Rock Nacional a protest: analýza písňových textů v Argentině 70. a 80. let 20. století
| Thesis title in Czech: | Rock Nacional a protest: analýza písňových textů v Argentině 70. a 80. let 20. století |
|---|---|
| Thesis title in English: | Rock Nacional and Protest: An Analysis of Song Lyrics in 1970s and 1980s Argentina |
| Key words: | Rock Nacional|Argentina|El Proceso|Guerra Sucia|hudba|tematická analýza|SIT|Charly García |
| English key words: | Rock Nacional|Argentina|El Proceso|Guerra Sucia|music|tematická analýza|SIT|Charly García |
| Academic year of topic announcement: | 2021/2022 |
| Thesis type: | diploma thesis |
| Thesis language: | čeština |
| Department: | Centre for Ibero-American Studies (21-SIAS) |
| Supervisor: | Mgr. Monika Brenišínová, Ph.D. |
| Author: | hidden - assigned and confirmed by the Study Dept. |
| Date of registration: | 19.10.2022 |
| Date of assignment: | 19.10.2022 |
| Administrator's approval: | not processed yet |
| Confirmed by Study dept. on: | 01.11.2022 |
| Date and time of defence: | 03.06.2024 12:00 |
| Date of electronic submission: | 06.04.2024 |
| Date of proceeded defence: | 03.06.2024 |
| Submitted/finalized: | committed by student and finalized |
| Opponents: | prof. Markéta Křížová, Ph.D. |
| Guidelines |
| Práce se zabývá texty písní vzniklých v Argentině v období od 70. let do roku 1983, primárně za vojenské diktatury vedené Jorgem Rafaelem Videlou (1976-1983), a spadajících pod specificky argentinský žánr zvaný Rock Nacional. S pomocí kvalitativní analýzy hledá v textech vzorce a témata, skrze která mohla argentinská mládež (tj. primární cílová skupina žánru) vnímat protestní, anti-establishmentový tón, jež byl Rocku Nacional vlastní. Zároveň zkoumá, jak se skrze rockovou hudbu formovala identita mladých založená právě na vymezení se vůči kultuře rodičů, a klade si otázku, do jaké míry lze vnímat Rock Nacional jako žánr protestní z politického hlediska a do jaké míry je onen protest „pouze“ generační. The thesis examines lyrics of songs falling into the Argentine Rock Nacional genre that were written from the 1970s to 1983, focusing primarily on the military junta dictatorship period (1976-1983) lead by Jorge Rafael Videla. Using qualitative analysis, the thesis searches the lyrics for patterns and themes through which Argentine youth of the time (i.e. the genre’s primary target group) could identify the anti-establishment tone of protest Rock Nacional possesed. Furthermore, the thesis explores the ways in which a youth identity based on the rejection of the culture of the parents was formed through rock music and asks the following question: to what extent can we see Rock Nacional as a protest genre in a political way? And to what extent is this protest „only“ generational? |
| References |
| CLAYTON, Martin. The Cultural Study of Music: a Critical Introduction COVACH, John (ed). Understanding Rock: Essays in Musical Analysis. New York: Oxford University Press, 1997. FAIRLEY, Jan. La Nueva Canción Latinoamericana. Bulletin of Latin American Research 3/2, January 1984, 107-115. FAVORETTO, Mara. Alegoría e ironía bajo censura en la Argentina del Proceso (1976-1983). New York: Edwin Mellen Press, 2010. HALL, Stuart. The rediscovery of „ideology“: return of the repressed in media studies. Culture, Society and the Media. Michael Gurevitch et al. New York: Methuen, 1982 MANABE, Noriko. The Revolution Will Not Be Televised: Protest Music After Fukushima. Oxford University Press, 2016. MANZANO, Valeria. "Rock Nacional" and Revolutionary Politics: The Making of a Youth Culture of Contestation in Argentina, 1966-1976. The Americas, 2014 MANZANO, Valeria. The Age of Youth in Argentina: Culture, Politics and Sexuality from Perón to Videla. The University of North Carolina Press, 2014 NEUSTADT, Robert. Music as Memory and Torture: Sounds of Repression and Protest in Chile and Argentina. Chasqui, 2004 PEDELTY, Mark + WEGLARZ, Kristine (eds). Political Rock. Farnham: Ashgate, 2013. SHAW, Lauren. Song and Social Change in Latin America STREET, John. Music and Politics. Cambridge: Polity, 2012 TURINO, Thomas. Music as Social Life: The Politics of Participation. Chicago: University of Chicago Press, 2008. VILA, Pablo. Argentina's "Rock Nacional": The Struggle for Meaning. Revista de Música Latinoamericana, 1989 VILA, Pablo, CAMMACK, Paul. Rock Nacional and Dictatorship in Argentina. Popular Music, 1987 |