Redéfinir la relation à une époque de patrimoine : le dialogue culturel franco-chinois
Název práce v jazyce práce (francouzština): | Redéfinir la relation à une époque de patrimoine : le dialogue culturel franco-chinois |
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Název práce v češtině: | Redefinice vztahu na epochu dědictví: kulturní dialog mezi Francií a Čínou |
Název v anglickém jazyce: | To redefine a relation in a period of heritage: the French-Chinese cultural dialogue |
Klíčová slova: | Echanges culturels|Politique culturelle|Relations internationales|opinion publique|identité nationale |
Klíčová slova anglicky: | cultural exchanges|cultural policy|International relationships|public opinion|national identity |
Akademický rok vypsání: | 2019/2020 |
Typ práce: | diplomová práce |
Jazyk práce: | francouzština |
Ústav: | Ústav světových dějin (21-USD) |
Vedoucí / školitel: | Mgr. Ondřej Daniel, Ph.D. |
Řešitel: | skrytý![]() |
Datum přihlášení: | 24.06.2020 |
Datum zadání: | 25.06.2020 |
Schválení administrátorem: | zatím neschvalováno |
Datum potvrzení stud. oddělením: | 09.07.2020 |
Datum a čas obhajoby: | 22.06.2021 10:15 |
Datum odevzdání elektronické podoby: | 24.05.2021 |
Datum proběhlé obhajoby: | 22.06.2021 |
Odevzdaná/finalizovaná: | odevzdaná studentem a finalizovaná |
Oponenti: | Mgr. Jaroslav Svátek, Ph.D. |
Péter Erdösi | |
Zásady pro vypracování |
In this study, the main issues related to the role of cultural exchanges in international relations as cultural heritage prevails today are discussed. UNESCO is the largest and key point of the Inter-governmental international organizations. Through this organization, China’s educational and cultural undertakings have established close ties with the entire world, especially France. Judging from the cultural exchanges between the two countries in recent decades, France took the lead in raising the banner of cultural protectionism, through diplomatic means to protect their own culture. This also raises the international community to protect and develop cultural heritage and national culture, to “seek unity in diversity, still protect diversity in unity.” China guides the diplomatic work with the world cultural diversity, advocates respect for diversity and the maintenance of world civilization, promotes dialogue between civilizations and international cultural cooperation. For example, construction of new exhibition museums, transfer of knowledge and technology, exchange of professional talents, etc. Those have set a good example for each country to develop its cultural foreign relations, which are widely recognized by the international community. By studying some representative cases, it is questioned, while promoting the establishment of equality in the international community, whether the two countries are trying to establish a new international civilized order together, by the means that the consideration of comprehensive national power increasingly pays attention to the development of history and cultural industries, rather than the power of economy and finance like themselves, or do they compete for cultural hegemony to some extent. This article aims also to discuss how under the framework of cultural heritage discourse, several ideas advocated by UNESCO can be accepted and internalized by the two countries as the cultural policies and actual action; how China and France can use UNESCO to achieve soft power building. |
Seznam odborné literatury |
1) XIE, Zheping. China & UNESCO: An Empirical Study of International Institution's Impact on Member States, Educational Science Publication House, 2010 2) GED, Françoise – MARINOS, Alain. “VILLES, TERRITOIRES ET PATRIMOINE: Quinze Ans de Coopération entre la Chine et la France”, Comité-miroir Villes et Villages Historiques, ICOMOS France, 2015 3) GIRARD, Augustin – GENTIL, Geneviève. Cultural development - experiences and policies, UNESCO, Second edition, 1983 4) O’BRIEN, Dave. Cultural Policy: Management, value and modernity in creative industries, Routledge, 2014 5) MCGUIGAN, Jim. Rethinking Cultural Policy, McGraw-Hill, 2004 6) HALL, Edward Twitchell. Beyond culture. Anchor, 1976 7) Miller, Toby - George Yudice. Cultural Policy, Sage Publications, 2002 8) NYE, Joseph. SOFT POWER : The Means to Success in World Politics, NEW YORK: Public Affairs, 2004 9) LIU, Yingzi – LAVROFF, Serge. La Concession française de Hankou et son architecture, La Maison d’édition de Wuhan, 2013 10) CHAY, Jongsuk (ed.) Culture and International Relations, Praeger Publishers, 1990 |