Poetika diela Mariny Carr
| Thesis title in thesis language (Slovak): | Poetika diela Mariny Carr |
|---|---|
| Thesis title in Czech: | Poetika díla Mariny Carr |
| Thesis title in English: | The Poetics of Marina Carr's Plays |
| Key words: | drama-Marina Carr-Irsko-divadlo |
| English key words: | drama-Marina Carr-Ireland-theatre |
| Academic year of topic announcement: | 2013/2014 |
| Thesis type: | diploma thesis |
| Thesis language: | slovenština |
| Department: | Departement of Theatre Studies (21-KDV) |
| Supervisor: | doc. Mgr. Martin Pšenička, Ph.D. |
| Author: | hidden - assigned and confirmed by the Study Dept. |
| Date of registration: | 17.01.2014 |
| Date of assignment: | 19.01.2014 |
| Administrator's approval: | not processed yet |
| Confirmed by Study dept. on: | 16.06.2014 |
| Date and time of defence: | 13.09.2016 09:00 |
| Date of electronic submission: | 04.09.2016 |
| Date of proceeded defence: | 13.09.2016 |
| Submitted/finalized: | committed by student and finalized |
| Opponents: | Mgr. Alena Sarkissian, Ph.D. |
| Guidelines |
| Študentka sa vo svojej diplomovej práci hodlá zaoberať tvorbou írskej dramatičky Mariny Carr, a inscenovaním jej diela v stredoeurópskom kontexte. Marina Carr patrí medzi najuvádzanejších írskych autorov, avšak jej tvorba nie je komplexne v českom prostredí príliš známa. Cieľom tejto diplomovej práce je tak predstaviť Marinu Carr ako pozoruhodnú dramatičku, pohybujúcu sa v rozmedzí od absurdistického experimentu, cez antické tragédie rodinných mikrosvetov, až po imaginatívne, nekonvenčné drámy, odkazujúce na osudovosť i mýtickosť prítomnú v írskej kultúrnej tradícii.
Východiskovým bodom tejto diplomovej práce by tak mal byť predovšetkým text, ale hľadať prepojenia medzi dvoma kultúrnymi svetmi nebude možné bez nahliadnutia na zhmotnenie diela M. Carr v niekoľkých írskych, českých a slovenských inscenáciach. Nosnou témou tejto diplomovej práce by mal byť taktiež pohľad na formovanie identity, či už máme na mysli írsku identitu, alebo identitu človeka zasadeného do prostedia rodiny, vzťahov, či pohľadom na seba samého. Prostredníctvom tvorby Mariny Carr by napokon táto diplomová práca chcela nahliadnuť na fenomén multikultúrnosti a globalizácie írskeho divadla smerom k širšiemu svetovému publiku, ako čoraz populárnejšieho inscenovania dramatiky írskej proveniencie v českom a slovenskom prostredí. |
| References |
| CARR, Marina. Plays 1. London: Faber and Faber, 1999.
CARR, Marina. Plays 2. London: Faber and Faber, 2009. CARR, Marina: 12 Possible Glimpses. Loughcrew: The Gallery Press, 2011. Deviant acts : essays on queer performance. Ed. David Cregan. Dublin: Carysfort Press, 2009. The dreaming body : contemporary Irish theatre. Ed. Melissa Sihra and Paul Murphy. Gerrards Cross: Colin Smythe, 2009 Druids, dudes, and beauty queens : the changing face of Irish theatre. Ed. Dermot Bolger. Dublin : New Island, 2001. Echoes down the corridor. Ed. Patrick Lonergan and Riana O'Dwyer. Dublin : Carysfort Press, 2007. Interactions : Dublin Theatre Festival, 1957-2007. Ed. Nicholas Grene and Patrick Lonergan ; with Lilian Chambers. Dublin : Carysfort Press, 2008. Irish theatre on tour. Ed. Nicholas Grene and Chris Morash. Dublin : Carysfort Press, 2005. Irish Drama: Local and Global Perspectives. Ed. Nicolas Grene and Patrick Lonergan. Dublin: Carysfort Press, 2012. Suspect cultures : narrative, identity & citation in 1990s new drama. Ed. Clare Wallace. Prague : Litteraria Pragensia, 2006. The dreaming body : contemporary Irish theatre. Ed. Melissa Sihra and Paul Murphy. Gerrards Cross: Colin Smythe, 2009 The state of play : Irish theatre in the 'nineties. Ed. Eberhard Bort. Trier : Wissenschaftlicher Verlag Trier, 1996. Theatre talk : voices of Irish theatre practitioners. Ed. Lilian Chambers et al. Dublin : Carysfort Press, 2001. Theatre stuff : critical essays on contemporrary Irish theatre. Ed. Eamonn Jordan. Dublin : Carysfort Press, 2000. The theatre of Marina Carr : "before rules was made". Ed. Cathy Leeney and Anna McMullan. Dublin : Carysfort Press, 2003. Women in Irish Drama: a century of auhtorship and representation. Basingstoke: Palgrave Macmillan, 2007. ARKINS, Brian.: Irish Appropriation of Greek Tragedy. Dublin: A Carysfort Press Book, 2009. HARRIS, Peter.: From stage to page : critical reception of Irish plays in the London theatre, 1925-1996. Oxford ; New York : Peter Lang, 2011 HARRIS, Susan C.: Gender and Modern Irish Drama. Bloomington: Indiana University Press, 2002. JORDAN, Eamonn.: Dissident dramaturgies : contemporary Irish theatre. Dublin ; Portland, OR : Irish Academic Press, 2010. KOZAK, Krištof Jacek.: Príťažlivá osudovosť: subjekt a tragédia. Bratislava: Divadelný ústav, 2012. KRISTEVA, Julia, Catherine CLÉMENT.: The feminine and the sacred. New York: Columbia University Press, 2001. LEENEY, Cathy.: Irish Women Playwrights, 1900-1939: gender and violence on stage. New York: Peter Lang, 2010. LONERGAN, Patrick.: Theatre and globalization : Irish drama in the Celtic tiger era. Basingstoke : Palgrave Macmillan, 2009. MORASH, Christopher.: A history of Irish theatre 1601-2000. Cambridge : Cambridge University Press, 2002. O’REILLY, Anne F.: Sacred Play: Soul-journeys in Contemporary Irish Theatre. Dublin: Carysfort Press, 2004. STEINER, George. Smrť tragédie. Bratislava: Divadelný ústav, 2011. SWEENEY, Bernadette.: Performing the Body in Irish theatre. New York : Palgrave Macmillan, 2008. TRENCH, Rhona.: Bloody living : the loss of selfhood in the plays of Marina Carr. Bern ; New York : Peter Lang, 2010. TROTTER, MARY.: Modern Irish Theatre. Cambridge : Polity, 2008. |