Wang Meng a jeho literární dílo inspirované Xinjiangem

• Thesis title in Czech: Wang Meng a jeho literární dílo inspirované Xinjiangem
• Thesis title in English: Wang Meng and his Writings Inspired by Xinjiang
• Key words: Wang Meng, Xinjiang, Ujgurské etnikum, nehanská kultura , realismus, literární modernismus, proud vědomí,
• English key words: Wang Meng, Xinjiang, Uyghur ethnic group, non-Han culture, realism, literary modernism, stream of conscious
• Academic year of topic announcement: 2013/2014
• Thesis type: diploma thesis
• Thesis language: čeština
• Department: Department of Sinology (21-KSI)
• Supervisor: Mgr. Dušan Andrš, Ph.D.
• Author: hidden - assigned and confirmed by the Study Dept.
• Date of registration: 04.06.2014
• Date of assignment: 04.06.2014
• Administrator's approval: not processed yet
• Confirmed by Study dept. on: 11.06.2014
• Date and time of defence: 11.09.2015 09:00
• Date of electronic submission: 18.08.2015
• Date of proceeded defence: 11.09.2015
• Submitted/finalized: committed by student and finalized
• Opponents: prof. PhDr. Olga Lomová, CSc.

Guidelines

Práce představí Wang Mengovu prozaickou tvorbu (povídky, novely, eseje) inspirovanou spisovatelovým dlouholetým pobytem v Xinjiangu. Diplomantka provede analýzu co nejúplnějšího souboru relevantních děl a s přihlédnutím k dobovému kontextu představí specifika literárního obrazu nehanské kultury v díle hanského spisovatele. Vzhledem k tomu, že Wang Meng bývá označován za průkopníka dobového čínského literárního modernismu, diplomantka rovněž zmapuje případnou přítomnost modernistických prvků v prózách převážně realistického charakteru.

References

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Larson, Wendy. "Wang Meng's Buli (Bolshevik salute): Chinese Modernism and Negative Intellectual Identity." In Bolshevik Salute: A Modernist Chinese Novel. Seattle: University of Washington Press, 1989, 133-54.
Lin, Min and Maria Galikowski. "Wang Meng's 'Hard Porridge' and the Paradox of Reform in China." In Min Lin and Maria Galikowski, The Search for Modernity: Chinese Intellectuals and Cultural Discourse in the Post-Mao Era. NY: St. Martin's Press, 1999, 71-88.
Liu, Shao-t'ang and Ts'ung Wei-hsi. "Writing the Truth: The Essence of Socialist Realism." In Hualing Nieh, ed., Literature of the Hundred Flowers, Volume II: Poetry and Fiction. NY: Columbia UP, 1981, 523-26.
Martin, Helmut. "Painful Encounter: Wang Meng's Novel Hsiang chien shih nan and the 'Foreign Theme' in Contemporary Chinese Literature." In Yu-ming Shaw, ed., China and Europe in the Twentieth Century. Taipei: Institute of International Relations, National Chengchi University 1986, 32-42.
Tay, William. "Wang Meng, Stream-of-consciousness, and the Controversy over Modernism." Modern Chinese Literature 1, 1 (1984): 7-24.
Tay, William. "Modernism and Socialist Realism: The Case of Wang Meng." World Literature Today 65, 3 (1991): 411-13.
Wang Jing. High Culture Fever: Politics, Aesthetics, and Ideology in Deng's China. Berkeley: University of California Press, 1996.
Williams, Philip. "Stylistic Variety in a PRC Writer: Wang Meng's Fiction of the 1979-1980 Cultural Thaw." Australian Journal of Chinese Affairs 11 (1984): 59-80.
Zha, Peide. "Stream of Consciousness Narration in Contemporary Chinese Fiction: A Case Study of Wang Meng." B.C. Asian Review 3/4 (1990).