Písať dejiny v budúcom čase: možnosti metodologických prístupov k súčasnému rómskemu umeniu
| Thesis title in thesis language (Slovak): | Písať dejiny v budúcom čase: možnosti metodologických prístupov k súčasnému rómskemu umeniu |
|---|---|
| Thesis title in Czech: | Psát dějiny v budoucím čase: možnosti metodologických přístupů k současnému rómskému umění |
| Thesis title in English: | Writing History in the Future Tense: Methodological Approaches to Contemporary Roma Art |
| Key words: | současné umění|rómské umění|romafuturismus|postkolonialismus|reprezentace|vizuální kultura |
| English key words: | contemporary art|Roma art|Romafuturism|postcolonialism|representation|visual culture |
| Academic year of topic announcement: | 2017/2018 |
| Thesis type: | diploma thesis |
| Thesis language: | slovenština |
| Department: | Institute of Art History (21-UDU) |
| Supervisor: | prof. PhDr. Marie Rakušanová, Ph.D. |
| Author: | hidden - assigned and confirmed by the Study Dept. |
| Date of registration: | 05.01.2018 |
| Date of assignment: | 05.01.2018 |
| Administrator's approval: | not processed yet |
| Confirmed by Study dept. on: | 08.02.2018 |
| Date and time of defence: | 31.01.2019 10:00 |
| Date of electronic submission: | 06.12.2018 |
| Date of proceeded defence: | 31.01.2019 |
| Submitted/finalized: | committed by student and finalized |
| Opponents: | Mgr. Zuzana Štefková, Ph.D. |
| Guidelines |
| Táto diplomová práca skúma vybrané tematické okruhy a prístupy v rámci súčasného rómskeho umenia, a zároveň sa zaoberá možnosťami písania o ňom z pozície dejín umenia. Prvá časť práce sa sústreďuje predovšetkým na metodologické východiská práce, ktoré sa zakladajú na teóriách postštrukturalizmu a postkolonializmu. Jej cieľom je poskytnúť relevantný rozbor tradičných rámcov dejín umenia a načrtnúť možné nové perspektívy v súvislosti s analyzovanou témou. V druhej časti práce budú tieto artikulované závery ďalej rozšírené a rozpracované na príkladoch vybraných diel súčasných umelcov. Zámerom je predstaviť tri štúdie postavené na okruhoch týkajúcich sa času, priestoru a tela. Dôraz je pritom kladený na umelecké stratégie, ktoré využívajú princíp liminality, ambivalencie a ďalšie príbuzné taktiky za účelom dekonštrukcie a následnej rekonštrukcie reprezentácie Rómov v umení aj v ďalších oblastiach. This thesis is aimed to study selected themes and approaches within Contemporary Roma Art, and at the same time investigate possibilities of writing about this topic from the perspective of Art History. First part of this paper is focused on methodological foundations of presented work with emphasis on poststructuralism and postcolonialism. The objective of this part is to provide relevant analysis of traditional frames of Art History in order to propose possible novel perspectives related to the topic of Contemporary Roma Art. Subsequently, the conclusions will be further developed and extended within the analysis of selected artworks from contemporary artists. The aim is to present three interrealted studies based on themes of time, space and body with the stress placed on artistic strategies using tactics of liminality, ambivalence and other related approaches in order to deconstruct and reconstruct representations of Roma in art and other spheres. |
| References |
| Literature: M. Hlavajová, D. Baker (ed.): We Roma: A Critical Reader in Contemporary Art, 2013 L. Bahlmann, M. Reichelt (ed.): Reconsidering Roma: Aspects of Roma and Sinti Life in Contemporary Art, 2011 L. Bahlmann, M. Reichelt (ed.): Romanistan: Crossing Spaces in Europe, 2013 D. Baker: Gypsy Visuality: Gell’s Art Nexus and its potential for artists, 2011 T. Junghaus: Meet your neighbours: Contemporary Roma Art from Europe, 2006 T. Junghaus, K. Székely: Paradise Lost, 2007 H. Arendt: We Refugees, in M. Robinson (ed.): Altogether Elsewhere - Writers on Exile, 1994 H. Bhabha: The Location of Culture, 1994 Post-colonial Thought II - Anouar Abdel-Malek, Chinua Achebe, Aimé Césaire, Achille Mbembe, Edward Said, Ngugi Wa Thiong’o, 2011 Post-colonial Thought IV - Arjun Appadurai, Ramón Grosfoguel, Stuart Hall, Dipesch Chakrabarty, Partha Chatterjee, Gayatri Chakravorty Spivak, 2013 F. Fanon: Black Skin, White Mask, 2011 F. Fanon: The Wretched of the Earth, 2015 G. Chakravorty Spivak: Can the Subaltern Speak?, 1988 E. Said: Orientalism, 1979 Trinh T. Minh-ha: Elsewhere, Within Here, 2015 D. Brydon (ed.): Postcolonialism: critical concepts in literary and cultural studies, 2000 J. Culler (ed.): Deconstruction: critical concepts in literary and cultural studies, 2003 S. Vertovec, R. Cohen (ed.): Migration, diasporas, and transnationalism, 1999 J. Rutherford (ed.): Identity: Community, Culture, Difference, 1990 S. Hall, J. Evans, S. Nixon (ed.): Representation: Cultural Representation and Signifying Practices, 2013 J. Ranciére: The politics of aesthetics: the distribution of the sensible, 2006 Y. Womack: Afrofuturism: the world of black sci-fi and fantasy culture, 2013 Magazines: The Third Text, ARTMargins, Romano Džaniben Websites:http://rombase.uni-graz.at/ http://www.callthewitness.net/ https://blog.romarchive.eu/ |