Giovanni Manzuoli a jeho vokální profil z 60. let 18. století
| Thesis title in Czech: | Giovanni Manzuoli a jeho vokální profil z 60. let 18. století |
|---|---|
| Thesis title in English: | Giovanni Manzuoli and his vocal profile of the 1760s |
| Key words: | Giovanni Manzuoli, opera seria, kastrát, 18. století, vokální profil, analýza árií |
| English key words: | Giovanni Manzuoli, opera seria, castrato, 18th century, vocal profile, arias analysis |
| Academic year of topic announcement: | 2012/2013 |
| Thesis type: | Bachelor's thesis |
| Thesis language: | čeština |
| Department: | Institute of Musicology (21-UHV) |
| Supervisor: | doc. Mgr. Marc Niubo, Ph.D. |
| Author: | hidden - assigned and confirmed by the Study Dept. |
| Date of registration: | 24.06.2013 |
| Date of assignment: | 27.06.2013 |
| Administrator's approval: | not processed yet |
| Confirmed by Study dept. on: | 10.07.2013 |
| Date and time of defence: | 02.02.2015 10:45 |
| Date of electronic submission: | 02.01.2015 |
| Date of proceeded defence: | 02.02.2015 |
| Submitted/finalized: | committed by student and finalized |
| Opponents: | prof. PhDr. Jarmila Gabrielová, CSc. |
| Guidelines |
| Úkolem práce bude shrnout dosavadní znalosti o Giovannim Manzuolim, rekonstruovat jeho pěveckou kariéru primárně na základě známých operních vystoupení a podrobněji analyzovat vybrané árie pro něj komponované v 60. letech 18. století, zejména z perspektivy dobové pěvecké techniky a interpretace. |
| References |
| Základní literatura:
Ch. Burney, The Present State of Music in France and Italy, London 1771, 2/1773. C. Eisen, The Cambridge Mozart Encyclopedia, Cambridge 2006. K. J. Kutsch, Leo Riemens, Grosses Sänger Lexikon, Bern 1997-2002. C. Sartori, I libretti italiani a stampa dalle origini fino al 1800, Cuneo 1900-1994. C. Ricci, I teatri di Bologna nei secoli XVII e XVIII: storia aneddotica, Bologna 1888/R. B. A. Brown, Gluck and the French Theatre in Vienna, Oxford 1991. D. Heartz, Haydn's Acide e Galatea and the Imperial Wedding Operas of 1760 by Hasse and Gluck, Vienna 1982. R. Strohm, Die italienische Oper im 18. Jahrhundert, Wilhelmshaven 1979 (2002). – (R. Strohm, L’opera italiana nel Settecento, Venezia 1991.) R. Celletti, Storia del belcanto, Fiesole 1983. A. Heriot, The Castrati in Opera, London 1956/R. J. Agricola, Introduction to the art of singing, (translated J. Baird), Cambridge 1995. G. B. Mancini: Pensieri, e riflessioni pratiche sopra il canto figurato, Milano 1777. Johann Christian Bach, Adriano in Siria, Opera Seria in Three Acts, The Collected Works of J. C. Bach, vol. 5, ed. Ernest Warburton, New York: Garland Pub. 1985. Christoph Willibald Ritter von Gluck, Il trionfo di Clelia, dramma per musica in drei Akten, Sämtliche Werke, Abt. 3, Italienische Opere serie und Opernserenaden / Christoph Willibald Gluck, Bd. 23, ed. Angela Knapp, Kassel: Bärenreiter 2008. Johann Adolph Hasse, Ruggiero ovvero L'Eroica Grattitudine, Concentus musicus, Bd. 1, ed. Klaus Hortschansky, Köln: Arno Volk Verlag, 1973. Wolfgang Amadeus Mozart, Ascanio in Alba, festspiel in zwei Teilen, (Neue Ausgabe sämtlicher Werke, Serie II, Bühnenwerke, Werkgruppe 5, Opern und Singspiele, Bd. 5, ed. Luigi Ferdinando Tagliavini), Leipzig 1956. |