Pohyb a multiplicita. Ontologický rozměr malby v dílech Gilla Deleuze

• Thesis title in Czech: Pohyb a multiplicita. Ontologický rozměr malby v dílech Gilla Deleuze
• Thesis title in English: Movement and multiplicity. Ontological dimension of painting in Gilles Deleuze's works.
• Key words: Pohyb, multiplicita, stávání se, Reprezentace, rhizom, malba, Gilles Deleuze, Francis Bacon
• English key words: Movement, multiplicity, becomin, reprezentation, rhizome, painting, Gilles Deleuze, Francis Bacon
• Academic year of topic announcement: 2011/2012
• Thesis type: diploma thesis
• Thesis language: čeština
• Department: Programme Electronic Culture and Semiotics (24-KEKS)
• Supervisor: doc. Michaela Fišerová, Ph.D.
• Author: hidden - assigned by the advisor
• Date of registration: 01.03.2012
• Date of assignment: 01.03.2012
• Date of electronic submission: 27.06.2013
• Date of proceeded defence: 25.09.2013
• Course: Thesis Defence (YMMM4A10)
• Opponents: prof. PhDr. Miroslav Marcelli, CSc.

Preliminary scope of work

Tato diplomová práce se zabývám ověřením tvrzení, že pohyb a multiplicita, se v Deleuzově interpretaci práce Francise Bacona, stávají novými ontologickými rysy malby, zároveň však Deleuzovo kritické gesto čtení Baconových myšlenek i dalších textů, tematizuje vztah reprezentace a interpretace ve smyslu využitelnosti Deleuzových myšlenkových konceptů pro filosofickou reflexi teorie malby.

Preliminary scope of work in English

The aim of the thesis is to verify the claim that movement and multiplicity in the works of Francis Bacon, as interpreted by Deleuze, become novel ontological features of the paintings; at the same time, Deleuze's critical reading of Bacon's thoughts and other texts foregrounds the relationships of representation and interpretation, thus making Deleuze's concepts applicable to the philosophical refexion of the theory of painting.