lulle et Giordano Bruno. Paris, 1999.
 
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