Uroboros jako symbol věčné paměti: emblematika erbu Levinia Serafini v memorii pro Agostina Pettorali v Bologni.
| Thesis title in Czech: | Uroboros jako symbol věčné paměti: emblematika erbu Levinia Serafini v memorii pro Agostina Pettorali v Bologni. |
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| Thesis title in English: | Ouroboros as a symbol of eternal memory: the emblematics of the coat of arms of Levinio Serafini in a memoria for Agostino Pettorali in Bologna. |
| Key words: | Uroboros|emblematika|erb|Hieroglyphica|Levinio Serafini|Archiginnasio|Bologna |
| English key words: | Ouroboros|emblematics|coat of arms|Hieroglyphica|Levinio Serafini|Archiginnasio|Bologna |
| Academic year of topic announcement: | 2022/2023 |
| Thesis type: | Bachelor's thesis |
| Thesis language: | čeština |
| Department: | Institute of Art History (21-UDU) |
| Supervisor: | prof. PhDr. Ing. Jan Royt, Ph.D. |
| Author: | hidden - assigned and confirmed by the Study Dept. |
| Date of registration: | 15.07.2023 |
| Date of assignment: | 15.07.2023 |
| Administrator's approval: | approved |
| Confirmed by Study dept. on: | 21.07.2023 |
| Date and time of defence: | 11.06.2024 09:00 |
| Date of electronic submission: | 06.05.2024 |
| Date of proceeded defence: | 11.06.2024 |
| Submitted/finalized: | committed by student and finalized |
| Opponents: | prof. PhDr. Lubomír Konečný |
| Guidelines |
| Bakalářská práce se bude zabývat interpretací erbu Levinia Serafini, jenž je součástí memorie věnované Agostinu Pettorali ve vnitřním dvoře Archiginnasia v Bologni, jakožto emblému spojujícího symbol hada zakousnutého do svého vlastního ocasu (uroboros) s nápisem „Prior“, z nichž se Serafiniho erb skládá. Interpretace bude vystavěna s ohledem na dobovou emblematiku, jejíž původ můžeme klást do Bologni 16. století, a tudíž můžeme sledovat přímé navázání na Serafiniho erb, což bude podloženo jednak archivním výzkumem, jednak obecnějším výkladem symbolu urobora v kontextu jeho využití v uměleckých dílech 16. století. V těch uroboros znázorňoval zejména čas, věčnost a svět, přičemž jedno z nejstarších vyobrazení urobora ve Chrysopeia Cleopatra je doprovázeno původně řeckým nápisem „vše je jeden“, což může být emblematikou 16. století spojeno s nápisem „Prior“ Levinia Serafini.
The bachelor thesis deals with the interpretation of the coat of arms of Levinio Serafini, which is part of a memoria dedicated to Agostino Pettorali in the inner court of the Archiginnasio in Bologna, as an emblem combining the symbol of a snake biting its own tail (ouroboros) with the inscription “Prior”, of which Serafini's coat of arms is composed. The interpretation will be constructed in connection with then contemporary emblematics, whose origins can be traced back to the 16th century Bologna, and thus a direct link to Serafini's coat of arms can be traced. This point of view will be supported both by archival research and by an interpretation of the ouroboros symbol in the context of its use in the 16th century works of art. In these, the ouroboros symbol represented time, eternity, and the concept of the world. One of the earliest depictions of the ouroboros in the Chrysopeia Cleopatra is accompanied by the originally Greek inscription 'all is one', which may be within the 16th century emblematics associated with Levinio Serafini’s inscription “Prior”. |
| References |
| Prameny/Sources:
Archiv Biblioteca Comunale dell’Archiginnasio di Bologna. HORAPOLLO, Hori Apollinis Niliaci Hieroglyphica hoc est De sacris Aegyptiorum literis libelli duo de Graeco in Latinum sermonem a Philippo Phasianino Bononiensi nunc primum translati, přel. Philipus Phasanini, Bologna: Girolamo Beneditti, 1517. ALCIATI, Andrea. Andreae Alciati Emblematum libellus. Parigi: Chrétien Wechel, 1536. RIPA, Cesare. Iconologia overo desrittione dell’Imagini universali cavate dall’Antichità Et da altri luoghi Da Cesare Ripa Perugino. Roma: Per gli Heredi di Gio. Gigliotti, 1593. Literatura/Literature: BRIZZI, Gian Paolo. Imago Universitatis: Celebrazioni e autorappresentazioni di maestri e studenti nella decorazione parietale dell’Archiginnasio, volume I. Bologna: Bononia University Press, 2011. ISBN 978-88-7395-662-4. MAHDIHASSAN, S. The Significance of Ouroboros in Alchemy and in Primitive Symbolism. Iqbal, 1963. HOWEY, M. Oldfield. The Encircled Serpent a Study of Serpent Symbolism in All Countries and Ages. New York City: Arthur Richmond Company, 1955. |